The Project Gutenberg EBook of Free Air, by Sinclair Lewis

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net


Title: Free Air

Author: Sinclair Lewis

Release Date: September 30, 2008 [EBook #26732]

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK FREE AIR ***




Produced by K Nordquist, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)









       FREE AIR


          BY
    SINCLAIR LEWIS

      AUTHOR OF
    THE JOB, ETC.


       [Device]


   GROSSET & DUNLAP
 PUBLISHERS  NEW YORK




      COPYRIGHT, 1919, BY
 HARCOURT, BRACE AND HOWE, INC.




CONTENTS


 CHAPTER                                                         PAGE
       I  MISS BOLTWOOD OF BROOKLYN IS LOST IN THE MUD              3
      II  CLAIRE ESCAPES FROM RESPECTABILITY                       10
     III  A YOUNG MAN IN A RAINCOAT                                21
      IV  A ROOM WITHOUT                                           36
       V  RELEASE BRAKES--SHIFT TO THIRD                           49
      VI  THE LAND OF BILLOWING CLOUDS                             66
     VII  THE GREAT AMERICAN FRYING PAN                            74
    VIII  THE DISCOVERY OF CANNED SHRIMPS AND HESPERIDES           85
      IX  THE MAN WITH AGATE EYES                                 101
       X  THE CURIOUS INCIDENT OF THE HILLSIDE ROAD               112
      XI  SAGEBRUSH TOURISTS OF THE GREAT HIGHWAY                 119
     XII  THE WONDERS OF NATURE WITH ALL MODERN IMPROVEMENTS      129
    XIII  ADVENTURERS BY FIRELIGHT                                138
     XIV  THE BEAST OF THE CORRAL                                 149
      XV  THE BLACK DAY OF THE VOYAGE                             154
     XVI  THE SPECTACLES OF AUTHORITY                             165
    XVII  THE VAGABOND IN GREEN                                   176
   XVIII  THE FALLACY OF ROMANCE                                  188
     XIX  THE NIGHT OF ENDLESS PINES                              194
      XX  THE FREE WOMAN                                          205
     XXI  THE MINE OF LOST SOULS                                  219
    XXII  ACROSS THE ROOF OF THE WORLD                            228
   XXIII  THE GRAEL IN A BACK YARD IN YAKIMA                      237
    XXIV  HER OWN PEOPLE                                          242
     XXV  THE ABYSSINIAN PRINCE                                   254
    XXVI  A CLASS IN ENGINEERING AND OMELETS                      270
   XXVII  THE VICIOUSNESS OF NICE THINGS                          279
  XXVIII  THE MORNING COAT OF MR. HUDSON B. RIGGS                 290
    XXIX  THE ENEMY LOVE                                          300
     XXX  THE VIRTUOUS PLOTTERS                                   307
    XXXI  THE KITCHEN INTIMATE                                    310
   XXXII  THE CORNFIELD ARISTOCRAT                                331
  XXXIII  TOOTH-MUG TEA                                           345
   XXXIV  THE BEGINNING OF A STORY                                361




FREE AIR




FREE AIR




CHAPTER I

MISS BOLTWOOD OF BROOKLYN IS LOST IN THE MUD


When the windshield was closed it became so filmed with rain that Claire
fancied she was piloting a drowned car in dim spaces under the sea. When
it was open, drops jabbed into her eyes and chilled her cheeks. She was
excited and thoroughly miserable. She realized that these Minnesota
country roads had no respect for her polite experience on Long Island
parkways. She felt like a woman, not like a driver.

But the Gomez-Dep roadster had seventy horsepower, and sang songs. Since
she had left Minneapolis nothing had passed her. Back yonder a truck had
tried to crowd her, and she had dropped into a ditch, climbed a bank,
returned to the road, and after that the truck was not. Now she was
regarding a view more splendid than mountains above a garden by the
sea--a stretch of good road. To her passenger, her father, Claire
chanted:

"Heavenly! There's some gravel. We can make time. We'll hustle on to the
next town and get dry."

"Yes. But don't mind me. You're doing very well," her father sighed.

Instantly, the dismay of it rushing at her, she saw the end of the patch
of gravel. The road ahead was a wet black smear, criss-crossed with
ruts. The car shot into a morass of prairie gumbo--which is mud mixed
with tar, fly-paper, fish glue, and well-chewed, chocolate-covered
caramels. When cattle get into gumbo, the farmers send for the
stump-dynamite and try blasting.

It was her first really bad stretch of road. She was frightened. Then
she was too appallingly busy to be frightened, or to be Miss Claire
Boltwood, or to comfort her uneasy father. She had to drive. Her frail
graceful arms put into it a vicious vigor that was genius.

When the wheels struck the slime, they slid, they wallowed. The car
skidded. It was terrifyingly out of control. It began majestically to
turn toward the ditch. She fought the steering wheel as though she were
shadow-boxing, but the car kept contemptuously staggering till it was
sideways, straight across the road. Somehow, it was back again, eating
into a rut, going ahead. She didn't know how she had done it, but she
had got it back. She longed to take time to retrace her own cleverness
in steering. She didn't. She kept going.

The car backfired, slowed. She yanked the gear from third into first.
She sped up. The motor ran like a terrified pounding heart, while the
car crept on by inches through filthy mud that stretched ahead of her
without relief.

She was battling to hold the car in the principal rut. She snatched the
windshield open, and concentrated on that left rut. She felt that she
was keeping the wheel from climbing those high sides of the rut, those
six-inch walls of mud, sparkling with tiny grits. Her mind snarled at
her arms, "Let the ruts do the steering. You're just fighting against
them." It worked. Once she let the wheels alone they comfortably
followed the furrows, and for three seconds she had that delightful
belief of every motorist after every mishap, "Now that this particular
disagreeableness is over, I'll never, never have any trouble again!"

But suppose the engine overheated, ran out of water? Anxiety twanged at
her nerves. And the deep distinctive ruts were changing to a complex
pattern, like the rails in a city switchyard. She picked out the track
of the one motor car that had been through here recently. It was marked
with the swastika tread of the rear tires. That track was her friend;
she knew and loved the driver of a car she had never seen in her life.

She was very tired. She wondered if she might not stop for a moment.
Then she came to an upslope. The car faltered; felt indecisive beneath
her. She jabbed down the accelerator. Her hands pushed at the steering
wheel as though she were pushing the car. The engine picked up, sulkily
kept going. To the eye, there was merely a rise in the rolling ground,
but to her anxiety it was a mountain up which she--not the engine, but
herself--pulled this bulky mass, till she had reached the top, and was
safe again--for a second. Still there was no visible end of the mud.

In alarm she thought, "How long does it last? I can't keep this up.
I--Oh!"

The guiding tread of the previous car was suddenly lost in a mass of
heaving, bubble-scattered mud, like a batter of black dough. She fairly
picked up the car, and flung it into that welter, through it, and back
into the reappearing swastika-marked trail.

Her father spoke: "You're biting your lips. They'll bleed, if you don't
look out. Better stop and rest."

"Can't! No bottom to this mud. Once stop and lose momentum--stuck for
keeps!"

She had ten more minutes of it before she reached a combination of
bridge and culvert, with a plank platform above a big tile drain. With
this solid plank bottom, she could stop. Silence came roaring down as
she turned the switch. The bubbling water in the radiator steamed about
the cap. Claire was conscious of tautness of the cords of her neck in
front; of a pain at the base of her brain. Her father glanced at her
curiously. "I must be a wreck. I'm sure my hair is frightful," she
thought, but forgot it as she looked at him. His face was unusually
pale. In the tumult of activity he had been betrayed into letting the
old despondent look blur his eyes and sag his mouth. "Must get on," she
determined.

Claire was dainty of habit. She detested untwisted hair, ripped gloves,
muddy shoes. Hesitant as a cat by a puddle, she stepped down on the
bridge. Even on these planks, the mud was three inches thick. It
squidged about her low, spatted shoes. "Eeh!" she squeaked.

She tiptoed to the tool-box and took out a folding canvas bucket. She
edged down to the trickling stream below. She was miserably conscious of
a pastoral scene all gone to mildew--cows beneath willows by the creek,
milkweeds dripping, dried mullein weed stalks no longer dry. The bank of
the stream was so slippery that she shot down two feet, and nearly went
sprawling. Her knee did touch the bank, and the skirt of her gray
sports-suit showed a smear of yellow earth.

In less than two miles the racing motor had used up so much water that
she had to make four trips to the creek before she had filled the
radiator. When she had climbed back on the running-board she glared down
at spats and shoes turned into gray lumps. She was not tearful. She was
angry.

"Idiot! Ought to have put on my rubbers. Well--too late now," she
observed, as she started the engine.

She again followed the swastika tread. To avoid a hole in the road
ahead, the unknown driver had swung over to the side of the road, and
taken to the intensely black earth of the edge of an unfenced cornfield.
Flashing at Claire came the sight of a deep, water-filled hole,
scattered straw and brush, debris of a battlefield, which made her
gaspingly realize that her swastikaed leader had been stuck and--

And instantly her own car was stuck.

She had had to put the car at that hole. It dropped, far down, and it
stayed down. The engine stalled. She started it, but the back wheels
spun merrily round and round, without traction. She did not make one
inch. When she again killed the blatting motor, she let it stay dead.
She peered at her father.

He was not a father, just now, but a passenger trying not to irritate
the driver. He smiled in a waxy way, and said, "Hard luck! Well, you did
the best you could. The other hole, there in the road, would have been
just as bad. You're a fine driver, dolly."

Her smile was warm and real. "No. I'm a fool. You told me to put on
chains. I didn't. I deserve it."

"Well, anyway, most men would be cussing. You acquire merit by not
beating me. I believe that's done, in moments like this. If you'd like,
I'll get out and crawl around in the mud, and play turtle for you."

"No. I'm quite all right. I did feel frightfully strong-minded as long
as there was any use of it. It kept me going. But now I might just as
well be cheerful, because we're stuck, and we're probably going to stay
stuck for the rest of this care-free summer day."

The weariness of the long strain caught her, all at once. She slipped
forward, sat huddled, her knees crossed under the edge of the steering
wheel, her hands falling beside her, one of them making a faint brushing
sound as it slid down the upholstery. Her eyes closed; as her head
drooped farther, she fancied she could hear the vertebrae click in her
tense neck.

Her father was silent, a misty figure in a lap-robe. The rain streaked
the mica lights in the side-curtains. A distant train whistled
desolately across the sodden fields. The inside of the car smelled
musty. The quiet was like a blanket over the ears. Claire was in a hazy
drowse. She felt that she could never drive again.




CHAPTER II

CLAIRE ESCAPES FROM RESPECTABILITY


Claire Boltwood lived on the Heights, Brooklyn. Persons from New York
and other parts of the Middlewest have been known to believe that
Brooklyn is somehow humorous. In newspaper jokes and vaudeville it is so
presented that people who are willing to take their philosophy from
those sources believe that the leading citizens of Brooklyn are all
deacons, undertakers, and obstetricians. The fact is that North
Washington Square, at its reddest and whitest and fanlightedest,
Gramercy Park at its most ivied, are not so aristocratic as the section
of Brooklyn called the Heights. Here preached Henry Ward Beecher. Here,
in mansions like mausoleums, on the ridge above docks where the good
ships came sailing in from Sourabaya and Singapore, ruled the lords of a
thousand sails. And still is it a place of wealth too solid to emulate
the nimble self-advertising of Fifth Avenue. Here dwell the
fifth-generation possessors of blocks of foundries and shipyards. Here,
in a big brick house of much dignity, much ugliness, and much
conservatory, lived Claire Boltwood, with her widower father.

Henry B. Boltwood was vice-president of a firm dealing in railway
supplies. He was neither wealthy nor at all poor. Every summer, despite
Claire's delicate hints, they took the same cottage on the Jersey Coast,
and Mr. Boltwood came down for Sunday. Claire had gone to a good school
out of Philadelphia, on the Main Line. She was used to gracious leisure,
attractive uselessness, nut-center chocolates, and a certain wonder as
to why she was alive.

She wanted to travel, but her father could not get away. He consistently
spent his days in overworking, and his evenings in wishing he hadn't
overworked. He was attractive, fresh, pink-cheeked, white-mustached, and
nerve-twitching with years of detail.

Claire's ambition had once been babies and a solid husband, but as
various young males of the species appeared before her, sang their
mating songs and preened their newly dry-cleaned plumage, she found that
the trouble with solid young men was that they were solid. Though she
liked to dance, the "dancing men" bored her. And she did not understand
the district's quota of intellectuals very well; she was good at
listening to symphony concerts, but she never had much luck in
discussing the cleverness of the wood winds in taking up the main motif.
It is history that she refused a master of arts with an old violin, a
good taste in ties, and an income of eight thousand.

The only man who disturbed her was Geoffrey Saxton, known throughout the
interwoven sets of Brooklyn Heights as "Jeff." Jeff Saxton was
thirty-nine to Claire's twenty-three. He was clean and busy; he had no
signs of vice or humor. Especially for Jeff must have been invented the
symbolic morning coat, the unwrinkable gray trousers, and the moral
rimless spectacles. He was a graduate of a nice college, and he had a
nice tenor and a nice family and nice hands and he was nicely successful
in New York copper dealing. When he was asked questions by people who
were impertinent, clever, or poor, Jeff looked them over coldly before
he answered, and often they felt so uncomfortable that he didn't have to
answer.

The boys of Claire's own age, not long out of Yale and Princeton, doing
well in business and jumping for their evening clothes daily at
six-thirty, light o' loves and admirers of athletic heroes, these lads
Claire found pleasant, but hard to tell apart. She didn't have to tell
Jeff Saxton apart. He did his own telling. Jeff called--not too often.
He sang--not too sentimentally. He took her father and herself to the
theater--not too lavishly. He told Claire--in a voice not too
serious--that she was his helmed Athena, his rose of all the world. He
informed her of his substantial position--not too obviously. And he was
so everlastingly, firmly, quietly, politely, immovably always there.

She watched the hulk of marriage drifting down on her frail speed-boat
of aspiration, and steered in desperate circles.

Then her father got the nervous prostration he had richly earned. The
doctor ordered rest. Claire took him in charge. He didn't want to
travel. Certainly he didn't want the shore or the Adirondacks. As there
was a branch of his company in Minneapolis, she lured him that far away.

Being rootedly of Brooklyn Heights, Claire didn't know much about the
West. She thought that Milwaukee was the capital of Minnesota. She was
not so uninformed as some of her friends, however. She had heard that in
Dakota wheat was to be viewed in vast tracts--maybe a hundred acres.

Mr. Boltwood could not be coaxed to play with the people to whom his
Minneapolis representative introduced him. He was overworking again, and
perfectly happy. He was hoping to find something wrong with the branch
house. Claire tried to tempt him out to the lakes. She failed. His
nerve-fuse burnt out the second time, with much fireworks.

Claire had often managed her circle of girls, but it had never occurred
to her to manage her executive father save by indirect and pretty
teasing. Now, in conspiracy with the doctor, she bullied her father. He
saw gray death waiting as alternative, and he was meek. He agreed to
everything. He consented to drive with her across two thousand miles of
plains and mountains to Seattle, to drop in for a call on their
cousins, the Eugene Gilsons.

Back East they had a chauffeur and two cars--the limousine, and the
Gomez-Deperdussin roadster, Claire's beloved. It would, she believed, be
more of a change from everything that might whisper to Mr. Boltwood of
the control of men, not to take a chauffeur. Her father never drove, but
she could, she insisted. His easy agreeing was pathetic. He watched her
with spaniel eyes. They had the Gomez roadster shipped to them from New
York.

On a July morning, they started out of Minneapolis in a mist, and as it
has been hinted, they stopped sixty miles northward, in a rain, also in
much gumbo. Apparently their nearest approach to the Pacific Ocean would
be this oceanically moist edge of a cornfield, between Schoenstrom and
Gopher Prairie, Minnesota.

       *       *       *       *       *

Claire roused from her damp doze and sighed, "Well, I must get busy and
get the car out of this."

"Don't you think you'd better get somebody to help us?"

"But get who?"

"Whom!"

"No! It's just 'who,' when you're in the mud. No. One of the good things
about an adventure like this is that I must do things for myself. I've
always had people to do things for me. Maids and nice teachers and you,
old darling! I suppose it's made me soft. Soft--I would like a soft
davenport and a novel and a pound of almond-brittle, and get all sick,
and not feel so beastly virile as I do just now. But----"

She turned up the collar of her gray tweed coat, painfully climbed
out--the muscles of her back racking--and examined the state of the rear
wheels. They were buried to the axle; in front of them the mud bulked in
solid, shiny blackness. She took out her jack and chains. It was too
late. There was no room to get the jack under the axle. She remembered
from the narratives of motoring friends that brush in mud gave a firmer
surface for the wheels to climb upon.

She also remembered how jolly and agreeably heroic the accounts of their
mishaps had sounded--a week after they were over.

She waded down the road toward an old wood-lot. At first she tried to
keep dry, but she gave it up, and there was pleasure in being defiantly
dirty. She tramped straight through puddles; she wallowed in mud. In the
wood-lot was long grass which soaked her stockings till her ankles felt
itchy. Claire had never expected to be so very intimate with a
brush-pile. She became so. As though she were a pioneer woman who had
been toiling here for years, she came to know the brush stick by
stick--the long valuable branch that she could never quite get out from
under the others; the thorny bough that pricked her hands every time she
tried to reach the curious bundle of switches.

Seven trips she made, carrying armfuls of twigs and solemnly dragging
large boughs behind her. She patted them down in front of all four
wheels. Her crisp hands looked like the paws of a three-year-old boy
making a mud fort. Her nails hurt from the mud wedged beneath them. Her
mud-caked shoes were heavy to lift. It was with exquisite self-approval
that she sat on the running-board, scraped a car-load of lignite off her
soles, climbed back into the car, punched the starter.

The car stirred, crept forward one inch, and settled back--one inch. The
second time it heaved encouragingly but did not make quite so much
headway. Then Claire did sob.

She rubbed her cheek against the comfortable, rough, heather-smelling
shoulder of her father's coat, while he patted her and smiled, "Good
girl! I better get out and help."

She sat straight, shook her head. "Nope. I'll do it. And I'm not going
to insist on being heroic any longer. I'll get a farmer to pull us out."

As she let herself down into the ooze, she reflected that all farmers
have hearts of gold, anatomical phenomena never found among the snobs
and hirelings of New York. The nearest heart of gold was presumably
beating warmly in the house a quarter of a mile ahead.

She came up a muddy lane to a muddy farmyard, with a muddy cur yapping
at her wet legs, and geese hissing in a pool of purest mud serene. The
house was small and rather old. It may have been painted once. The barn
was large and new. It had been painted very much, and in a blinding red
with white trimmings. There was no brass plate on the house, but on the
barn, in huge white letters, was the legend, "Adolph Zolzac, 1913."

She climbed by log steps to a narrow frame back porch littered with
parts of a broken cream-separator. She told herself that she was simple
and friendly in going to the back door instead of the front, and it was
with gaiety that she knocked on the ill-jointed screen door, which
flapped dismally in response.

"_Ja?_" from within.

She rapped again.

"_Hinein!_"

She opened the door on a kitchen, the highlight of which was a table
heaped with dishes of dumplings and salt pork. A shirt-sleeved man, all
covered with mustache and calm, sat by the table, and he kept right on
sitting as he inquired:

"Vell?"

"My car--my automobile--has been stuck in the mud. A bad driver, I'm
afraid! I wonder if you would be so good as to----"

"I usually get t'ree dollars, but I dunno as I vant to do it for less
than four. Today I ain'd feelin' very goot," grumbled the
golden-hearted.

Claire was aware that a woman whom she had not noticed--so much smaller
than the dumplings, so much less vigorous than the salt pork was
she--was speaking: "_Aber_, papa, dot's a shame you sharge de poor young
lady dot, when she drive by _sei_ self. Vot she t'ink of de Sherman
people?"

The farmer merely grunted. To Claire, "Yuh, four dollars. Dot's what I
usually charge sometimes."

"Usually? Do you mean to say that you leave that hole there in the road
right along--that people keep on trying to avoid it and get stuck as I
was? Oh! If I were an official----"

"Vell, I dunno, I don't guess I run my place to suit you smart
alecks----"

"Papa! How you talk on the young lady! Make shame!"

"--from the city. If you don't like it, you stay _bei_ Mineapolis! I
haul you out for t'ree dollars and a half. Everybody pay dot. Last mont'
I make forty-five dollars. They vos all glad to pay. They say I help
them fine. I don't see vot you're kickin' about! Oh, these vimmins!"

"It's blackmail! I wouldn't pay it, if it weren't for my father sitting
waiting out there. But--go ahead. Hurry!"

She sat tapping her toe while Zolzac completed the stertorous task of
hogging the dumplings, then stretched, yawned, scratched, and covered
his merely dirty garments with overalls that were apparently woven of
processed mud. When he had gone to the barn for his team, his wife came
to Claire. On her drained face were the easy tears of the slave women.

"Oh, miss, I don't know vot I should do. My boys go on the public
school, and they speak American just so goot as you. Oh, I vant man lets
me luff America. But papa he says it is an _Unsinn_; you got the money,
he says, nobody should care if you are American or Old Country people. I
should vish I could ride once in an automobile! But--I am so 'shamed, so
'shamed that I must sit and see my _Mann_ make this. Forty years I been
married to him, and pretty soon I die----"

Claire patted her hand. There was nothing to say to tragedy that had
outlived hope.

Adolph Zolzac clumped out to the highroad behind his vast,
rolling-flanked horses--so much cleaner and better fed than his wisp of
a wife. Claire followed him, and in her heart she committed murder and
was glad of it. While Mr. Boltwood looked out with mild wonder at
Claire's new friend, Zolzac hitched his team to the axle. It did not
seem possible that two horses could pull out the car where seventy
horsepower had fainted. But, easily, yawning and thinking about dinner,
the horses drew the wheels up on the mud-bank, out of the hole and----

The harness broke, with a flying mess of straps and rope, and the car
plumped with perfect exactness back into its bed.




CHAPTER III

A YOUNG MAN IN A RAINCOAT


"Huh! Such an auto! Look, it break my harness a'ready! Two dollar that
cost you to mend it. De auto iss too heavy!" stormed Zolzac.

"All right! All right! Only for heaven's sake--go get another harness!"
Claire shrieked.

"Fife-fifty dot will be, in all." Zolzac grinned.

Claire was standing in front of him. She was thinking of other drivers,
poor people, in old cars, who had been at the mercy of this
golden-hearted one. She stared past him, in the direction from which she
had come. Another motor was in sight.

It was a tin beetle of a car; that agile, cheerful, rut-jumping model
known as a "bug"; with a home-tacked, home-painted tin cowl and tail
covering the stripped chassis of a little cheap Teal car. The lone
driver wore an old black raincoat with an atrocious corduroy collar, and
a new plaid cap in the Harry Lauder tartan. The bug skipped through mud
where the Boltwoods' Gomez had slogged and rolled. Its pilot drove up
behind her car, and leaped out. He trotted forward to Claire and Zolzac.
His eyes were twenty-seven or eight, but his pink cheeks were twenty,
and when he smiled--shyly, radiantly--he was no age at all, but eternal
boy. Claire had a blurred impression that she had seen him before, some
place along the road.

"Stuck?" he inquired, not very intelligently. "How much is Adolph
charging you?"

"He wants three-fifty, and his harness broke, and he wants two
dollars----"

"Oh! So he's still working that old gag! I've heard all about Adolph. He
keeps that harness for pulling out cars, and it always busts. The last
time, though, he only charged six bits to get it mended. Now let me
reason with him."

The young man turned with vicious quickness, and for the first time
Claire heard pidgin German--German as it is spoken between Americans who
have never learned it, and Germans who have forgotten it:

"_Schon sex_ hundred times _Ich hoere_ all about the way you been doing
autos, Zolzac, you _verfluchter Schweinhund_, and I'll set the sheriff
on you----"

"Dot ain'd true, maybe _einmal die Woche kommt_ somebody and _Ich muss
die Arbeit immer lassen und in die Regen ausgehen, und seh' mal_ how
_die_ boots _sint mit_ mud covered, two dollars it don't pay for _die_
boots----"

"Now that's enough-plenty out of you, _seien die_ boots _verdammt_, and
_mach' dass du fort gehst_--muddy boots, hell!--put _mal ein_ egg in
_die_ boots and beat it, _verleicht_ maybe I'll by golly arrest you
myself, _weiss du_! I'm a special deputy sheriff."

The young man stood stockily. He seemed to swell as his somewhat muddy
hand was shaken directly at, under, and about the circumference of,
Adolph Zolzac's hairy nose. The farmer was stronger, but he retreated.
He took up the reins. He whined, "Don't I get nothing I break de
harness?"

"Sure. You get ten--years! And you get out!"

From thirty yards up the road, Zolzac flung back, "You t'ink you're
pretty damn smart!" That was his last serious reprisal.

Clumsily, as one not used to it, the young man lifted his cap to Claire,
showing straight, wiry, rope-colored hair, brushed straight back from a
rather fine forehead. "Gee, I was sorry to have to swear and holler like
that, but it's all Adolph understands. Please don't think there's many
of the folks around here like him. They say he's the meanest man in the
county."

"I'm immensely grateful to you, but--do you know much about motors? How
can I get out of this mud?"

She was surprised to see the youngster blush. His clear skin flooded.
His engaging smile came again, and he hesitated, "Let me pull you out."

She looked from her hulking car to his mechanical flea.

He answered the look: "I can do it all right. I'm used to the
gumbo--regular mud-hen. Just add my power to yours. Have you a
tow-rope?"

"No. I never thought of bringing one."

"I'll get mine."

She walked with him back toward his bug. It lacked not only top and
side-curtains, but even windshield and running-board. It was a toy--a
card-board box on toothpick axles. Strapped to the bulging back was a
wicker suitcase partly covered by tarpaulin. From the seat peered a
little furry face.

"A cat?" she exclaimed, as he came up with a wire rope, extracted from
the tin back.

"Yes. She's the captain of the boat. I'm just the engineer."

"What is her name?"

Before he answered the young man strode ahead to the front of her car,
Claire obediently trotting after him. He stooped to look at her front
axle. He raised his head, glanced at her, and he was blushing again.

"Her name is Vere de Vere!" he confessed. Then he fled back to his bug.
He drove it in front of the Gomez-Dep. The hole in the road itself was
as deep as the one on the edge of the cornfield, where she was stuck,
but he charged it. She was fascinated by his skill. Where she would for
a tenth of a second have hesitated while choosing the best course, he
hurled the bug straight at the hole, plunged through with sheets of
glassy black water arching on either side, then viciously twisted the
car to the right, to the left, and straight again, as he followed the
tracks with the solidest bottoms.

Strapped above the tiny angle-iron step which replaced his running-board
was an old spade. He dug channels in front of the four wheels of her
car, so that they might go up inclines, instead of pushing against the
straight walls of mud they had thrown up. On these inclines he strewed
the brush she had brought, halting to ask, with head alertly lifted from
his stooped huddle in the mud, "Did you have to get this brush
yourself?"

"Yes. Horrid wet!"

He merely shook his head in commiseration.

He fastened the tow-rope to the rear axle of his car, to the front of
hers. "Now will you be ready to put on all your power as I begin to
pull?" he said casually, rather respectfully.

When the struggling bug had pulled the wire rope taut, she opened the
throttle. The rope trembled. Her car seemed to draw sullenly back. Then
it came out--out--really out, which is the most joyous sensation any
motorist shall ever know. In excitement over actually moving again, as
fast as any healthy young snail, she drove on, on, the young man ahead
grinning back at her. Nor did she stop, nor he, till both cars were
safe on merely thick mud, a quarter of a mile away.

She switched off the power--and suddenly she was in a whirlwind of dizzy
sickening tiredness. Even in her abandonment to exhaustion she noticed
that the young man did not stare at her but, keeping his back to her,
removed the tow-rope, and stowed it away in his bug. She wondered
whether it was tact or yokelish indifference.

Her father spoke for the first time since the Galahad of the tin bug had
come: "How much do you think we ought to give this fellow?"

Now of all the cosmic problems yet unsolved, not cancer nor the future
of poverty are the flustering questions, but these twain: Which is
worse, not to wear evening clothes at a party at which you find every
one else dressed, or to come in evening clothes to a house where, it
proves, they are never worn? And: Which is worse, not to tip when a tip
has been expected; or to tip, when the tip is an insult?

In discomfort of spirit and wetness of ankles Claire shuddered, "Oh
dear, I don't believe he expects us to pay him. He seems like an awfully
independent person. Maybe we'd offend him if we offered----"

"The only reasonable thing to be offended at in this vale of tears is
not being offered money!"

"Just the same---- Oh dear, I'm so tired. But good little Claire will
climb out and be diplomatic."

She pinched her forehead, to hold in her cracking brain, and wabbled out
into new scenes of mud and wetness, but she came up to the young man
with the most rain-washed and careless of smiles. "Won't you come back
and meet my father? He's terribly grateful to you--as I am. And may
we---- You've worked so hard, and about saved our lives. May I pay you
for that labor? We're really much indebted----"

"Oh, it wasn't anything. Tickled to death if I could help you."

He heartily shook hands with her father, and he droned, "Pleased to meet
you, Mr. Uh."

"Boltwood."

"Mr. Boltwood. My name is Milt--Milton Daggett. See you have a New York
license on your car. We don't see but mighty few of those through here.
Glad I could help you."

"Ah yes, Mr. Daggett." Mr. Boltwood was uninterestedly fumbling in his
money pocket. Behind Milt Daggett, Claire shook her head wildly,
rattling her hands as though she were playing castanets. Mr. Boltwood
shrugged. He did not understand. His relations with young men in cheap
raincoats were entirely monetary. They did something for you, and you
paid them--preferably not too much--and they ceased to be. Whereas Milt
Daggett respectfully but stolidly continued to be, and Mr. Henry
Boltwood's own daughter was halting the march of affairs by asking
irrelevant questions:

"Didn't we see you back in--what was that village we came through back
about twelve miles?"

"Schoenstrom?" suggested Milt.

"Yes, I think that was it. Didn't we pass you or something? We stopped
at a garage there, to change a tire."

"I don't think so. I was in town, though, this morning. Say, uh, did you
and your father grab any eats----"

"A----"

"I mean, did you get dinner there?"

"No. I wish we had!"

"Well say, I didn't either, and--I'd be awfully glad if you folks would
have something to eat with me now."

Claire tried to give him a smile, but the best she could do was to lend
him one. She could not associate interesting food with Milt and his
mud-slobbered, tin-covered, dun-painted Teal bug. He seemed satisfied
with her dubious grimace. By his suggestion they drove ahead to a spot
where the cars could be parked on firm grass beneath oaks. On the way,
Mr. Boltwood lifted his voice in dismay. His touch of nervous
prostration had not made him queer or violent; he retained a touching
faith in good food.

"We might find some good little hotel and have some chops and just some
mushrooms and peas," insisted the man from Brooklyn Heights.

"Oh, I don't suppose the country hotels are really so awfully good," she
speculated. "And look--that nice funny boy. We couldn't hurt his
feelings. He's having so much fun out of being a Good Samaritan."

From the mysterious rounded back of his car Milt Daggett drew a tiny
stove, to be heated by a can of solidified alcohol, a frying pan that
was rather large for dolls but rather small for square-fingered hands, a
jar of bacon, eggs in a bag, a coffee pot, a can of condensed milk, and
a litter of unsorted tin plates and china cups. While, by his request,
Claire scoured the plates and cups, he made bacon and eggs and coffee,
the little stove in the bottom of his car sheltered by the cook's
bending over it. The smell of food made Claire forgiving toward the fact
that she was wet through; that the rain continued to drizzle down her
neck.

He lifted his hand and demanded, "Take your shoes off!"

"Uh?"

He gulped. He stammered, "I mean--I mean your shoes are soaked through.
If you'll sit in the car, I'll put your shoes up by the engine. It's
pretty well heated from racing it in the mud. You can get your stockings
dry under the cowl."

She was amused by the elaborateness with which he didn't glance at her
while she took off her low shoes and slipped her quite too thin black
stockings under the protecting tin cowl. She reflected, "He has such a
nice, awkward gentleness. But such bad taste! They're really quite good
ankles. Apparently ankles are not done, in Teal bug circles. His sisters
don't even have limbs. But do fairies have sisters? He is a fairy. When
I'm out of the mud he'll turn his raincoat into a pair of lordly white
wings, and vanish. But what will become of the cat?"

Thus her tired brain, like a squirrel in a revolving cage, while she sat
primly and scraped at a clot of rust on a tin plate and watched him put
on the bacon and eggs. Wondering if cats were used for this purpose in
the Daggett family, she put soaked, unhappy Vere de Vere on her feet, to
her own great comfort and the cat's delight. It was an open car, and the
rain still rained, and a strange young man was a foot from her tending
the not very crackly fire, but rarely had Claire felt so domestic.

Milt was apparently struggling to say something. After several bobs of
his head he ventured, "You're so wet! I'd like for you to take my
raincoat."

"No! Really! I'm already soaked through. You keep dry."

He was unhappy about it. He plucked at a button of the coat. She turned
him from the subject. "I hope Lady Vere de Vere is getting warm, too."

"Seems to be. She's kind of demanding. She wanted a little car of her
own, but I didn't think she could keep up with me, not on a long hike."

"A little car? With her paws on the tiny wheel? Oh--sweet! Are you going
far, Mr. Daggett?"

"Yes, quite a ways. To Seattle, Washington."

"Oh, really? Extraordinary. We're going there, too."

"Honest? You driving all the way? Oh, no, of course your father----"

"No, he doesn't drive. By the way, I hope he isn't too miserable back
there."

"I'll be darned. Both of us going to Seattle. That's what they call a
coincidence, isn't it! Hope I'll see you on the road, some time. But I
don't suppose I will. Once you're out of the mud, your Gomez will simply
lose my Teal."

"Not necessarily. You're the better driver. And I shall take it easy.
Are you going to stay long in Seattle?" It was not merely a polite
dinner-payment question. She wondered; she could not place this
fresh-cheeked, unworldly young man so far from his home.

"Why, I kind of hope---- Government railroad, Alaska. I'm going to try
to get in on that, somehow. I've never been out of Minnesota in my life,
but there's couple mountains and oceans and things I thought I'd like
to see, so I just put my suitcase and Vere de Vere in the machine, and
started out. I burn distillate instead of gas, so it doesn't cost much.
If I ever happen to have five whole dollars, why, I might go on to
Japan!"

"That would be jolly."

"Though I s'pose I'd have to eat--what is it?--pickled fish? There's a
woman from near my town went to the Orient as a missionary. From what
she says, I guess all you need in Japan to make a house is a bottle of
mucilage and a couple of old newspapers and some two-by-fours. And you
can have the house on a purple mountain, with cherry trees down below,
and----" He put his clenched hand to his lips. His head was bowed. "And
the ocean! Lord! The ocean! And we'll see it at Seattle. Bay, anyway.
And steamers there--just come from India! Huh! Getting pretty darn
poetic here! Eggs are done."

The young man did not again wander into visions. He was all briskness as
he served her bacon and eggs, took a plate of them to Mr. Boltwood in
the Gomez, gouged into his own. Having herself scoured the tin plates,
Claire was not repulsed by their naked tinniness; and the coffee in the
broken-handled china cup was tolerable. Milt drank from the top of a
vacuum bottle. He was silent. Immediately after the lunch he stowed the
things away. Claire expected a drawn-out, tact-demanding farewell, but
he climbed into his bug, said "Good-by, Miss Boltwood. Good luck!" and
was gone.

The rainy road was bleakly empty without him.

It did not seem possible that Claire's body could be nagged into going
on any longer. Her muscles were relaxed, her nerves frayed. But the
moment the Gomez started, she discovered that magic change which every
long-distance motorist knows. Instantly she was alert, seemingly able to
drive forever. The pilot's instinct ruled her; gave her tireless eyes
and sturdy hands. Surely she had never been weary; never would be, so
long as it was hers to keep the car going.

She had driven perhaps six miles when she reached a hamlet called St.
Klopstock. On the bedraggled mud-and-shanty main street a man was
loading crushed rock into a truck. By him was a large person in a
prosperous raincoat, who stepped out, held up his hand. Claire stopped.

"You the young lady that got stuck in that hole by Adolph Zolzac's?"

"Yes. And Mr. Zolzac wasn't very nice about it."

"He's going to be just elegant about it, now, and there ain't going to
be any more hole. I think Adolph has been keeping it muddy--throwing in
soft dirt--and he made a good and plenty lot out of pulling out
tourists. Bill and I are going down right now and fill it up with stone.
Milt Daggett come through here--he's got a nerve, that fellow, but I
did have to laugh--he says to me, 'Barney----' This was just now. He
hasn't more than just drove out of town. He said to me, 'Barney,' he
says, 'you're the richest man in this township, and the banker, and you
got a big car y'self, and you think you're one whale of a political
boss,' he says, 'and yet you let that Zolzac maintain a private ocean,
against the peace and damn horrible inconvenience of the Commonwealth of
Minnesota----' He's got a great line of talk, that fellow. He told me
how you got stuck--made me so ashamed--I been to New York myself--and
right away I got Bill, and we're going down and hold a donation and
surprise party on Adolph and fill that hole."

"But won't Adolph dig it out again?"

The banker was puffy, but his eyes were of stone. From the truck he took
a shotgun. He drawled, "In that case, the surprise party will include an
elegant wake."

"But how did---- Who is this extraordinary Milt Daggett?"

"Him? Oh, nobody 'specially. He's just a fellow down here at
Schoenstrom. But we all know him. Goes to all the dances, thirty miles
around. Thing about him is: if he sees something wrong, he picks out
some poor fellow like me, and says what he thinks."

Claire drove on. She was aware that she was looking for Milt's bug. It
was not in sight.

"Father," she exclaimed, "do you realize that this lad didn't tell us he
was going to have the hole filled? Just did it. He frightens me. I'm
afraid that when we reach Gopher Prairie for the night, we'll find he
has engaged for us the suite that Prince Collars and Cuffs once slept
in."

"Hhhhmm," yawned her father.

"Curious young man. He said, 'Pleased to meet you.'"

"Huuuuhhm! Fresh air makes me so sleepy."

"And---- Fooled you! Got through that mudhole, anyway! And he said----
Look! Fields stretch out so here, and not a tree except the
willow-groves round those farmhouses. And he said 'Gee' so many times,
and 'dinner' for the noon meal. And his nails---- No, I suppose he
really is just a farm youngster."

Mr. Boltwood did not answer. His machine-finish smile indicated an
enormous lack of interest in young men in Teal bugs.




CHAPTER IV

A ROOM WITHOUT


Gopher Prairie has all of five thousand people. Its commercial club
asserts that it has at least a thousand more population and an
infinitely better band than the ridiculously envious neighboring town of
Joralemon. But there were few signs that a suite had been engaged for
the Boltwoods, or that Prince Collars and Cuffs had on his royal tour of
America spent much time in Gopher Prairie. Claire reached it somewhat
before seven. She gaped at it in a hazy way. Though this was her first
prairie town for a considerable stay, she could not pump up interest.

The state of mind of the touring motorist entering a strange place at
night is as peculiar and definite as that of a prospector. It is
compounded of gratitude at having got safely in; of perception of a new
town, yet with all eagerness about new things dulled by weariness; of
hope that there is going to be a good hotel, but small expectation--and
absolutely no probability--that there really will be one.

Claire had only a blotched impression of peaked wooden buildings and
squatty brick stores with faded awnings; of a red grain elevator and a
crouching station and a lumberyard; then of the hopelessly muddy road
leading on again into the country. She felt that if she didn't stop at
once, she would miss the town entirely. The driving-instinct sustained
her, made her take corners sharply, spot a garage, send the Gomez
whirling in on the cement floor.

The garage attendant looked at her and yawned.

"Where do you want the car?" Claire asked sharply.

"Oh, stick it in that stall," grunted the man, and turned his back.

Claire glowered at him. She thought of a good line about rudeness.
But--oh, she was too tired to fuss. She tried to run the car into the
empty stall, which was not a stall, but a space, like a missing tooth,
between two cars, and so narrow that she was afraid of crumpling the
lordly fenders of the Gomez. She ran down the floor, returned with a
flourish, thought she was going to back straight into the stall--and
found she wasn't. While her nerves shrieked, and it did not seem
possible that she could change gears, she managed to get the Gomez
behind a truck and side-on to the stall.

"Go forward again, and cramp your wheel--sharp!" ordered the garage man.

Claire wanted to outline what she thought of him, but she merely
demanded, "Will you kindly drive it in?"

"Why, sure. You bet," said the man casually. His readiness ruined her
inspired fury. She was somewhat disappointed.

As she climbed out of the car and put a hand on the smart bags strapped
on a running-board, the accumulated weariness struck her in a shock. She
could have driven on for hours, but the instant the car was safe for the
night, she went to pieces. Her ears rang, her eyes were soaked in fire,
her mouth was dry, the back of her neck pinched. It was her father who
took the lead as they rambled to the one tolerable hotel in the town.

In the hotel Claire was conscious of the ugliness of the poison-green
walls and brass cuspidors and insurance calendars and bare floor of the
office; conscious of the interesting scientific fact that all air had
been replaced by the essence of cigar smoke and cooking cabbage; of the
stares of the traveling men lounging in bored lines; and of the lack of
welcome on the part of the night clerk, an oldish, bleached man with
whiskers instead of a collar.

She tried to be important: "Two rooms with bath, please."

The bleached man stared at her, and shoved forward the register and a
pen clotted with ink. She signed. He took the bags, led the way to the
stairs. Anxiously she asked, "Both rooms are with bath?"

From the second step the night clerk looked down at her as though she
were a specimen that ought to be pinned on the corks at once, and he
said loudly, "No, ma'am. Neither of 'em. Got no rooms vacant with bawth,
or bath either! Not but what we got 'em in the house. This is an
up-to-date place. But one of 'm's took, and the other has kind of been
out of order, the last three-four months."

From the audience of drummers below, a delicate giggle.

Claire was too angry to answer. And too tired. When, after miles of
stairs, leagues of stuffy hall, she reached her coop, with its iron bed
so loose-jointed that it rattled to a breath, its bureau with a list to
port, and its anemic rocking-chair, she dropped on the bed, panting, her
eyes closed but still brimming with fire. It did not seem that she could
ever move again. She felt chloroformed. She couldn't even coax herself
off the bed, to see if her father was any better off in the next room.

She was certain that she was not going to drive to Seattle. She wasn't
going to drive anywhere! She was going to freight the car back to
Minneapolis, and herself go back by train--Pullman!--drawing-room!

But for the thought of her father she would have fallen asleep, in her
drenched tweeds. When she did force the energy to rise, she had to
support herself by the bureau, by the foot of the bed, as she moved
about the room, hanging up the wet suit, rubbing herself with a slippery
towel, putting on a dark silk frock and pumps. She found her father
sitting motionless in his room, staring at the wall. She made herself
laugh at him for his gloomy emptiness. She paraded down the hall with
him.

As they reached the foot of the stairs, the old one, the night clerk
leaned across the desk and, in a voice that took the whole office into
the conversation, quizzed, "Come from New York, eh? Well, you're quite a
ways from home."

Claire nodded. She felt shyer before these solemnly staring traveling
men than she ever had in a box at the opera. At the double door of the
dining-room, from which the cabbage smell steamed with a lustiness
undiminished by the sad passing of its youth, a man, one of the
average-sized, average-mustached, average business-suited,
average-brown-haired men who can never be remembered, stopped the
Boltwoods and hawed, "Saw you coming into town. You've got a New York
license?"

She couldn't deny it.

"Quite a ways from home, aren't you?"

She had to admit it.

She was escorted by a bouncing, black-eyed waitress to a table for four.
The next table was a long one, at which seven traveling men, or local
business men whose wives were at the lake for the summer, ceased trying
to get nourishment out of the food, and gawped at her. Before the
Boltwoods were seated, the waitress dabbed at non-existent spots on
their napkins, ignored a genuine crumb on the cloth in front of Claire's
plate, made motions at a cup and a formerly plated fork, and bubbled,
"Autoing through?"

Claire fumbled for her chair, oozed into it, and breathed, "Yes."

"Going far?"

"Yes."

"Where do you live?"

"New York."

"My! You're quite a ways from home, aren't you?"

"Apparently."

"Hamnegs roasbeef roaspork thapplesauce frypickerel springlamintsauce."

"I--I beg your pardon."

The waitress repeated.

"I--oh--oh, bring us ham and eggs. Is that all right, father?"

"Oh--no--well----"

"You wanted same?" the waitress inquired of Mr. Boltwood.

He was intimidated. He said, "If you please," and feebly pawed at a
fork.

The waitress was instantly back with soup, and a collection of china
gathered by a man of much travel, catholic interests, and no taste. One
of the plates alleged itself to belong to a hotel in Omaha. She pushed
a pitcher of condensed milk to the exact spot where it would catch Mr.
Boltwood's sleeve, brushed the crumb from in front of Claire to a
shelter beneath the pink and warty sugar bowl, recovered a toothpick
which had been concealed behind her glowing lips, picked for a while,
gave it up, put her hands on her hips, and addressed Claire:

"How far you going?"

"To Seattle."

"Got any folks there?"

"Any---- Oh, yes, I suppose so."

"Going to stay there long?"

"Really---- We haven't decided."

"Come from New York, eh? Quite a ways from home, all right. Father in
business there?"

"Yes."

"What's his line?"

"I beg pardon?"

"What's his line? Ouch! Jiminy, these shoes pinch my feet. I used to
could dance all night, but I'm getting fat, I guess, ha! ha! Put on
seven pounds last month. Ouch! Gee, they certainly do pinch my toes.
What business you say your father's in?"

"I didn't say, but---- Oh, railroad."

"G. N. or N. P.?"

"I don't think I quite understand----"

Mr. Boltwood interposed, "Are the ham and eggs ready?"

"I'll beat it out and see." When she brought them, she put a spoon in
Claire's saucer of peas, and demanded, "Say, you don't wear that silk
dress in the auto, do you?"

"No."

"I should think you'd put a pink sash on it. Seems like it's kind of
plain--it's a real pretty piece of goods, though. A pink sash would be
real pretty. You dark-complected ladies always looks better for a touch
of color."

Then was Claire certain that the waitress was baiting her, for the
amusement of the men at the long table. She exploded. Probably the
waitress did not know there had been an explosion when Claire looked
coldly up, raised her brows, looked down, and poked the cold and salty
slab of ham, for she was continuing:

"A light-complected lady like me don't need so much color, you notice my
hair is black, but I'm light, really, Pete Liverquist says I'm a blonde
brunette, gee, he certainly is killing that fellow, oh, he's a case, he
sure does like to hear himself talk, my! there's Old Man Walters, he
runs the telephone exchange here, I heard he went down to St. Cloud on
Number 2, but I guess he couldn't of, he'll be yodeling for friend soup
and a couple slabs of moo, I better beat it, I'll say so, so long."

Claire's comment was as acid as the pale beets before her, as bitter as
the peas, as hard as the lumps in the watery mashed potatoes:

"I don't know whether the woman is insane or ignorant. I wish I could
tell whether she was trying to make me angry for the benefit of those
horrid unshaven men, or merely for her private edification."

"By me, dolly. So is this pie. Let's get some medium to levitate us up
to bed. Uh--uh---- I think perhaps we'd better not try to drive clear to
Seattle. If we just went through to Montana?--or even just to Bismarck?"

"Drive through with the hotels like this? My dear man, if we have one
more such day, we stop right there. I hope we get by the man at the
desk. I have a feeling he's lurking there, trying to think up something
insulting to say to us. Oh, my dear, I hope you aren't as beastly tired
as I am. My bones are hot pokers."

The man at the desk got in only one cynical question, "Driving far?"
before Claire seized her father's arm and started him upstairs.

For the first time since she had been ten--and in a state of naughtiness
immediately following a pronounced state of grace induced by the pulpit
oratory of the new rector of St. Chrysostom's--she permitted herself the
luxury of not stopping to brush her teeth before she went to bed. Her
sleep was drugged--it was not sleep, but an aching exhaustion of the
body which did not prevent her mind from revisualizing the road, going
stupidly over the muddy stretches and sharp corners, then becoming
conscious of that bed, the lump under her shoulder blades, the slope to
westward, and the creak that rose every time she tossed. For at least
fifteen minutes she lay awake for hours.

Thus Claire Boltwood's first voyage into democracy.

It was not so much that the sun was shining, in the morning, as that a
ripple of fresh breeze came through the window. She discovered that she
again longed to go on--keep going on--see new places, conquer new roads.
She didn't want all good road. She wanted something to struggle against.
She'd try it for one more day. She was stiff as she crawled out of bed,
but a rub with cold water left her feeling that she was stronger than
she ever had been; that she was a woman, not a dependent girl. Already,
in the beating prairie sun-glare, the wide main street of Gopher Prairie
was drying; the mud ruts flattening out. Beyond the town hovered the
note of a meadow lark--sunlight in sound.

"Oh, it's a sweet morning! Sweet! We will go on! I'm terribly excited!"
she laughed.

She found her father dressed. He did not know whether or not he wanted
to go on. "I seem to have lost my grip on things. I used to be rather
decisive. But we'll try it one more day, if you like," he said.

When she had gaily marched him downstairs, she suddenly and unhappily
remembered the people she would have to face, the gibing questions she
would have to answer.

The night clerk was still at the desk, as though he had slept standing.
He hailed them. "Well, well! Up bright and early! Hope you folks slept
well. Beds aren't so good as they might be, but we're kind of planning
to get some new mattresses. But you get pretty good air to sleep in.
Hope you have a fine hike today."

His voice was cordial; he was their old friend; faithful watcher of
their progress. Claire found herself dimpling at him.

In the dining-room their inquisitional acquaintance, the waitress,
fairly ran to them. "Sit down, folks. Waffles this morning. You want to
stock up for your drive. My, ain't it an elegant morning! I hope you
have a swell drive today!"

"Why!" Claire gasped, "why, they aren't rude. They care--about people
they never saw before. That's why they ask questions! I never thought--I
never thought! There's people in the world who want to know us without
having looked us up in the Social Register! I'm so ashamed! Not that the
sunshine changes my impression of this coffee. It's frightful! But that
will improve. And the people--they were being friendly, all the time.
Oh, Henry B., young Henry Boltwood, you and your godmother Claire have
a lot to learn about the world!"

As they came into the garage, their surly acquaintance of the night
before looked just as surly, but Claire tried a boisterous "Good
morning!"

"Mornin'! Going north? Better take the left-hand road at Wakamin. Easier
going. Drive your car out for you?"

As the car stood outside taking on gas, a man flapped up, spelled out
the New York license, looked at Claire and her father, and inquired,
"Quite a ways from home, aren't you?"

This time Claire did not say "Yes!" She experimented with, "Yes, quite a
ways."

"Well, hope you have a good trip. Good luck!"

Claire leaned her head on her hand, thought hard. "It's I who wasn't
friendly," she propounded to her father. "How much I've been losing.
Though I still refuse to like that coffee!"

She noticed the sign on the air-hose of the garage--"Free Air."

"There's our motto for the pilgrimage!" she cried.

She knew the exaltation of starting out in the fresh morning for places
she had never seen, without the bond of having to return at night.

Thus Claire's second voyage into democracy.

While she was starting the young man who had pulled her out of the mud
and given her lunch was folding up the tarpaulin and blankets on which
he had slept beside his Teal bug, in the woods three miles north of
Gopher Prairie. To the high-well-born cat, Vere de Vere, Milt Daggett
mused aloud, "Your ladyship, as Shakespeare says, the man that gets cold
feet never wins the girl. And I'm scared, cat, clean scared."




CHAPTER V

RELEASE BRAKES--SHIFT TO THIRD


Milt Daggett had not been accurate in his implication that he had not
noticed Claire at a garage in Schoenstrom. For one thing, he owned the
garage.

Milt was the most prosperous young man in the village of Schoenstrom.
Neither the village itself nor the nearby _Strom_ is really _schoen_.
The entire business district of Schoenstrom consists of Heinie
Rauskukle's general store, which is brick; the Leipzig House, which is
frame; the Old Home Poolroom and Restaurant, which is of old logs
concealed by a frame sheathing; the farm-machinery agency, which is
galvanized iron, its roof like an enlarged washboard; the church; the
three saloons; and the Red Trail Garage, which is also, according to
various signs, the Agency for Teal Car Best at the Test, Stonewall Tire
Service Station, Sewing Machines and Binders Repaired, Dr. Hostrum the
Veterinarian every Thursday, Gas Today 27c.

The Red Trail Garage is of cement and tapestry brick. In the office is a
clean hardwood floor, a typewriter, and a picture of Elsie Ferguson. The
establishment has an automatic rim-stretcher, a wheel jack, and a
reputation for honesty.

The father of Milt Daggett was the Old Doctor, born in Maine, coming to
this frontier in the day when Chippewas camped in your dooryard, and
came in to help themselves to coffee, which you made of roasted corn.
The Old Doctor bucked northwest blizzards, read Dickens and Byron,
pulled people through typhoid, and left to Milt his shabby old medicine
case and thousands of dollars--in uncollectible accounts. Mrs. Daggett
had long since folded her crinkly hands in quiet death.

Milt had covered the first two years of high school by studying with the
priest, and been sent to the city of St. Cloud for the last two years.
His father had meant to send him to the state university. But Milt had
been born to a talent for machinery. At twelve he had made a telephone
that worked. At eighteen he was engineer in the tiny flour mill in
Schoenstrom. At twenty-five, when Claire Boltwood chose to come tearing
through his life in a Gomez-Dep, Milt was the owner, manager,
bookkeeper, wrecking crew, ignition expert, thoroughly competent
bill-collector, and all but one of the working force of the Red Trail
Garage.

There were two factions in Schoenstrom: the retired farmers who said
that German was a good enough language for anybody, and that taxes for
schools and sidewalks were yes something crazy; and the group who
stated that a pig-pen is a fine place, but only for pigs. To this
second, revolutionary wing belonged a few of the first generation, most
of the second, and all of the third; and its leader was Milt Daggett. He
did not talk much, normally, but when he thought things ought to be
done, he was as annoying as a machine-gun test in the lot next to a
Quaker meeting.

If there had been a war, Milt would probably have been in it--rather
casual, clearing his throat, reckoning and guessing that maybe his men
might try going over and taking that hill ... then taking it. But all of
this history concerns the year just before America spoke to Germany; and
in this town buried among the cornfields and the wheat, men still
thought more about the price of grain than about the souls of nations.

On the evening before Claire Boltwood left Minneapolis and adventured
into democracy, Milt was in the garage. He wore union overalls that were
tan where they were not grease-black; a faded blue cotton shirt; and the
crown of a derby, with the rim not too neatly hacked off with a dull
toad-stabber jack-knife.

Milt smiled at his assistant, Ben Sittka, and suggested, "Well, _wie
geht 's mit_ the work, eh? Like to stay and get the prof's flivver out,
so he can have it in the morning?"

"You bet, boss."

"Getting to be quite a mechanic, Ben."

"I'll say so!"

"If you get stuck, come yank me out of the Old Home."

"Aw rats, boss. I'll finish it. You beat it." Ben grinned at Milt
adoringly.

Milt stripped off his overalls and derby-crown, and washed his big, firm
hands with gritty soft soap. He cleaned his nails with a file which he
carried in his upper vest pocket in a red imitation morocco case which
contained a comb, a mirror, an indelible pencil, and a note-book with
the smudged pencil addresses of five girls in St. Cloud, and a
memorandum about Rauskukle's car.

He put on a twisted brown tie, an old blue serge suit, and a hat which,
being old and shabby, had become graceful. He ambled up the street. He
couldn't have ambled more than three blocks and have remained on the
street. Schoenstrom tended to leak off into jungles of tall corn.

Two men waved at him, and one demanded, "Say, Milt, is whisky good for
the toothache? What d' you think! The doc said it didn't do any good.
But then, gosh, he's only just out of college."

"I guess he's right."

"Is that a fact! Well, I'll keep off it then."

Two stores farther on, a bulky farmer hailed, "Say, Milt, should I get
an ensilage cutter yet?"

"Yuh," in the manner of a man who knows too much to be cocksure about
anything, "I don't know but what I would, Julius."

"I guess I vill then."

Minnie Rauskukle, plump, hearty Minnie, heiress to the general store,
gave evidence by bridling and straightening her pigeon-like body that
she was aware of Milt behind her. He did not speak to her. He ducked
into the door of the Old Home Poolroom and Restaurant.

Milt ranged up to the short lunch counter, in front of the pool table
where two brick-necked farm youngsters were furiously slamming balls and
attacking cigarettes. Loose-jointedly Milt climbed a loose-jointed high
stool and to the proprietor, Bill McGolwey, his best friend, he yawned,
"You might poison me with a hamburger and a slab of apple, Mac."

"I'll just do that little thing. Look kind of grouchy tonight, Milt."

"Too much excitement in this burg. Saw three people on the streets all
simultaneously to-once."

"What's been eatin' you lately?"

"Me? Nothing. Only I do get tired of this metropolis. One of these days
I'm going to buck some bigger place."

"Try Gopher Prairie maybe?" suggested Mac, through the hiss and steam of
the frying hamburger sandwich.

"Rats. Too small."

"Small? Why, there's darn near five thousand people there!"

"I know, but--I want to tackle some sure-nuff city. Like Duluth or New
York."

"But what'd you do?"

"That's the devil of it. I don't know just what I do want to do. I could
always land soft in a garage, but that's nothing new. Might hit Detroit,
and learn the motor-factory end."

"Aw, you're the limit, Milt. Always looking for something new."

"That's the way to get on. The rest of this town is afraid of new
things. 'Member when I suggested we all chip in on a dynamo with a gas
engine and have electric lights? The hicks almost died of nervousness."

"Yuh, that's true, but---- You stick here, Milt. You and me will just
nachly run this burg."

"I'll say! Only---- Gosh, Mac, I would like to go to a real show, once.
And find out how radio works. And see 'em put in a big suspension
bridge!"

Milt left the Old Home rather aimlessly. He told himself that he
positively would not go back and help Ben Sittka get out the prof's car.
So he went back and helped Ben get out the prof's car, and drove the
same to the prof's. The prof, otherwise professor, otherwise mister,
James Martin Jones, B.A., and Mrs. James Martin Jones welcomed him
almost as noisily as had Mac. They begged him to come in. With Mr.
Jones he discussed--no, ye Claires of Brooklyn Heights, this garage man
and this threadbare young superintendent of a paintbare school, talking
in a town that was only a comma on the line, did not discuss
corn-growing, nor did they reckon to guess that by heck the constabule
was carryin' on with the Widdy Perkins. They spoke of fish-culture,
Elihu Root, the spiritualistic evidences of immortality, government
ownership, self-starters for flivvers, and the stories of Irvin Cobb.

Milt went home earlier than he wanted to. Because Mr. Jones was the only
man in town besides the priest who read books, because Mrs. Jones was
the only woman who laughed about any topics other than children and
family sickness, because he wanted to go to their house every night,
Milt treasured his welcome as a sacred thing, and kept himself from
calling on them more than once a week.

He stopped on his way to the garage to pet Emil Baumschweiger's large
gray cat, publicly known as Rags, but to Milt and to the lady herself
recognized as the unfortunate Countess Vere de Vere--perhaps the only
person of noble ancestry and mysterious past in Milt's acquaintance. The
Baumschweigers did not treat their animals well; Emil kicked the bay
mare, and threw pitchforks at Vere de Vere. Milt saluted her and
sympathized:

"You have a punk time, don't you, countess? Like to beat it to
Minneapolis with me?"

The countess said that she did indeed have an extraordinarily punk time,
and she sang to Milt the hymn of the little gods of the warm hearth.
Then Milt's evening dissipations were over. Schoenstrom has movies only
once a week. He sat in the office of his garage ruffling through a
weekly digest of events. Milt read much, though not too easily. He had
no desire to be a poet, an Indo-Iranian etymologist, a lecturer to
women's clubs, or the secretary of state. But he did rouse to the
marvels hinted in books and magazines; to large crowds, the mechanism of
submarines, palm trees, gracious women.

He laid down the magazine. He stared at the wall. He thought about
nothing. He seemed to be fumbling for something about which he could
deliciously think if he could but grasp it. Without quite visualizing
either wall or sea, he was yet recalling old dreams of a moonlit wall by
a warm stirring southern sea. If there was a girl in the dream she was
intangible as the scent of the night. Presently he was asleep, a not at
all romantic figure, rather ludicrously tipped to one side in his office
chair, his large solid shoes up on the desk.

He half woke, and filtered to what he called home--one room in the
cottage of an oldish woman who had prejudices against the perilous night
air. He was too sleepy to go through any toilet save pulling off his
shoes, and achieving an unconvincing wash at the little stand, whose
crackly varnish was marked with white rings from the toothbrush mug.

"I feel about due to pull off some fool stunt. Wonder what it will be?"
he complained, as he flopped on the bed.

He was up at six, and at a quarter to seven was at work in the garage.
He spent a large part of the morning in trying to prove to a customer
that even a Teal car, best at the test, would not give perfect service
if the customer persisted in forgetting to fill the oil-well, the
grease-cups, and the battery.

At three minutes after twelve Milt left the garage to go to dinner. The
fog of the morning had turned to rain. McGolwey was not at the Old Home.
Sometimes Mac got tired of serving meals, and for a day or two he took
to a pocket flask, and among his former customers the cans of prepared
meat at Rauskukle's became popular. Milt found him standing under the
tin awning of the general store. He had a troubled hope of keeping Mac
from too long a vacation with the pocket flask. But Mac was already
red-eyed. He seemed only half to recognize Milt.

"Swell day!" said Milt.

"Y' bet."

"Road darn muddy."

"I should worry. Yea, bo', I'm feelin' good!"

At eleven minutes past twelve a Gomez-Dep roadster appeared down the
road, stopped at the garage. To Milt it was as exciting as the
appearance of a comet to a watching astronomer.

"What kind of a car do you call that, Milt?" asked a loafer.

"Gomez-Deperdussin."

"Never heard of it. Looks too heavy."

This was sacrilege. Milt stormed, "Why, you poor floof, it's one of the
best cars in the world. Imported from France. That looks like a
special-made American body, though. Trouble with you fellows is, you're
always scared of anything that's new. Too--heavy! Huh! Always wanted to
see a Gomez--never have, except in pictures. And I believe that's a New
York license. Let me at it!"

He forgot noon-hunger, and clumped through the rain to the garage. He
saw a girl step from the car. He stopped, in the doorway of the Old
Home, in uneasy shyness. He told himself he didn't "know just what it is
about her--she isn't so darn unusually pretty and yet--gee---- Certainly
isn't a girl to get fresh with. Let Ben take care of her. Like to talk
to her, and yet I'd be afraid if I opened my mouth, I'd put my foot in
it."

He was for the first time seeing a smart woman. This dark, slender,
fine-nerved girl, in her plain, rough, closely-belted, gray suit, her
small black Glengarry cocked on one side of her smooth hair, her little
kid gloves, her veil, was as delicately adjusted as an aeroplane engine.

Milt wanted to trumpet her exquisiteness to the world, so he growled to
a man standing beside him, "Swell car. Nice-lookin' girl, kind of."

"Kind of skinny, though. I like 'em with some meat on 'em," yawned the
man.

No, Milt did not strike him to earth. He insisted feebly, "Nice clothes
she's got, though."

"Oh, not so muchamuch. I seen a woman come through here yesterday that
was swell, though--had on a purple dress and white shoes and a hat big
's a bushel."

"Well, I don't know, I kind of like those simple things," apologized
Milt.

He crept toward the garage. The girl was inside. He inspected the
slope-topped, patent-leather motoring trunk on the rack at the rear of
the Gomez-Dep. He noticed a middle-aged man waiting in the car. "Must be
her father. Probably--maybe she isn't married then." He could not get
himself to shout at the man, as he usually did. He entered the garage
office; from the inner door he peeped at the girl, who was talking to
his assistant about changing an inner tube.

That Ben Sittka whom an hour ago he had cajoled as a promising child he
now admired for the sniffing calmness with which he was demanding,
"Want a red or gray tube?"

"Really, I don't know. Which is the better?" The girl's voice was
curiously clear.

Milt passed Claire Boltwood as though he did not see her; stood at the
rear of the garage kicking at the tires of a car, his back to her. Over
and over he was grumbling, "If I just knew one girl like that---- Like a
picture. Like--like a silver vase on a blue cloth!"

Ben Sittka did not talk to the girl while he inserted the tube in the
spare casing. Only, in the triumphant moment when the parted ends of the
steel rim snapped back together, he piped, "Going far?"

"Yes, rather. To Seattle."

Milt stared at the cobweb-grayed window. "Now I know what I was planning
to do. I'm going to Seattle," he said.

The girl was gone at twenty-nine minutes after twelve. At twenty-nine
and a half minutes after, Milt remarked to Ben Sittka, "I'm going to
take a trip. Uh? Now don't ask questions. You take charge of the garage
until you hear from me. Get somebody to help you. G'-by."

He drove his Teal bug out of the garage. At thirty-two minutes after
twelve he was in his room, packing his wicker suitcase by the method of
throwing things in and stamping on the case till it closed. In it he
had absolutely all of his toilet refinements and wardrobe except the
important portion already in use. They consisted, according to faithful
detailed report, of four extra pairs of thick yellow and white cotton
socks; two shirts, five collars, five handkerchiefs; a pair of
surprisingly vain dancing pumps; high tan laced boots; three suits of
cheap cotton underclothes; his Sunday suit, which was dead black in
color, and unimaginative in cut; four ties; a fagged toothbrush, a comb
and hairbrush, a razor, a strop, shaving soap in a mug; a not very clean
towel; and nothing else whatever.

To this he added his entire library and private picture gallery,
consisting of Ivanhoe, Ben-Hur, his father's copy of Byron, a wireless
manual, and the 1916 edition of Motor Construction and Repairing: the
art collection, one colored Sunday supplement picture of a princess
lunching in a Provence courtyard, and a half-tone of Colonel Paul Beck
landing in an early military biplane. Under this last, in a pencil
scrawl now blurred to grayness, Milt had once written, "This what Ill be
aviator."

What he was to wear was a piercing trouble. Till eleven minutes past
twelve that day he had not cared. People accepted his overalls at
anything except a dance, and at the dances he was the only one who wore
pumps. But in his discovery of Claire Boltwood he had perceived that
dressing is an art. Before he had packed, he had unhappily pawed at the
prized black suit. It had become stupid. "Undertaker!" he growled.

With a shrug which indicated that he had nothing else, he had exchanged
his overalls for a tan flannel shirt, black bow tie, thick pigskin
shoes, and the suit he had worn the evening before, his best suit of two
years ago--baggy blue serge coat and trousers. He could not know it, but
they were surprisingly graceful on his wiry, firm, white body.

In his pockets were a roll of bills and an unexpectedly good gold watch.
For warmth he had a winter ulster, an old-fashioned turtle-neck sweater,
and a raincoat heavy as tarpaulin. He plunged into the raincoat, ran
out, galloped to Rauskukle's store, bought the most vehement cap in the
place--a plaid of cerise, orange, emerald green, ultramarine, and five
other guaranteed fashionable colors. He stocked up with food for
roadside camping.

In the humping tin-covered tail of the bug was a good deal of room, and
this he filled with motor extras, a shotgun and shells, a pair of
skates, and all his camping kit as used on his annual duck-hunting trip
to Man Trap Lake.

"I'm a darned fool to take everything I own but---- Might be gone a
whole month," he reflected.

He had only one possession left--a check book, concealed from the
interested eye of his too maternal landlady by sticking it under the
stair carpet. This he retrieved. It showed a balance of two hundred
dollars. There was ten dollars in the cash register in the office, for
Ben Sittka. The garage would, with the mortgage deducted, be worth
nearly two thousand. This was his fortune.

He bolted into the kitchen and all in one shout he informed his
landlady, "Called out of town, li'l trip, b'lieve I don't owe you
an'thing, here's six dollars, two weeks' notice, dunno just when I be
back."

Before she could issue a questionnaire he was out in the bug. He ran
through town. At his friend McGolwey; now loose-lipped and wabbly,
sitting in the rain on a pile of ties behind the railroad station, he
yelled, "So long, Mac. Take care yourself, old hoss. Off on li'l trip."

He stopped in front of the "prof's," tooted till the heads of the
Joneses appeared at the window, waved and shouted, "G'-by, folks. Goin'
outa town."

Then, while freedom and the distant Pacific seemed to rush at him over
the hood, he whirled out of town. It was two minutes to one--forty-seven
minutes since Claire Boltwood had entered Schoenstrom.

He stopped only once. His friend Lady Vere de Vere was at the edge of
town, on a scientific exploring trip in the matter of ethnology and
field mice. She hailed him, "Mrwr? Me mrwr!"

"You don't say so!" Milt answered in surprise. "Well, if I promised to
take you, I'll keep my word." He vaulted out, tucked Vere de Vere into
the seat, protecting her from the rain with the tarpaulin winter
radiator-cover.

His rut-skipping car overtook the mud-walloping Gomez-Dep in an hour,
and pulled it out of the mud.

Before Milt slept that night, in his camp three miles from Gopher
Prairie, he went through religious rites.

"Girl like her, she's darn particular about her looks. I'm a sloppy
hound. Used to be snappier about my clothes when I was in high school.
Getting lazy--too much like Mac. Think of me sleeping in my clothes last
night!"

"Mrwr!" rebuked the cat.

"You're dead right. Fierce is the word. Nev' will sleep in my duds
again, puss. That is, when I have a reg'lar human bed. Course camping,
different. But still---- Let's see all the funny things we can do to
us."

He shaved--two complete shaves, from lather to towel. He brushed his
hair. He sat down by a campfire sheltered between two rocks, and fought
his nails, though they were discouragingly crammed with motor grease.
Throughout this interesting but quite painful ceremony Milt kept up a
conversation between himself as the World's Champion Dude, and his cat
as Vallay. But when there was nothing more to do, and the fire was low,
and Vere de Vere asleep in the sleeve of the winter ulster, his
bumbling voice slackened; in something like agony he muttered:

"But oh, what's the use? I can't ever be anything but a dub! Cleaning my
nails, to make a hit with a girl that's got hands like hers! It's a long
trail to Seattle, but it's a darn sight longer one to being--being--well,
sophisticated. Oh! And incidentally, what the deuce am I going to do in
Seattle if I do get there?"




CHAPTER VI

THE LAND OF BILLOWING CLOUDS


Never a tawny-beached ocean has the sweetness of the prairie slew.
Rippling and blue, with long grass up to its edge, a spot of dancing
light set in the miles of rustling wheat, it retains even in July, on an
afternoon of glare and brazen locusts, the freshness of a spring
morning. A thousand slews, a hundred lakes bordered with rippling barley
or tinkling bells of the flax, Claire passed. She had left the
occasional groves of oak and poplar and silver birch, and come out on
the treeless Great Plains.

She had learned to call the slews "pugholes," and to watch for ducks at
twilight. She had learned that about the pugholes flutter choirs of
crimson-winged blackbirds; that the ugly brown birds squatting on
fence-rails were the divine-voiced meadow larks; that among the humble
cowbird citizens of the pastures sometimes flaunted a scarlet tanager or
an oriole; and that no rose garden has the quaint and hardy beauty of
the Indian paint brushes and rag babies and orange milkweed in the
prickly, burnt-over grass between roadside and railway line.

She had learned that what had seemed rudeness in garage men and hotel
clerks was often a resentful reflection of her own Eastern attitude
that she was necessarily superior to a race she had been trained to call
"common people." If she spoke up frankly, they made her one of their
own, and gave her companionable aid.

For two days of sunshine and drying mud she followed a road flung
straight across flat wheatlands, then curving among low hills. Often
there were no fences; she was so intimately in among the grain that the
fenders of the car brushed wheat stalks, and she became no stranger, but
a part of all this vast-horizoned land. She forgot that she was driving,
as she let the car creep on, while she was transported by Armadas of
clouds, prairie clouds, wisps of vapor like a ribbed beach, or mounts of
cumulus swelling to gold-washed snowy peaks.

The friendliness of the bearing earth gave her a calm that took no heed
of passing hours. Even her father, the abstracted man of affairs, nodded
to dusty people along the road; to a jolly old man whose bulk rolled and
shook in a tiny, rhythmically creaking buggy, to women in the small
abrupt towns with their huge red elevators and their long, flat-roofed
stores.

Claire had discovered America, and she felt stronger, and all her days
were colored with the sun.

She had discovered, too, that she could adventure. No longer was she
haunted by the apprehension that had whispered to her as she had left
Minneapolis. She knew a thrill when she hailed--as though it were a
passing ship--an Illinois car across whose dust-caked back was a banner
"Chicago to the Yellowstone." She experienced a new sensation of common
humanness when, on a railway paralleling the wagon road for miles, the
engineer of a freight waved his hand to her, and tooted the whistle in
greeting.

Her father was easily tired, but he drowsed through the early afternoons
when a none-too-digestible small-town lunch was as lead within him.
Despite the beauty of the land and the joy of pushing on, they both had
things to endure.

After lunch, it was sometimes an agony to Claire to keep awake. Her eyes
felt greasy from the food, or smarted with the sun-glare. In the still
air, after the morning breeze had been burnt out, the heat from the
engine was a torment about her feet; and if there was another car ahead,
the trail of dust sifted into her throat. Unless there was traffic to
keep her awake, she nodded at the wheel; she was merely a part of a
machine that ran on without seeming to make any impression on the
prairie's endlessness.

Over and over there were the same manipulations: slow for down hill,
careful of sand at the bottom, letting her out on a smooth stretch,
waving to a lonely farmwife in her small, baked dooryard, slow to pass a
hay-wagon, gas for up the next hill, and repeat the round all over
again. But she was joyous till noon; and with mid-afternoon a new
strength came which, as rose crept above the golden haze of dust,
deepened into serene meditation.

And she was finding the one secret of long-distance driving--namely,
driving; keeping on, thinking by fifty-mile units, not by the ten-mile
stretches of Long Island runs; and not fretting over anything whatever.
She seemed charmed; if she had a puncture--why, she put on the spare. If
she ran out of gas--why, any passing driver would lend her a gallon.
Nothing, it seemed, could halt her level flight across the giant land.

She rarely lost her way. She was guided by the friendly trail
signs--those big red R's and L's on fence post and telephone pole,
magically telling the way from the Mississippi to the Pacific.

Her father's occasional musing talk kept her from loneliness. He was a
good touring companion. Motoring is not the best occasion for epigrams,
satire, and the Good One You Got Off at the Lambs' Club last night. Such
verbiage on motor trips invariably results in the mysterious finding of
the corpse of a strange man, well dressed, hidden beside the road.
Claire and her father mumbled, "Good farmhouse--brick," or "Nice view,"
and smiled, and were for miles as silent as the companionable sky.

She thought of the people she knew, especially of Jeff Saxton. But she
could not clearly remember his lean earnest face. Between her and Jeff
were sweeping sunny leagues. But she was not lonely. Certainly she was
not lonely for a young man with a raincoat, a cat, and an interest in
Japan.

No singer after a first concert has felt more triumphant than Claire
when she crossed her first state-line; rumbled over the bridge across
the Red River into North Dakota. To see Dakota car licenses everywhere,
instead of Minnesota, was like the sensation of street signs in a new
language. And when she found a good hotel in Fargo and had a real bath,
she felt that by her own efforts she had earned the right to enjoy it.

Mr. Boltwood caught her enthusiasm. Dinner was a festival, and in iced
tea the peaceful conquistadores drank the toast of the new Spanish Main;
and afterward, arm in arm, went chattering to the movies.

In front of the Royal Palace, Pictures, 4 Great Acts Vaudeville 4, was
browsing a small, beetle-like, tin-covered car.

"Dad! Look! I'm sure--yes, of course, there's his suitcase--that's the
car of that nice boy--don't you remember?--the one that pulled us out of
the mud at--I don't remember the name of the place. Apparently he's
keeping going. I remember; he's headed for Seattle, too. We'll look for
him in the theater. Oh, the darling, there's his cat! What was the funny
name he gave her--the Marchioness Montmorency or something?"

Lady Vere de Vere, afraid of Fargo and movie crowds, but trusting in her
itinerant castle, the bug, was curled in Milt Daggett's ulster, in the
bottom of the car. She twinkled her whiskers at Claire, and purred to a
stroking hand.

With the excitement of one trying to find the address of a friend in a
strange land Claire looked over the audience when the lights came on
before the vaudeville. In the second row she saw Milt's stiffish,
rope-colored hair--surprisingly smooth above an astoundingly clean new
tan shirt of mercerized silk.

He laughed furiously at the dialogue between Pete-Rosenheim &
Larose-Bettina, though it contained the cheese joke, the mother-in-law
joke, and the joke about the wife rifling her husband's pockets.

"Our young friend seems to have enviable youthful spirits," commented
Mr. Boltwood.

"Now, no superiority! He's probably never seen a real vaudeville show.
Wouldn't it be fun to take him to the Winter Garden or the Follies for
the first time!... Instead of being taken by Jeff Saxton, and having the
humor, oh! so articulately explained!"

The pictures were resumed; the film which, under ten or twelve different
titles, Claire had already seen, even though Brooklyn Heights does not
devote Saturday evening to the movies. The badman, the sheriff--an aged
party with whiskers and boots--the holdup, the sad eyes of the sheriff's
daughter--also an aged party, but with a sunbonnet and the most
expensive rouge--the crook's reformation, and his violent adherence to
law and order; this libel upon the portions of these United States lying
west of longitude 101 deg. Claire had seen too often. She dragged her father
back to the hotel, sent him to bed, and entered her room--to find a
telegram upon the bureau.

She had sent her friends a list of the places at which she would be
likely to stop. The message was from Jeff Saxton, in Brooklyn. It
brought to her mind the steady shine of his glasses--the most expensive
glasses, with the very best curved lenses--as it demanded:

    "Received letter about trip surprised anxious will tire you out
    fatigue prairie roads bad for your father mountain roads dangerous
    strongly advise go only part way then take train.       GEOFFREY."

She held the telegram, flipping her fingers against one end of it as she
debated. She remembered how the wide world had flowed toward her over
the hood of the Gomez all day. She wrote in answer:

    "Awful perils of road, two punctures, split infinitive, eggs at
    lunch questionable, but struggle on."

Before she sent it she held council with her father. She sat on the foot
of his bed and tried to sound dutiful. "I don't want to do anything
that's bad for you, daddy. But isn't it taking your mind away from
business?"

"Ye-es, I think it is. Anyway, we'll try it a few days more."

"I fancy we can stand up under the strain and perils. I think we can
persuade some of these big farmers to come to the rescue if we encounter
any walruses or crocodiles among the wheat. And I have a feeling that if
we ever get stuck, our friend of the Teal bug will help us."

"Probably never see him again. He'll skip on ahead of us."

"Of course. We haven't laid an eye on him, along the road. He must have
gotten into Fargo long before we did. Now tomorrow I think----"




CHAPTER VII

THE GREAT AMERICAN FRYING PAN


It was Claire's first bad day since the hole in the mud. She had started
gallantly, scooting along the level road that flies straight west of
Fargo. But at noon she encountered a restaurant which made eating seem
an evil.

That they might have fair fame among motorists the commercial club of
Reaper had set at the edge of town a sign "Welcome to Reaper, a Live
Town--Speed Limit 8 Miles perhr." Being interpreted, that sign meant
that if you went much over twenty miles an hour on the main street,
people might glance at you; and that the real welcome, the only
impression of Reaper that tourists were likely to carry away, was the
welcome in the one restaurant. It was called the Eats Garden. As Claire
and her father entered, they were stifled by a belch of smoke from the
frying pan in the kitchen. The room was blocked by a huge lunch counter;
there was only one table, covered with oil cloth decorated with
venerable spots of dried egg yolk.

The waiter-cook, whose apron was gravy-patterned, with a border and
stomacher of plain gray dirt, grumbled, "Whadyuhwant?"

Claire sufficiently recovered to pick out the type from the fly specks
on the menu, and she ordered a small steak and coffee for her father;
for herself tea, boiled eggs, toast.

"Toast? We ain't got any toast!"

"Well, can't you make it?"

"Oh, I suppose I could----"

When they came, the slices of toast were an inch thick, burnt on one
side and raw on the other. The tea was bitter and the eggs watery. Her
father reported that his steak was high-test rawhide, and his
coffee--well, he wasn't sure just what substitute had been used for
chicory, but he thought it was lukewarm quinine.

Claire raged: "You know, this town really has aspirations. They're
beginning to build such nice little bungalows, and there's a fine clean
bank---- Then they permit this scoundrel to advertise the town among
strangers, influential strangers, in motors, by serving food like this!
I suppose they think that they arrest criminals here, yet this
restaurant man is a thief, to charge real money for food like this----
Yes, and he's a murderer!"

"Oh, come now, dolly!"

"Yes he is, literally. He must in his glorious career have given chronic
indigestion to thousands of people--shortened their lives by years.
That's wholesale murder. If I were the authorities here, I'd be
indulgent to the people who only murder one or two people, but imprison
this cook for life. Really! I mean it!"

"Well, he probably does the best he----"

"He does not! These eggs and this bread were perfectly good, before he
did black magic over them. And did you see the contemptuous look he gave
me when I was so eccentric as to order toast? Oh, Reaper, Reaper, you
desire a modern town, yet I wonder if you know how many thousands of
tourists go from coast to coast, cursing you? If I could only hang that
restaurant man--and the others like him--in a rope of his own hempen
griddle cakes! The Great American Frying Pan! I don't expect men
building a new town to have time to read Hugh Walpole and James Branch
Cabell, but I do expect them to afford a cook who can fry eggs!"

As she paid the check, Claire tried to think of some protest which would
have any effect on the obese wits of the restaurant man. In face of his
pink puffiness she gave it up. Her failure as a Citizeness Fixit sent
her out of the place in a fury, carried her on in a dusty whirl till the
engine spat, sounded tired and reflective, and said it guessed it
wouldn't go any farther that day.

Now that she had something to do, Claire became patient. "Run out of
gas. Isn't it lucky I got that can for an extra gallon?"

But there was plenty of gas. There was no discernible reason why the
car should not go. She started the engine. It ran for half a minute and
quit. All the plugs showed sparks. No wires were detached in the
distributor. There was plenty of water, and the oil was not clogged. And
that ended Claire's knowledge of the inside of a motor.

She stopped two motorists. The first was sure that there was dirt on the
point of the needle valve, in the carburetor. While Claire shuddered
lest he never get it back, he took out the needle valve, wiped it, put
it back--and the engine was again started, and again, with great
promptness, it stopped.

The second Good Samaritan knew that one of the wires in the distributor
must be detached and, though she assured him that she had inspected
them, he looked pityingly at her smart sports-suit, said, "Well, I'll
just take a look," and removed the distributor cover. He also scratched
his head, felt of the fuses under the cowl, scratched his cheek, poked a
finger at the carburetor, rubbed his ear, said, "Well, uh----" looked to
see if there was water and gas, sighed, "Can't just seem to find out
what's the trouble," shot at his own car, and escaped.

Claire had been highly grateful and laudatory to both of them--but she
remained here, ten miles from nowhere. It was a beautiful place. Down a
hill the wheat swam toward a village whose elevator was a glistening
tower. Mud-hens gabbled in a slew, alfalfa shone with unearthly green,
and bees went junketing toward a field of red clover. But she had the
motorist's fever to go on. The road behind and in front was very long,
very white--and very empty.

Her father, out of much thought and a solid ignorance about all of
motoring beyond the hiring of chauffeurs and the payment of bills,
suggested, "Uh, dolly, have you looked to see if these, uh---- Is the
carburetor all right?"

"Yes, dear; I've looked at it three times, so far," she said, just a
little too smoothly.

On the hill five miles to eastward, a line of dust, then a small car. As
it approached, the driver must have sighted her and increased speed. He
came up at thirty-five miles an hour.

"Now we'll get something done! Look! It's a bug--a flivver or a Teal or
something. I believe it's the young man that got us out of the mud."

Milt Daggett stopped, casually greeted them: "Why, hello, Miss Boltwood.
Thought you'd be way ahead of me some place!"

"Mrwr," said Vere de Vere. What this meant the historian does not know.

"No; I've been taking it easy. Mr., Uh--I can't quite remember your
name----"

"Milt Daggett."

"There's something mysterious the matter with my car. The engine will
start, after it's left alone a while, but then it stalls. Do you
suppose you could tell what it is?"

"I don't know. I'll see if I can find out."

"Then you probably will. The other two men knew everything. One of them
was the inventor of wheels, and the other discovered skidding. So of
course they couldn't help me."

Milt added nothing to her frivolity, but his smile was friendly. He
lifted the round rubber cap of the distributor. Then Claire's faith
tumbled in the dust. Twice had the wires been tested. Milt tested them
again. She was too tired of botching to tell him he was wasting time.

"Got an oil can?" he hesitated.

Through a tiny hole in the plate of the distributor he dripped two drops
of oil--only two drops. "I guess maybe that's what it needed. You might
try her now, and see how she runs," he said mildly.

Dubiously Claire started the engine. It sang jubilantly, and it did not
stop. Again was the road open to her. Again was the settlement over
there, to which it would have taken her an hour to walk, only six
minutes away.

She stopped the engine, beamed at him--there in the dust, on the quiet
hilltop. He said as apologetically as though he had been at fault,
"Distributor got dry. Might give it a little oil about once in six
months."

"We are so grateful to you! Twice now you've saved our lives."

"Oh, I guess you'd have gone on living! And if drivers can't help each
other, who can?"

"That's a good start toward world-fellowship, I suppose. I wish we could
do---- Return your lunch or---- Mr. Daggett! Do you read books? I
mean----"

"Yes I do, when I run across them."

"Mayn't I gi--lend you these two that I happen to have along? I've
finished them, and so has father, I think."

From the folds of the strapped-down top she pulled out Compton
Mackenzie's _Youth's Encounter_, and Vachel Lindsay's _Congo_. With a
curious faint excitement she watched him turn the leaves. His blunt
fingers flapped through them as though he was used to books. As he
looked at _Congo_, he exclaimed, "Poetry! That's fine! Like it, but I
don't hardly ever run across it. I---- Say---- I'm terribly obliged!"

His clear face lifted, sun-brown and young and adoring. She had not
often seen men look at her thus. Certainly Jeff Saxton's painless
worship did not turn him into the likeness of a knight among banners.
Yet the good Geoffrey loved her, while to Milt Daggett she could be
nothing more than a strange young woman in a car with a New York
license. If her tiny gift could so please him, how poor he must be. "He
probably lives on some barren farm," she thought, "or he's a penniless
mechanic hoping for a good job in Seattle. How white his forehead is!"

But aloud she was saying, "I hope you're enjoying your trip."

"Oh yes. I like it fine. You having a good time? Well---- Well, thanks
for the books."

She was off before him. Presently she exclaimed to Mr. Boltwood: "You
know--just occurs to me--it's rather curious that our young friend
should be so coincidental as to come along just when we needed him."

"Oh, he just happened to, I suppose," hemmed her father.

"I'm not so sure," she meditated, while she absently watched another
member of the Poultry Suicide Club rush out of a safe ditch, prepare to
take leave for immortality, change her fowlish mind, flutter up over the
hood of the car, and come down squawking her indignities to the
barnyard. "I'm not so sure about his happening---- No. I wonder if he
could possibly---- Oh no. I hope not. Flattering, but---- You don't
suppose he could be deliberately following us?"

"Nonsense! He's a perfectly decent young chap."

"I know. Of course. He probably works hard in a garage, and is terribly
nice to his mother and sisters at home. I mean---- I wouldn't want the
dear lamb to be a devoted knight, though. Too thankless a job."

She slowed the car down to fifteen an hour. For the first time she began
to watch the road behind her. In a few minutes a moving spot showed in
the dust three miles back. Oh, naturally; he would still be behind her.
Only---- If she stopped, just to look at the scenery, he would go on
ahead of her. She stopped for a moment--for a time too brief to indicate
that anything had gone wrong with her car. Staring back she saw that the
bug stopped also, and she fancied that Milt was out standing beside it,
peering with his palm over his eyes--a spy, unnatural and disturbing in
the wide peace.

She drove on a mile and halted again; again halted her attendant. He was
keeping a consistent two to four miles behind, she estimated.

"This won't do at all," she worried. "Flattering, but somehow----
Whatever sort of a cocoon-wrapped hussy I am, I don't collect scalps. I
won't have young men serving me--graft on them--get amusement out of
their struggles. Besides--suppose he became just a little more friendly,
each time he came up, all the way from here to Seattle?... Fresh.... No,
it won't do."

She ran the car to the side of the road.

"More trouble?" groaned her father.

"No. Just want to see scenery."

"But---- There's a good deal of scenery on all sides, without stopping,
seems to me!"

"Yes, but----" She looked back. Milt had come into sight; had paused to
take observations. Her father caught it:

"Oh, I see. Pardon me. Our squire still following? Let him go on ahead?
Wise lass."

"Yes. I think perhaps it's better to avoid complications."

"Of course." Mr. Boltwood's manner did not merely avoid Milt; it
abolished him.

She saw Milt, after five minutes of stationary watching, start forward.
He came dustily rattling up with a hail of "Distributor on strike
again?" so cheerful that it hurt her to dismiss him. But she had managed
a household. She was able to say suavely:

"No, everything is fine. I'm sure it will be, now. I'm afraid we are
holding you back. You mustn't worry about us."

"Oh, that's all right," breezily. "Something might go wrong. Say, is
this poetry book----"

"No, I'm sure nothing will go wrong now. You mustn't feel responsible
for us. But, uh, you understand we're very grateful for what you have
done and, uh, perhaps we shall see each other in Seattle?" She made it
brightly interrogatory.

"Oh, I see." His hands gripped the wheel. His cheeks had been too
ruddily tinted by the Dakota sun to show a blush, but his teeth caught
his lower lip. He had no starter on his bug; he had in his embarrassment
to get out and crank. He did it quietly, not looking at her. She could
see that his hand trembled on the crank. When he did glance at her, as
he drove off, it was apologetically, miserably. His foot was shaking on
the clutch pedal.

The dust behind his car concealed him. For twenty miles she was silent,
save when she burst out to her father, "I do hope you're enjoying the
trip. It's so easy to make people unhappy. I wonder---- No. Had to be
done."




CHAPTER VIII

THE DISCOVERY OF CANNED SHRIMPS AND HESPERIDES


On the morning when Milt Daggett had awakened to sunshine in the woods
north of Gopher Prairie, he had discovered the golden age. As mile on
mile he jogged over new hills, without having to worry about getting
back to his garage in time to repair somebody's car, he realized that
for the past two years he had forced himself to find contentment in
building up a business that had no future.

Now he laughed and whooped; he drove with one foot inelegantly and
enchantingly up on the edge of the cowl; he made Lady Vere de Vere bow
to astounded farmers; he went to the movies every evening--twice, in
Fargo; and when the chariot of the young prince swept to the brow of a
hill, he murmured, not in the manner of a bug-driver but with a stinging
awe, "All that big country! Ours to see, puss! We'll settle down some
day and be solid citizens and raise families and wheeze when we walk,
but---- All those hills to sail over and---- Come on! Lez sail!"

Milt attended the motion pictures every evening, and he saw them in a
new way. As recently as one week before he had preferred those earnest
depictions in which hard-working, moral actors shoot one another, or
ride the most uncomfortable horses up mountainsides. But now, with a
mental apology to that propagandist of lowbrowism, the absent Mac, he
chose the films in which the leading men wore evening clothes, and no
one ever did anything without being assisted by a "man." Aside from the
pictures Milt's best tutors were traveling men. Though he measured every
cent, and for his campfire dinners bought modest chuck steaks, he had at
least one meal a day at a hotel, to watch the traveling men.

To Claire, traveling men were merely commercial persons in hard-boiled
suits. She identified them with the writing-up of order-slips on long
littered writing-tables, and with hotels that reduced the delicate arts
of dining and sleeping to gray greasiness. But Milt knew traveling men.
He knew that not only were they the missionaries of business,
supplementing the taking of orders by telling merchants how to build up
trade, how to trim windows and treat customers like human beings; but
also that they, as much as the local ministers and doctors and teachers
and newspapermen, were the agents in spreading knowledge and justice. It
was they who showed the young men how to have their hair cut--and to
wash behind the ears and shave daily; they who encouraged villagers to
rise from scandal and gossip to a perception of the Great World, of
politics and sports, and some measure of art and science.

Claire, and indeed her father and Mr. Jeff Saxton as well, had vaguely
concluded that because drummers were always to be seen in soggy hotels
and badly connecting trains and the headachy waiting-rooms of stations,
they must like these places. Milt knew that the drummers were martyrs;
that for months of a trip, all the while thinking of the children back
home, they suffered from landlords and train schedules; that they were
Claire's best allies in fighting the Great American Frying Pan; that
they knew good things, and fought against the laziness and impositions
of people who "kept hotel" because they had failed as farmers; and that
when they did find a landlord who was cordial and efficient, they went
forth mightily advertising that glorious man. The traveling men, he
knew, were pioneers in spats.

Hence it was to the traveling men, not to supercilious tourists in
limousines, that Milt turned for suggestions as to how to perform the
miracle of changing from an ambitious boy into what Claire would
recognize as a charming man. He had not met enough traveling men at
Schoenstrom. They scooped up what little business there was, and escaped
from the Leipzig House to spend the night at St. Cloud or Sauk Centre.

In the larger towns in Minnesota and Dakota, after evening movies,
before slipping out to his roadside camp Milt inserted himself into a
circle of traveling men in large leather chairs, and ventured, "Saw a
Gomez-Dep with a New York license down the line today."

"Oh. You driving through?"

"Yes. Going to Seattle."

That distinguished Milt from the ordinary young-men-loafers, and he was
admitted as one of the assembly of men who traveled and saw things and
wondered about the ways of men. It was good talk he heard; too much of
hotels, and too many tight banal little phrases suggesting the solution
of all economic complexities by hanging "agitators," but with this, an
exciting accumulation of impressions of Vancouver and San Diego, Florida
and K. C.

"That's a wonderful work farm they have at Duluth," said one, and the
next, "speaking of that, I was in Chicago last week, and I saw a
play----"

Milt had, in his two years of high school in St. Cloud, and in his
boyhood under the genial but abstracted eye of the Old Doctor, learned
that it was not well thought of to use the knife as a hod and to plaster
mashed potatoes upon it, as was the custom in Mac's Old Home Lunch at
Schoenstrom. But the arts of courteously approaching oysters, salad, and
peas were rather unfamiliar to him. Now he studied forks as he had once
studied carburetors, and he gave spiritual devotion to the nice eating
of a canned-shrimp cocktail--a lost legion of shrimps, now two thousand
miles and two years away from their ocean home.

He peeped with equal earnestness at the socks and the shirts of the
traveling men. Socks had been to him not an article of faith but a
detail of economy. His attitude to socks had lacked in reverence and
technique. He had not perceived that socks may be as sound a symbol of
culture as the 'cello or even demountable rims. He had been able to
think with respect of ties and damp pique collars secured by gold
safety-pins; and to the belted fawn overcoat that the St. Klopstock
banker's son had brought back from St. Paul, he had given jealous
attention. But now he graduated into differential socks.

By his campfire, sighing to the rather somnolent Vere de Vere, he
scornfully yanked his extra pairs of thick, white-streaked, yellow
cotton socks from the wicker suitcase, and uttered anathema:

"Begone, ye unworthy and punk-looking raiment. I know ye! Ye werst a
bargain and two pairs for two bits. But even as Adolph Zolzac and an
agent for flivver accessories are ye become in my eyes, ye generation of
vipers, ye clumsy, bag-footed, wrinkle-sided gunny-sacking ye!"

Next day, in the woods, a happy hobo found that the manna-bringing
ravens had left him four pairs of good socks.

Five quite expensive pairs of silk and lisle socks Milt purchased--all
that the general merchant at Jeppe had in stock. What they lost in
suitability to touring and to private laundering at creeks, they gained
as symbols. Milt felt less shut out from the life of leisure. Now, in
Seattle, say, he could go into a good hotel with less fear of the
clerks.

He added attractive outing shirts, ties neither too blackly dull nor too
flashily crimson, and a vicious nail-brush which simply tore out the
motor grease that had grown into the lines of his hands. Also he added a
book.

The book was a rhetoric. Milt knew perfectly that there was an
impertinence called grammar, but it had never annoyed him much. He knew
that many persons preferred "They were" to "They was," and were nervous
in the presence of "ain't." One teacher in St. Cloud had buzzed
frightfully about these minutiae. But Milt discovered that grammar was
only the beginning of woes. He learned that there were such mental
mortgages as figures of speech and the choice of synonyms. He had always
known, but he had never passionately felt that the invariable use of
"hell," "doggone," and "You bet!" left certain subtleties unexpressed.
Now he was finding subtleties which he had to express.

As joyously adventurous as going on day after day was his
experimentation in voicing his new observations. He gave far more
eagerness to it than Claire Boltwood had. Gustily intoning to Vere de
Vere, who was the perfect audience, inasmuch as she never had anything
to say but "Mrwr," and didn't mind being interrupted in that, he
clamored, "The prairies are the sea. In the distance they are kind of
silvery--no--they are dim silver; and way off on the skyline are the
Islands of the--of the---- Now what the devil was them, were those,
islands in the mythology book in high school? Of the--Blessed? Great
snakes' boots, you're an ignorant cat, Vere! Hesperyds? No! Hesperides!
Yea, bo'! Now that man in the hotel: 'May I trouble you for the train
guide? Thanks so much!' But how much is so much?"

As Claire's days were set free by her consciousness of sun and brown
earth, so Milt's odyssey was only the more valorous in his endeavor to
criticize life. He saw that Mac's lunch room had not been an altogether
satisfactory home; that Mac's habit of saying to dissatisfied customers,
"If you don't like it, get out," had lacked something of courtesy.
Staring at towns along the way, Milt saw that houses were not merely
large and comfortable, or small and stingy; but that there was an
interesting thing he remembered hearing his teachers call "good taste."

He was not the preoccupied Milt of the garage but a gay-eyed gallant,
the evening when he gave a lift to the school-teacher and drove her from
the district school among the wild roses and the corn to her home in the
next town. She was a neat, tripping, trim-sided school-teacher of
nineteen or twenty.

"You're going out to Seattle? My! That's a wonderful trip. Don't you get
tired?" she adored.

"Oh, no. And I'm seeing things. I used to think everything worth while
was right near my own town."

"You're so wise to go places. Most of the boys I know don't think there
is any world beyond Jimtown and Fargo."

She glowed at him. Milt was saying to himself, "Am I a fool? I probably
could make this girl fall in love with me. And she's better than I am;
so darn neat and clean and gentle. We'd be happy. She's a nice comfy
fire, and here I go like a boob, chasing after a lone, cold star like
Miss Boltwood, and probably I'll fall into all the slews from hell to
breakfast on the way. But---- I'd get sleepy by a comfy fire."

"Are you thinking hard? You're frowning so," ventured the
school-teacher.

"Didn't mean to. 'Scuse!" he laughed. One hand off the steering wheel,
he took her hand--a fresh, cool, virginal hand, snuggling into his,
suddenly stirring him. He wanted to hold it tighter. The lamenting
historian of love's pilgrimage must set down the fact that the pilgrim
for at least a second forgot the divine tread of the goddess Claire, and
made rapid calculation that he could, in a pinch, drive from Schoenstrom
to the teacher's town in two days and a night; that therefore courtship,
and this sweet white hand resting in his, were not impossible. Milt
himself did not know what it was that made him lay down the hand and
say, so softly that he was but half audible through the rattle of the
engine:

"Isn't this a slick, mean to say glorious evening? Sky rose and then
that funny lavender. And that new moon---- Makes me think of--the girl
I'm in love with."

"You're engaged?" wistfully.

"Not exactly but---- Say, did you study rhetoric in Normal School? I
have a rhetoric that's got all kind of poetic extracts, you know, and
quotations and everything, from the big writers, Stevenson and all.
Always been so practical, making a garage pay, never thought much about
how I said things as long as I could say 'No!' and say it quick. 'Cept
maybe when I was talking to the prof there. But it's great sport to see
how musical you can make a thing sound. Words. Like Shenandoah. Gol-lee!
Isn't that a wonderful word? Makes you see old white mansion, and
mocking birds---- Wonder if a fellow could be a big engineer, you know,
build bridges and so on, and still talk about, oh, beautiful things?
What d' you think, girlie?"

"Oh, I'm sure you could!"

Her admiration, the proximity of her fragrant slightness, was pleasant
in the dusk, but he did not press her hand again, even when she
whispered, "Good night, and thank you--oh, thank you."

If Milt had been driving at the rate at which he usually made his
skipjack carom over the roads about Schoenstrom, he would by now have
been through Dakota, into Montana. But he was deliberately holding down
the speed. When he had been tempted by a smooth stretch to go too
breathlessly, he halted, teased Vere de Vere, climbed out and, sitting
on a hilltop, his hands about his knees, drenched his soul with the
vision of amber distances.

He tried so to time his progress that he might always be from three to
five miles behind Claire--distant enough to be unnoticed, near enough to
help in case of need. For behind poetic expression and the use of forks
was the fact that his purpose in life was to know Claire.

When he was caught, when Claire informed him that he "mustn't worry
about her"; when, slowly, he understood that she wasn't being neighborly
and interested in his making time, he wanted to escape, never to see her
again.

For thirty miles his cheeks were fiery. He, most considerate of roadmen,
crowded a woman in a flivver, passed a laboring car on an upgrade with
such a burst that the uneasy driver bumped off into a ditch. He hadn't
really seen them. Only mechanically had he got past them. He was
muttering:

"She thought I was trying to butt in! Stung again! Like a small boy in
love with teacher. And I thought I was so wise! Cussed out Mac--blamed
Mac--no, damn all the fine words--cussed out Mac for being the village
rumhound. Boozing is twice as sensible as me. See a girl, nice
dress--start for Seattle! Two thousand miles away! Of course she bawled
me out. She was dead right. Boob! Yahoo! Goat!"

He caught up Vere de Vere, rubbed her fur against his cheek while he
mourned, "Oh, puss, you got to be nice to me. I thought I'd do big
things. And then the alarm clock went off. I'm back in Schoenstrom. For
keeps, I guess. I didn't know I had feelings that could get hurt like
this. Thought I had a rhinoceros hide. But---- Oh, it isn't just feeling
ashamed over being a fool. It's that---- Won't ever see her again. Not
once. Way I saw her through the window, at that hotel, in that blue
silky dress--that funny long line of buttons, and her throat. Never have
dinner--lunch--with her by the road----"

In the reaction of anger he demanded of Vere de Vere, "What the deuce do
I care? If she's chump enough to chase away a crack garage man that's
gone batty and wants to work for nothing, let her go on and hit some
crook garage and get stuck for an entire overhauling. What do I care?
Had nice trip; that's all I wanted. Never did intend to go clear to
Seattle, anyway. Go on to Butte, then back home. No more fussing about
fool table-manners and books, and I certainly will cut out tagging
behind her! No, sir! Nev-er again!"

It was somewhat inconsistent to add, "There's a bully place--sneak in
and let her get past me again. But she won't catch me following next
time!"

While he tried to keep up his virtuous anger, he was steering into an
abandoned farmyard, parking the car behind cottonwoods and neglected
tall currant bushes which would conceal it from the road.

The windows of the deserted house stared at him; a splintered screen
door banged in every breeze. Lichens leered from the cracks of the
porch. The yard was filled with a litter of cottonwood twigs, and over
the flower garden hulked ragged weeds. In the rank grass about the slimy
green lip of the well, crickets piped derisively. The barn-door was
open. Stray kernels of wheat had sprouted between the spokes of a rusty
binder-wheel. A rat slipped across the edge of the shattered manger. As
dusk came on, gray things seemed to slither past the upper windows of
the house, and somewhere, under the roof, there was a moaning. Milt was
sure that it was the wind in a knothole. He told himself that he was
absolutely sure about it. And every time it came he stroked Vere de Vere
carefully, and once, when the moaning ended in the slamming of the
screen door, he said, "Jiminy!"

This boy of the unghostly cylinders and tangible magnetos had never
seen a haunted house. To toil of the harvest field and machine shop and
to trudging the sun-beaten road he was accustomed, but he had never
crouched watching the slinking spirits of old hopes and broken
aspirations; feeble phantoms of the first eager bridegroom who had come
to this place, and the mortgage-crushed, rust-wheat-ruined man who had
left it. He wanted to leap into the bug and go on. Yet the haunt of
murmurous memories dignified his unhappiness. In the soft, tree-dimmed
dooryard among dry, blazing plains it seemed indecent to go on growling
"Gee," and "Can you beat it?" It was a young poet, a poet rhymeless and
inarticulate, who huddled behind the shield of untrimmed currant bushes,
and thought of the girl he would never see again.

He was hungry, but he did not eat. He was cramped, but he did not move.
He picked up the books she had given him. He was quickened by the
powdery beauty of _Youth's Encounter_; by the vision of laughter and
dancing steps beneath a streaky gas-glow in the London fog; of youth not
"roughhousing" and wanting to "be a sport," yet in frail beauty and
faded crimson banners finding such exaltation as Schoenstrom had never
known. But every page suggested Claire, and he tucked the book away.

In Vachel Lindsay's _Congo_, in a poem called "The Santa Fe Trail," he
found his own modern pilgrimage from another point of view. Here was
the poet, disturbed by the honking hustle of passing cars. But Milt
belonged to the honking and the hustle, and it was not the soul of the
grass that he read in the poem, but his own sun-flickering flight:

    Swiftly the brazen car comes on.
    It burns in the East as the sunrise burns.
    I see great flashes where the far trail turns.
    Butting through the delicate mists of the morning,
    It comes like lightning, goes past roaring,
    It will hail all the windmills, taunting, ringing,
    On through the ranges the prairie-dog tills--
    Scooting past the cattle on the thousand hills.
    Ho for the tear-horn, scare-horn, dare-horn,
    Ho for the gay-horn, bark-horn, bay-horn.

Milt did not reflect that if the poet had watched the Teal bug go by, he
would not have recorded a scare-horn, a dare-horn, or anything mightier
than a yip-horn. Milt saw himself a cross-continent racer, with the
envious poet, left behind as a dot on the hill, celebrating his passing.

"Lord!" he cried. "I didn't know there were books like these! Thought
poetry was all like Longfellow and Byron. Old boys. Europe. And rhymed
bellyachin' about hard luck. But these books--they're me." Very
carefully: "No; they're I! And she gave 'em to me! I will see her again!
But she won't know it. Now be sensible, son! What do you expect?
Oh--nothing. I'll just go on, and sneak in one more glimpse of her to
take back with me where I belong."

Half an hour after Claire had innocently passed his ambush, he began to
follow her. But not for days was he careless. If he saw her on the
horizon he paused until she was out of sight. That he might not fail her
in need, he bought a ridiculously expensive pair of field glasses, and
watched her when she stopped by the road. Once, when both her right rear
tire and the spare were punctured before she could make a town, Milt
from afar saw her patch a tube, pump up the tire in the dust. He ached
to go to her aid--though it cannot be said that hand-pumping was his
favorite July afternoon sport.

Lest he encounter her in the streets, he always camped to the eastward
of the town at which she spent the night. After dusk, when she was
likely to end the day's drive in the first sizable place, he hid his bug
in an alley and, like a spy after the papers, sneaked into each garage
to see if her car was there.

He would stroll in, look about vacuously, and pipe to the suspicious
night attendant, "Seen a traveling man named Smith?" Usually the garage
man snarled, "No, I ain't seen nobody named Smith. An'thing else I can
do for you?" But once he was so unlucky as to find the long-missing Mr.
Smith!

Mr. Smith was surprised and insistent. Milt had to do some quick lying.
During that interview the cement floor felt very hard under his
fidgeting feet, and he thought he heard the garage man in the office
telephoning, "Don't think he knows Smith at all. I got a hunch he's that
auto thief that was through here last summer."

When Claire did not stop in the first town she reached after twilight,
but drove on by dark, he had to do some perilous galloping to catch up.
The lights of a Teal are excellent for adornment, but they have no
relation to illumination. They are dependent upon a magneto which is
dependent only upon faith.

Once, skittering along by dark, he realized that the halted car which he
had just passed was the Gomez. He thought he heard a shout behind him,
but in a panic he kept going.

To the burring motor he groaned, "Now I probably never will see her
again. Except that she thinks I'm such a pest that I dassn't let her
know I'm in the same state, I sure am one successful lover. As a Prince
Charming I win the Vanderbilt Cup. I'm going ahead backwards so fast
I'll probably drop off into the Atlantic over the next hill!"




CHAPTER IX

THE MAN WITH AGATE EYES


When her car had crossed the Missouri River on the swing-ferry between
Bismarck and Mandan, Claire had passed from Middle West to Far West. She
came out on an upland of virgin prairie, so treeless and houseless, so
divinely dipping, so rough of grass, that she could imagine buffaloes
still roving. In a hollow a real prairie schooner was camped, and the
wandering homestead-seekers were cooking dinner beside it. From a quilt
on the hay in the wagon a baby peeped, and Claire's heart leaped.

Beyond was her first butte, its sharp-cut sides glittering yellow, and
she fancied that on it the Sioux scout still sat sentinel, erect on his
pony, the feather bonnet down his back.

Now she seemed to breathe deeper, see farther. Again she came from
unbroken prairie into wheat country and large towns.

Her impression of the new land was not merely of sun-glaring breadth.
Sometimes, on a cloudy day, the wash of wheatlands was as brown and
lowering and mysterious as an English moor in the mist. It dwarfed the
far-off houses by its giant enchantment; its brooding reaches changed
her attitude of brisk, gas-driven efficiency into a melancholy that was
full of hints of old dark beauty.

Even when the sun came out, and the land was brazenly optimistic, she
saw more than just prosperity. In a new home, house and barn and
windmill square-cornered and prosaic, plumped down in a field with wheat
coming up to the unporticoed door, a habitation unshadowed, unsheltered,
unsoftened, she found a frank cleanness, as though the inhabitants
looked squarely out at life, unafraid. She felt that the keen winds
ought to blow away from such a prairie-fronting post of civilization all
mildew and cowardice, all the mummy dust of ancient fears.

These were not peasants, these farmers. Nor, she learned, were they the
"hicks" of humor. She could never again encounter without fiery
resentment the Broadway peddler's faith that farmers invariably say
"Waal, by heck." For she had spent an hour talking to one Dakota farmer,
genial-eyed, quiet of speech. He had explained the relation of alfalfa
to soil-chemistry; had spoken of his daughter, who taught economics in a
state university; and asked Mr. Boltwood how turbines were hitched up on
liners.

In fact, Claire learned that there may be an almost tolerable state of
existence without gardenias or the news about the latest Parisian
imagists.

She dropped suddenly from the vast, smooth-swelling miles of wheatland
into the tortured marvels of the Bad Lands, and the road twisted in the
shadow of flying buttresses and the terraced tombs of maharajas. While
she tried to pick her way through a herd of wild, arroyo-bred cattle,
she forgot her maneuvering as she was startled by the stabbing scarlet
of a column of rock marking the place where for months deep beds of
lignite had burned.

Claire had often given lifts to tramping harvesters and even hoboes
along the road; had enjoyed the sight of their duffle-bags stuck up
between the sleek fenders and the hood, and their talk about people and
crops along the road, as they hung on the running-board. In the country
of long hillslopes and sentinel buttes between the Dakota Bad Lands and
Miles City she stopped to shout to a man whose plodding heavy back
looked fagged, "Want a ride?"

"Sure! You bet!"

Usually her guests stepped on the right-hand running-board, beside Mr.
Boltwood, and this man was far over on the right side of the road. But,
while she waited, he sauntered in front of the car, round to her side,
mounted beside her. Before the car had started, she was sorry to have
invited him. He looked her over grinningly, almost contemptuously. His
unabashed eyes were as bright and hard as agates. Below them, his nose
was twisted a little, his mouth bent insolently up at one corner, and
his square long chin bristled.

Usually, too, her passengers waited for her to start the conversation,
and talked at Mr. Boltwood rather than directly to her. But the bristly
man spat at her as the car started, "Going far?"

"Ye-es, some distance."

"Expensive car?"

"Why----"

"'Fraid of getting held up?"

"I hadn't thought about it."

"Pack a cannon, don't you?"

"I don't think I quite understand."

"Cannon! Gun! Revolver! Got a revolver, of course?"

"W-why, no." She spoke uncomfortably. She was aware that his twinkling
eyes were on her throat. His look made her feel unclean. She tried to
think of some question which would lead the conversation to the less
exclamatory subject of crops. They were on a curving shelf road beside a
shallow valley. The road was one side of a horseshoe ten miles long. The
unprotected edge of it dropped sharply to fields forty or fifty feet
below.

"Prosperous-looking wheat down there," she said.

"No. Not a bit!" His look seemed to add, "And you know it--unless you're
a fool!"

"Well, I didn't----"

"Make Glendive tonight?"

"At least that far."

"Say, lady, how's the chance for borrowin' a couple of dollars? I was
workin' for a Finnski back here a ways, and he did me dirt--holdin' out
my wages on me till the end of the month."

"Why, uh----"

It was Claire, not the man, who was embarrassed.

He was snickering, "Come on, don't be a tightwad. Swell car--poor man
with no eats, not even a two-bits flop for tonight. Could yuh loosen up
and slip me just a couple bones?"

Mr. Boltwood intervened. He looked as uncomfortable as Claire. "We'll
see. It's rather against my principles to give money to an able-bodied
man like you, even though it is a pleasure to give you a ride----"

"Sure! Don't cost you one red cent!"

"--and if I could help you get a job, though of course---- Being a
stranger out here---- Seems strange to me, though," Mr. Boltwood
struggled on, "that a strong fellow like you should be utterly
destitute, when I see all these farmers able to have cars----"

Their guest instantly abandoned his attitude of supplication for one of
boasting: "Destitute? Who the hell said I was destitute, heh?" He was
snarling across Claire at Mr. Boltwood. His wet face was five inches
from hers. She drew her head as far back as she could. She was sure that
the man completely appreciated her distaste, for his eyes popped with
amusement before he roared on:

"I got plenty of money! Just 'cause I'm hoofin' it---- I don't want no
charity from nobody! I could buy out half these Honyockers! I don't need
none of no man's money!" He was efficiently working himself into a rage.
"Who you calling destitute? All I wanted was an advance till pay day!
Got a check coming. You high-tone, kid-glove Eastern towerists want to
watch out who you go calling destitute. I bet I make a lot more money
than a lot of your four-flushin' friends!"

Claire wondered if she couldn't stop the car now, and tell him to get
off. But--that snapping eye was too vicious. Before he got off he would
say things--scarring, vile things, that would never heal in her brain.
Her father was murmuring, "Let's drop him," but she softly lied, "No.
His impertinence amuses me."

She drove on, and prayed that he would of himself leave his uncharitable
hosts at the next town.

The man was storming--with a very meek ending: "I'm tellin' you! I can
make money anywhere! I'm a crack machinist.... Give me two-bits for a
meal, anyway."

Mr. Boltwood reached in his change pocket. He had no quarter. He pulled
out a plump bill-fold. Without looking at the man, Claire could vision
his eyes glistening and his chops dripping as he stared at the hoard.
Mr. Boltwood handed him a dollar bill. "There, take that, and let's
change the subject," said Mr. Boltwood testily.

"All right, boss. Say, you haven't got a cartwheel instead of this
wrapping paper, have you? I like to feel my money in my pocket."

"No, sir, I have not!"

"All right, boss. No bad feelin's!"

Then he ignored Mr. Boltwood. His eyes focused on Claire's face. To
steady himself on the running-board he had placed his left hand on the
side of the car, his right on the back of the seat. That right hand slid
behind her. She could feel its warmth on her back.

She burst out, flaring, "Kindly do not touch me!"

"Gee, did I touch you, girlie? Why, that's a shame!" he drawled, his
cracked broad lips turning up in a grin.

An instant later, as they skipped round a bend of the long, high-hung
shelf road, he pretended to sway dangerously on the running-board, and
deliberately laid his filthy hand on her shoulder. Before she could say
anything he yelped in mock-regret, "Love o' Mike! 'Scuse me, lady. I
almost fell off."

Quietly, seriously, Claire said, "No, that wasn't accidental. If you
touch me again, I'll stop the car and ask you to walk."

"Better do it now, dolly!" snapped Mr. Boltwood.

The man hooked his left arm about the side-post of the open
window-shield. It was a strong arm, a firm grip. He seized her left
wrist with his free hand. Though all the while his eyes grotesquely kept
their amused sparkle, and beside them writhed laughter-wrinkles, he
shouted hoarsely, "You'll stop hell!" His hand slid from her wrist to
the steering wheel. "I can drive this boat's well as you can. You make
one move to stop, and I steer her over---- Blooie! Down the bank!"

He did twist the front wheels dangerously near to the outer edge of the
shelf road. Mr. Boltwood gazed at the hand on the wheel. With a quick
breath Claire looked at the side of the road. If the car ran off, it
would shoot down forty feet ... turning over and over.

"Y-you wouldn't dare, because you'd g-go, too!" she panted.

"Well, dearuh, you just try any monkey business and you'll find out how
much I'll gggggggo-too! I'll start you down the joy-slope and jump off,
savvy? Take your foot off that clutch."

She obeyed.

"Pretty lil feet, ain't they, cutie! Shoes cost about twelve bucks, I
reckon. While a better man than you or old moldy-face there has to hit
the pike in three-dollar brogans. Sit down, yuh fool!"

This last to Mr. Boltwood, who had stood up, swaying with the car, and
struck at him. With a huge arm the man swept Mr. Boltwood back into the
seat, but without a word to her father, he continued to Claire:

"And keep your hand where it belongs. Don't go trying to touch that
switch. Aw, be sensible! What would you do if the car did stop? I could
blackjack you both before this swell-elegant vehickle lost momentum,
savvy? I don't want to pay out my good money to a lawyer on a charge
of--murder. Get me? Better take it easy and not worry." His hand was
constantly on the wheel. He had driven cars before. He was steering as
much as she. "When I get you up the road a piece I'm going to drive all
the cute lil boys and girls up a side trail, and take all of papa's
gosh-what-a-wad in the cunnin' potet-book, and I guess we'll kiss lil
daughter, and drive on, a-wavin' our hand politely, and let you suckers
walk to the next burg."

"You wouldn't dare! You wouldn't dare!"

"Dare? Huh! Don't make the driver laugh!"

"I'll get help!"

"Yep. Sure. Fact, there's a car comin' toward us. 'Bout a mile away I'd
make it, wouldn't you? Well, dollface, if you make one peep--over the
bank you go, both of you dead as a couplin'-pin. Smeared all over those
rocks. Get me? And me--I'll be sorry the regrettable accident was so
naughty and went and happened--and I just got off in time meself. And
I'll pinch papa's poke while I'm helping get out the bodies!"

Till now she hadn't believed it. But she dared not glance at the
approaching car. It was their interesting guest who steered the Gomez
past the other; and he ran rather too near the edge of the road ... so
that she looked over, down.

Beaming, he went on, "I'd pull the rough stuff right here, instead of
wastin' my time as a cap'n of industry by taking you up to see the
scenery in that daisy little gully off the road; but the whole world can
see us along here--the hicks in the valley and anybody that happens to
sneak along in a car behind us. Shame the way this road curves--see too
far along it. Fact, you're giving me a lot of trouble. But you'll give
me a kiss, won't you, Gwendolyn?"

He bent down, chuckling. She could feel his bristly chin touch her
cheek. She sprang up, struck at him. He raised his hand from the wheel.
For a second the car ran without control. He jabbed her back into the
seat with his elbow. "Don't try any more monkey-shines, if you know
what's good for you," he said, quite peacefully, as he resumed steering.

She was in a haze, conscious only of her father's hand fondling hers.
She heard a quick pit-pit-pit-pit behind them. Car going to pass? She'd
have to let it go by. She'd concentrate on finding something she
could----

Then, "Hello, folks. Having a picnic? Who's your little friend in the
rompers?" sang out a voice beside them. It was Milt Daggett--the Milt
who must be scores of miles ahead. His bug had caught up with them, was
running even with them on the broad road.




CHAPTER X

THE CURIOUS INCIDENT OF THE HILLSIDE ROAD


So unexpectedly, so genially, that Claire wondered if he realized what
was happening, Milt chuckled to the tough on the running-board, as the
two cars ran side by side, "Bound for some place, brother?"

The unwelcome guest looked puzzled. For the first time his china eyes
ceased twinkling; and he answered dubiously: "Just gettin' a lift." He
sped up the car with the hand-throttle. Milt accelerated equally.

Claire roused; wanted to shout. She was palsied afraid that Milt would
leave them. The last time she had seen him, she had suggested that
leaving them would be a favor.

Her guest growled at her--the words coming through a slit at the corner
of his rowdy mouth, "Sit still, or I'll run you over."

Milt innocently babbled on, "Better come ride with me, bo'. More room in
this-here handsome coupelet."

Then was the rough relieved in his uneasy tender little heart, and his
eyes flickered again as he shouted back, not looking at Milt, "Thanks,
bub, I'll stick by me friends."

"Oh no; can't lose pleasure of your company. I like your looks. You're a
bloomin' little island way off on the dim silver skyline." Claire
knitted her brows. She had not seen Milt's rhetoric. "You're an island
of Hesperyds or Hesperides. Accent on the bezuzus. Oh, yes, moondream, I
think you better come. Haven't decided"--Milt's tone was bland--"whether
to kill you or just have you pinched. Miss Boltwood! Switch off your
power!"

"If she does," the tough shouted, "I'll run 'em off the bank."

"No, you won't, sweetheart, 'cause why? 'Cause what'll I do to you
afterwards?"

"You won't do nothin', Jack, 'cause I'd gouge your eyes out."

"Why, lovesoul, d' you suppose I'd be talking up as brash as this to a
bid, stwong man like oo if I didn't have a gun handy?"

"Yuh, I guess so, lil sunbeam. And before you could shoot, I'd crowd
your tin liz into the bank, and jam right into it! I may get killed, but
you won't even be a grease-spot!"

He was turning the Gomez from its straight course, forcing Milt's bug
toward the high bank of earth which walled in the road on the left.

While Claire was very sick with fear, then more sick with contempt, Milt
squealed, "You win!" And he had dropped back. The Gomez was going on
alone.

There was only one thing more for Claire--to jump. And that meant death.

The tough was storming, "Your friend's a crack shot--with his mouth!"

The thin pit-pit-pit was coming again. She looked back. She saw Milt's
bug snap forward so fast that on a bump its light wheels were in the
air. She saw Milt standing on the right side of the bug holding the
wheel with one hand, and the other hand--firm, grim, broad-knuckled
hand--outstretched toward the tough, then snatching at his collar.

The tough's grip was torn from the steering wheel. He was yanked from
the running-board. He crunched down on the road.

She seized the wheel. She drove on at sixty miles an hour. She had gone
a good mile before she got control of her fear and halted. She saw Milt
turn his little car as though it were a prancing bronco. It seemed to
paw the air with its front wheels. He shot back, pursuing the late
guest. The man ran bobbing along the road. At this distance he was no
longer formidable, but a comic, jerking, rabbity figure, humping himself
over the back track.

As the bug whirled down on him, the tough was to be seen throwing up his
hands, leaping from the high bank.

Milt turned again and came toward them, but slowly; and after he had
drawn up even and switched off the engine, he snatched off his violent
plaid cap and looked apologetic.

"Sorry I had to kid him along. I was afraid he really would drive you
off the bank. He was a bad actor. And he was right; he could have licked
me. Thought maybe I could jolly him into getting off, and have him
pinched, next town."

"But you had a gun--a revolver--didn't you, lad?" panted Mr. Boltwood.

"Um, wellllll---- I've got a shotgun. It wouldn't take me more 'n five
or ten minutes to dig it out, and put it together. And there's some
shells. They may be all right. Haven't looked at 'em since last fall.
They didn't get so awful damp then."

"But suppose he'd had a revolver himself?" wailed Claire.

"Gee, you know, I thought he probably did have one. I was scared blue. I
had a wrench to throw at him though," confided Milt.

"How did you know we needed you?"

"Why back there, couple miles behind you, maybe I saw your father get up
and try to wrestle him, so I suspected there was kind of a disagreement.
Say, Miss Boltwood, you know when you spoke to me--way back there--I
hadn't meant to butt in. Honest. I thought maybe as we were going----"

"Oh, I know!"

"--the same way, you wouldn't mind my trailing, if I didn't sit in too
often; and I thought maybe I could help you if----"

"Oh, I know! I'm so ashamed! So bitterly ashamed! I just meant---- Will
you forgive me? You were so good, taking care of us----"

"Oh, sure, that's all right!"

"I fancy you do know how grateful father and I are that you were behind
us, this time! Wasn't it a lucky accident that we'd slipped past you
some place!"

"Yes," dryly, "quite an accident. Well, I'll skip on ahead again. May
run into you again before we hit Seattle. Going to take the run through
Yellowstone Park?"

"Yes, but----" began Claire. Her father interrupted:

"Uh, Mr., uh--Daggett, was it?--I wonder if you won't stay a little
closer to us hereafter? I was getting rather a good change out of the
trip, but I'm afraid that now---- If it wouldn't be an insult, I'd beg
you to consider staying with us for a consideration, uh, you know,
remuneration, and you could----"

"Thanks, uh, thank you, sir, but I wouldn't like to do it. You see, it's
kind of my vacation. If I've done anything I'm tickled----"

"But perhaps," Mr. Boltwood ardently begged the young man recently so
abysmally unimportant, "perhaps you would consent to being my guest,
when you cared to--say at hotels in the Park."

"'Fraid I couldn't. I'm kind of a lone wolf."

"Please! Pretty please!" besought Claire. Her smile was appealing, her
eyes on his.

Milt bit his knuckles. He looked weak. But he persisted, "No, you'll get
over this scrap with our friend. By the way, I'll put the deputy onto
him, in the next town. He'll never get out of the county. When you
forget him---- Oh no, you can go on fine. You're a good steady driver,
and the road's perfectly safe--if you give people the once-over before
you pick 'em up. Picking up badmen is no more dangerous here than it
would be in New York. Fact, there's lot more hold-ups in any city than
in the wildest country. I don't think you showed such awfully good taste
in asking Terrible Tim, the two-gun man, right into the parlor. Gee,
please don't do it again! Please!"

"No," meekly. "I was an idiot. I'll be good, next time. But won't you
stay somewhere near us?"

"I'd like to, but I got to chase on. Don't want to wear out the welcome
on the doormat, and I'm due in Seattle, and---- Say, Miss Boltwood." He
swung out of the bug, cranked up, climbed back, went awkwardly on, "I
read those books you gave me. They're slick--mean to say, interesting.
Where that young fellow in _Youth's Encounter_ wanted to be a bishop and
a soldier and everything---- Just like me, except Schoenstrom is
different, from London, some ways! I always wanted to be a brakie, and
then a yeggman. But I wasn't bright enough for either. I just became a
garage man. And I---- Some day I'm going to stop using slang. But it'll
take an operation!"

He was streaking down the road, and Claire was sobbing, "Oh, the lamb,
the darling thing! Fretting about his slang, when he wasn't afraid in
that horrible nightmare. If we could just do something for him!"

"Don't you worry about him, dolly. He's a very energetic chap. And----
Uh---- Mightn't we drive on a little farther, perhaps? I confess that
the thought of our recent guest still in this vicinity----"

"Yes, and---- Oh, I'm shameless. If Mohammed Milton won't stay with our
car mountain, we're going to tag after him."

But when she reached the next hill, with its far shining outlook, there
was no Milt and no Teal bug on the road ahead.




CHAPTER XI

SAGEBRUSH TOURISTS OF THE GREAT HIGHWAY


She had rested for two days in Miles City; had seen the horse-market,
with horse-wranglers in chaps; had taken dinner with army people at Fort
Keogh, once the bulwark against the Sioux, now nodding over the dry
grass on its parade ground.

By the Yellowstone River, past the Crow reservation, Claire had driven
on through the Real West, along the Great Highway. The Red Trail and the
Yellowstone Trail had joined now and she was one of the new Canterbury
Pilgrims. Even Mr. Boltwood caught the trick of looking for licenses,
and cried, "There's a Connecticut car!"

To the Easterner, a drive from New York to Cape Cod, over asphalt, is
viewed as heroic, but here were cars that had casually started on
thousand-mile vacations. She kept pace not only with large cars touring
from St. Louis or Detroit to Glacier Park and Yellowstone, but also she
found herself companionable with families of workmen, headed for a new
town and a new job, and driving because a flivver, bought second-hand
and soon to be sold again, was cheaper than trains.

"Sagebrush Tourists" these camping adventurers were called. Claire
became used to small cars, with curtain-lights broken, bearing
wash-boilers or refrigerators on the back, pasteboard suitcases lashed
by rope to the running-board, frying pans and canvas water bottles
dangling from top-rods. And once baby's personal laundry was seen
flapping on a line across a tonneau!

In each car was what looked like the crowd at a large
farm-auction--grandfather, father, mother, a couple of sons and two or
three daughters, at least one baby in the arms of each grown-up, all
jammed into two seats already filled with trunks and baby-carriages. And
they were happy--incredibly happier than the smart people being conveyed
in a bored way behind chauffeurs.

The Sagebrush Tourists made camp; covered the hood with a quilt from
which the cotton was oozing; brought out the wash-boiler, did a washing,
had dinner, sang about the fire; granther and the youngest baby
gamboling together, while the limousinvalids, insulated from life by
plate glass, preserved by their steady forty an hour from the commonness
of seeing anything along the road, looked out at the campers for a
second, sniffed, rolled on, wearily wondering whether they would find a
good hotel that night--and why the deuce they hadn't come by train.

If Claire Boltwood had been protected by Jeff Saxton or by a chauffeur,
she, too, would probably have marveled at cars gray with dust, the
unshaved men in fleece-lined duck coats, and the women wind-burnt
beneath the boudoir caps they wore as motoring bonnets. But Claire knew
now that filling grease-cups does not tend to delicacy of hands; that
when you wash with a cake of petrified pink soap and half a pitcher of
cold hard water, you never quite get the stain off--you merely get
through the dust stratum to the Laurentian grease formation, and mutter,
"a nice clean grease doesn't hurt food," and go sleepily down to dinner.

She saw a dozen camping devices unknown to the East: trailers, which by
day bobbed along behind the car like coffins on two wheels, but at night
opened into tents with beds, an ice-box, a table; tents covering a bed
whose head rested on the running-board; beds made-up in the car, with
the cushions as mattresses.

The Great Transcontinental Highway was colored not by motors alone. It
is true that the Old West of the stories is almost gone; that Billings,
Miles City, Bismarck, are more given to Doric banks than to gambling
hells. But still are there hints of frontier days. Still trudge the
prairie schooners; cowpunchers in chaps still stand at the doors of log
cabins--when they are tired of playing the automatic piano; and blanket
Indians, Blackfeet and Crows, stare at five-story buildings--when they
are not driving modern reapers on their farms.

They all waved to Claire. Telephone linemen, lolling with pipes and
climber-strapped legs in big trucks, sang out to her; traction engine
crews shouted; and these she found to be her own people. Only once did
she lose contentment--when, on the observation platform of a train bound
for Seattle, she saw a Britisher in flannels and a monocle, headed
perhaps for the Orient. As the train slipped silkenly away, the Gomez
seemed slow and clumsy, and the strain of driving intolerable. And that
Britisher must be charming---- Then a lonely, tight-haired woman in the
doorway of a tar-paper shack waved to her, and in that wistful gesture
Claire found friendship.

And sometimes in the "desert" of yet unbroken land she paused by the
Great Highway and forgot the passion to keep going----

She sat on a rock, by a river so muddy that it was like yellow milk. The
only trees were a bunch of cottonwoods untidily scattering shreds of
cotton, and the only other vegetation left in the dead world was
dusty green sagebrush with lumps of gray yet pregnant earth between,
or a few exquisite green and white flashes of the herb called
Snow-on-the-Mountain. The inhabitants were jackrabbits, or American
magpies in sharp black and white livery, forever trying to balance their
huge tails against the wind, and yelling in low-magpie their opinion of
tourists.

She did not desire gardens, then, nor the pettiness of plump terraced
hills. She was in the Real West, and it was hers, since she had won to
it by her own plodding. Her soul--if she hadn't had one, it would
immediately have been provided, by special arrangement, the moment she
sat there--sailed with the hawks in the high thin air, and when it came
down it sang hallelujahs, because the sagebrush fragrance was more
healing than piney woods, because the sharp-bitten edges of the buttes
were coral and gold and basalt and turquoise, and because a real person,
one Milt Daggett, though she would never see him again, had found her
worthy of worship.

She did not often think of Milt; she did not know whether he was ahead
of her, or had again dropped behind. When she did recall him, it was
with respect quite different from the titillation that dancing men had
sometimes aroused, or the impression of manicured agreeableness and
efficiency which Jeff Saxton carried about.

She always supplicated the mythical Milt in moments of tight driving.
Driving, just the actual getting on, was her purpose in life, and the
routine of driving was her order of the day: Morning freshness, rolling
up as many miles as possible before lunch, that she might loaf
afterward. The invariable two P.M. discovery that her eyes ached, and
the donning of huge amber glasses, which gave to her lithe smartness a
counterfeit scholarliness. Toward night, the quarter-hour of level
sun-glare which prevented her seeing the road. Dusk, and the discovery
of how much light there was after all, once she remembered to take off
her glasses. The worst quarter-hour when, though the roads were an
amethyst rich to the artist, they were also a murkiness exasperating to
the driver, yet still too light to be thrown into relief by the lamps.
The mystic moment when night clicked tight, and the lamps made a fan of
gold, and Claire and her father settled down to plodding content--and no
longer had to take the trouble of admiring the scenery!

The morning out of Billings, she wondered why a low cloud so
persistently held its shape, and realized that it was a far-off
mountain, her first sight of the Rockies. Then she cried out, and wished
for Milt to share her exultation. Rather earnestly she said to Mr.
Boltwood:

"The mountains must be so wonderful to Mr. Daggett, after spending his
life in a cornfield. Poor Milt! I hope----"

"I don't think you need to worry about that young man. I fancy he's
quite able to run about by himself, as jolly as a sand-dog. And---- Of
course I'm extremely grateful to him for his daily rescue of us from the
jaws of death, but he was right; if he had stayed with us, it would have
been inconvenient to keep considering him. He isn't accustomed to the
comedy of manners----"

"He ought to be. He'd enjoy it so. He's the real American. He has
imagination and adaptability. It's a shame: all the _petits fours_ and
Bach recitals wasted on Jeff Saxton, when a Milt Dag----"

"Yes, yes, quite so!"

"No, honest! The dear honey-lamb, so ingenious, and really, rather
good-looking. But so lonely and gregarious--like a little woolly dog
that begs you to come and play; and I slapped him when he patted his
paws and gamboled---- It was horrible. I'll never forgive myself. Making
him drive on ahead in that nasty, patronizing way---- I feel as if we'd
spoiled his holiday. I wonder if he had intended to make the Yellowstone
Park trip? He didn't----"

"Yes, yes. Let's forget the young man. Look! How very curious!"

They were crossing a high bridge over a railroad track along which a
circus train was bending. Mr. Boltwood offered judicious remarks upon
the migratory habits of circuses, and the vision of the Galahad of the
Teal bug was thoroughly befogged by parental observations, till Claire
returned from youthful romance to being a sensible Boltwood, and decided
that after all, Milt was not a lord of the sky-painted mountains.

Before they bent south, at Livingston, Claire had her first mountain
driving, and once she had to ford a stream, putting the car at it,
watching the water curve up in a lovely silver veil. She felt that she
was conquering the hills as she had the prairies.

She pulled up on a plateau to look at her battery. She noted the edge of
a brake-band peeping beyond the drum, in a ragged line of fabric and
copper wire. Then she knew that she didn't know enough to conquer. "Do
you suppose it's dangerous?" she asked her father, who said a lot of
comforting things that didn't mean anything.

She thought of Milt. She stopped a passing car. The driver "guessed"
that the brake-band was all gone, and that it would be dangerous to
continue with it along mountain roads. Claire dustily tramped two miles
to a ranch house, and telephoned to the nearest garage, in a town called
Saddle Back.

Whenever a motorist has delirium he mutters those lamentable words,
"Telephoned to the nearest garage."

She had to wait a tedious hour before she saw a flivver rattling up with
the garage man, who wasn't a man at all, but a fourteen-year-old boy. He
snorted, "Rats, you didn't need to send for me. Could have made it
perfectly safe. Come on."

Never has the greatest boy pianist received such awe as Claire gave to
this contemptuous young god, with grease on his peachy cheeks. She did
come on. But she rather hoped that she was in great danger. It was
humiliating to telephone to a garage for nothing. When she came into the
gas-smelling garage in Saddle Back she said appealingly to the man in
charge, a serious, lip-puffing person of forty-five, "Was it safe to
come in with the brake-band like that?"

"No. Pretty risky. Wa'n't it, Mike?"

The Mike to whom he turned for authority was the same fourteen-year-old
boy. He snapped, "Heh? That? Naw! Put in new band. Get busy. Bring me
the jack. Hustle up, uncle."

While the older man stood about and vainly tried to impress people who
came in and asked questions which invariably had to be referred to his
repair boy, the precocious expert stripped the wheel down to something
that looked to Claire distressingly like an empty milk-pan. Then the boy
didn't seem to know exactly what to do. He scratched his ear a good
deal, and thought deeply. The older man could only scratch.

So for two hours Claire and her father experienced that most distressing
of motor experiences--waiting, while the afternoon that would have been
so good for driving went by them. Every fifteen minutes they came in
from sitting on a dry-goods box in front of the garage, and never did
the repair appear to be any farther along. The boy seemed to be giving
all his time to getting the wrong wrench, and scolding the older man for
having hidden the right one.

When she had left Brooklyn Heights, Claire had not expected to have such
authoritative knowledge of the Kalifornia Kandy Kitchen, Saddle Back,
Montana, across from Tubbs' Garage, that she could tell whether they
were selling more Atharva Cigarettes or Polutropons. She prowled about
the garage till she knew every pool of dripped water in the tin pail of
soft soap in the iron sink.

She was worried by an overheard remark of the boy wonder, "Gosh, we
haven't any more of that decent brake lining. Have to use this piece of
mush." But when the car was actually done, nothing like a dubious brake
could have kept her from the glory of starting. The first miles seemed
miracles of ease and speed.

She came through the mountains into Livingston.

Kicking his heels on a fence near town, and fondling a gray cat, sat
Milt Daggett, and he yelped at her with earnestness and much noise.




CHAPTER XII

THE WONDERS OF NATURE WITH ALL MODERN IMPROVEMENTS


"Hello!" said Milt.

"Hel-lo!" said Claire.

"How dee do," said Mr. Boltwood.

"This is so nice! Where's your car? I hope nothing's happened," glowed
Claire.

"No. It's back here from the road a piece. Camp there tonight. Reason I
stopped---- Struck me you've never done any mountain driving, and
there's some pretty good climbs in the Park; slick road, but we go up to
almost nine thousand feet. And cold mornings. Thought I'd tip you off to
some driving tricks--if you'd like me to."

"Oh, of course. Very grateful----"

"Then I'll tag after you tomorrow, and speak my piece."

"So jolly you're going through the Park."

"Yes, thought might as well. What the guide books call 'Wonders of
Nature.' Only wonder of nature I ever saw in Schoenstrom was my friend
Mac trying to think he was soused after a case of near-beer. Well----
See you tomorrow."

Not once had he smiled. His tone had been impersonal. He vaulted the
fence and tramped away.

When they drove out of town, in the morning, they found Milt waiting by
the road, and he followed them till noon. By urgent request, he shared a
lunch, and lectured upon going down long grades in first or second
speed, to save brakes; upon the use of the retarded spark and the
slipped clutch in climbing. His bug was beside the Gomez in the line-up
at the Park gate, when the United States Army came to seal one's
firearms, and to inquire on which mountain one intended to be killed by
defective brakes. He was just behind her all the climb up to Mammoth Hot
Springs.

When she paused for water to cool the boiling radiator, the bug panted
up, and with the first grin she had seen on his face since Dakota Milt
chuckled, "The Teal is a grand car for mountains. Aside from
overheating, bum lights, thin upholstery, faulty ignition, tissue-paper
brake-bands, and this-here special aviation engine, specially built for
a bumble-bee, it's what the catalogues call a powerful brute!"

Claire and her father stayed at the chain of hotels through the Park.
Milt was always near them, but not at the hotels. He patronized one of
the chains of permanent camps.

The Boltwoods invited him to dinner at one hotel, but he refused and----

       *       *       *       *       *

Because he was afraid that Claire would find him intrusive, Milt was
grave in her presence. He couldn't respond either to her enthusiasm
about canyon and colored pool--or to her rage about the tourists who,
she alleged, preferred freak museum pieces to plain beauty; who never
admired a view unless it was labeled by a signpost and megaphoned by a
guide as something they ought to admire--and tell the Folks Back Home
about.

When she tried to express this social rage to Milt he merely answered
uneasily, "Yes, I guess there's something to that."

She was, he pondered, so darn particular. How could he ever figure out
what he ought to do? No thanks; much obliged, but guessed he'd better
not accept her invitation to dinner. Darn sorry couldn't come but----
Had promised a fellow down at the camp to have chow with him.

If in this Milt was veracious, he was rather fickle to his newly
discovered friend; for while Claire was finishing dinner, a solemn young
man was watching her through a window.

She was at a table for six. She was listening to a man of thirty in
riding-breeches, a stock, and a pointed nose, who bowed to her every
time he spoke, which was so frequently that his dining gave the
impression of a man eating grape-fruit on a merry-go-round. Back in
Schoenstrom, fortified by Mac and the bunch at the Old Home Lunch, Milt
would have called the man a "dude," and--though less noisily than the
others--would have yelped, "Get onto Percy's beer-bottle pants. What's
he got his neck bandaged for? Bet he's got a boil."

But now Milt yearned, "He does look swell. Wish I could get away with
those things. Wouldn't I look like a fool with my knees buttoned up,
though! And there's two other fellows in dress suits. Wouldn't mind
those so much. Gee, it must be awful where you've got so many suits of
trick clothes you don't know which one to wear.

"That fellow and Claire are talking pretty swift. He doesn't need any
piston rings, that lad. Wonder--wonder what they're talking about?
Music, I guess, and books and pictures and scenery. He's saying that no
tongue or pen can describe the glories of the Park, and then he's trying
to describe 'em. And maybe they know the same folks in New York. Lord,
how I'd be out of it. I wish----"

Milt made a toothpick out of a match, decided that toothpicks were
inelegant in his tragic mood, and longed: "Never did see her among her
own kind of folks till now. I wish I could jabber about music and stuff.
I'll learn it. I will! I can! I picked up autos in three months. I----
Milt, you're a dub. I wonder can they be talking French, maybe, or Wop,
or something? I could get onto the sedan styles in highbrow talk as long
as it was in American.

"I could probably spring linen-collar stuff about, 'Really a delightful
book, so full of delightful characters,' if I stuck by the rhetoric
books long enough. But once they begin the _parlez-vous, oui, oui_, I'm
a gone goose. Still, by golly, didn't I pick up Dutch--German--like a
mice? Back off, son! You did not! You can talk Plattdeutsch something
grand, as long as you keep the verbs and nouns in American. You got a
nice character, Milt, but you haven't got any parts of speech.

"Now look at Percy! Taking a bath in a finger-bowl. I never could pull
that finger-bowl stuff; pinning your ears back and jiu-jitsing the fried
chicken, and then doing a high dive into a little dish that ain't--that
isn't either a wash-bowl or real good lemonade. He's a perfect lady,
Percy is. Dabs his mouth with his napkin like a watchmaker tinkering the
carburetor in a wrist watch.

"Lookit him bow and scrape--asking her something---- Rats, he's going
out in the lobby with her. Walks like a cat on a wet ash-pile. But----
Oh thunder, he's all right. Neat. I never could mingle with that bunch.
I'd be web-footed and butter-fingered. And he seems to know all that
bunch--bows to every maiden aunt in the shop. Now if I was following
her, I'd never see anybody but her; rest of the folks could all bob
their heads silly, and I'd never see one blame thing except that funny
little soft spot at the back of her neck. Nope, you're kind to your
cat, Milt, but you weren't cut out to be no parlor-organ duet."

This same meditative young man might have been discovered walking past
the porch of the hotel, his hands in his pockets, his eyes presumably on
the stars--certainly he gave no signs of watching Claire and the man in
riding-breeches as they leaned over the rail, looked at mountain-tops
filmy in starlight, while in the cologne-atomized mode, Breeches quoted:

    Ah, 'tis far heaven my awed heart seeks
    When I behold those mighty peaks.

Milt could hear him commenting, "Doesn't that just get the feeling of
the great open, Miss Boltwood?"

Milt did not catch her answer. Himself, he grunted, "I never could get
much het up about this poetry that's full of Ah's and 'tises."

Claire must have seen Milt just after he had sauntered past. She cried,
"Oh, Mr. Daggett! Just a moment!" She left Breeches, ran down to Milt.
He was frightened. Was he going to get what he deserved for
eavesdropping?

She was almost whispering. "Save me from our friend up on the porch,"
she implored.

He couldn't believe it. But he took a chance. "Won't you have a little
walk?" he roared.

"So nice of you--just a little way, perhaps?" she sang out.

They were silent till he got up the nerve to admire, "Glad you found
some people you knew in the hotel."

"But I didn't."

"Oh, I thought your friend in the riding-pants was chummy."

"So did I!" She rather snorted.

"Well, he's a nice-looking lad. I did admire those pants. I never could
wear anything like that."

"I should hope not--at dinner! The creepy jack-ass, I don't believe he's
ever been on a horse in his life! He thinks riding-breeches are the----"

"Oh, that's it. Breeches, not pants."

"--last word in smartness. Overdressing is just ten degrees worse than
underdressing."

"Oh, I don't know. Take this sloppy old blue suit of mine----"

"It's perfectly nice and simple, and quite well cut. You probably had a
clever tailor."

"I had. He lives in Chicago or New York, I believe."

"Really? How did he come to Schoenstrom?"

"Never been there. This tailor is a busy boy. He fitted about eleventeen
thousand people, last year."

"I see. Ready mades. Cheer up. That's where Henry B. Boltwood gets most
of his clothes. Mr. Daggett, if ever I catch you in the
Aren't-I-beautiful frame of mind of our friend back on the porch, I'll
give up my trip to struggle for your soul."

"He seemed to have soul in large chunks. He seemed to talk pretty
painlessly. I had a hunch you and he were discussing sculpture, anyway.
Maybe Rodin."

"What do you know about Rodin?"

"Articles in the magazines. Same place you learned about him!" But Milt
did not sound rude. He said it chucklingly.

"You're perfectly right. And we've probably read the very same articles.
Well, our friend back there said to me at dinner, 'It must be dreadful
for you to have to encounter so many common people along the road.' I
said, 'It is,' in the most insulting tone I could, and he just rolled
his eyes, and hadn't an idea I meant him. Then he slickered his hair at
me, and mooed, 'Is it not wonderful to see all these strange
manifestations of the secrets of Nature!' and I said, 'Is it?' and he
went on, 'One feels that if one could but meet a sympathetic lady here,
one's cup of rejoicing in untrammeled nature----' Honest, Milt, Mr.
Daggett, I mean, he did talk like that. Been reading books by optimistic
lady authors. And one looked at me, one did, as if one would be willing
to hold my hand, if I let one.

"He invited me to come out on the porch and give the double O. to
handsome mountains as illuminated by terrestrial bodies, and I felt so
weak in the presence of his conceit that I couldn't refuse. Then he
insisted on introducing me to a woman from my own Brooklyn, who
condoled with me for having to talk to Western persons while motoring.
Oh, dear God, that such people should live ... that the sniffy little
Claire should once have been permitted to live!... And then I saw you!"

Through all her tirade they had stood close together, her face visibly
eager in the glow from the hotel; and Milt had grown taller. But he
responded, "I'm afraid I might have been just as bad. I haven't even
reached the riding-breeches stage in evolution. Maybe never will."

"No. You won't. You'll go right through it. By and by, when you're so
rich that father and I won't be allowed to associate with you, you'll
wear riding-breeches--but for riding, not as a donation to the beauties
of nature."

"Oh, I'm already rich. It shows. Waitress down at the camp asked me
whose car I was driving through."

"I know what I wanted to say. Since you won't be our guest, will you be
our host--I mean, as far as welcoming us? I think it would be fun for
father and me to stop at your camp, tomorrow night, at the canyon,
instead of at the hotel. Will you guide me to the canyon, if I do?"

"Oh--terribly--glad!"




CHAPTER XIII

ADVENTURERS BY FIRELIGHT


Neither of the Boltwoods had seen the Grand Canyon of the Colorado. The
Canyon of the Yellowstone was their first revelation of intimidating
depth and color gone mad. When their car and Milt's had been parked in
the palisaded corral back of the camp at which they were to stay, they
three set out for the canyon's edge chattering, and stopped dumb.

Mr. Boltwood declined to descend. He returned to the camp for a cigar.
The boy and girl crept down seeming miles of damp steps to an outhanging
pinnacle that still was miles of empty airy drop above the river bed.
Claire had a quaking feeling that this rock pulpit was going to slide.
She thrust out her hand, seized Milt's paw, and in its firm warmth found
comfort. Clinging to its security she followed him by the crawling path
to the river below. She looked up at columns of crimson and saffron and
burning brown, up at the matronly falls, up at lone pines clinging to
jutting rocks that must be already crashing toward her, and in the
splendor she knew the Panic fear that is the deepest reaction to
beauty.

Milt merely shook his head as he stared up. He had neither gossiped nor
coyly squeezed her hand as he had guided her. She fell to thinking that
she preferred this American boy in this American scene to a nimble
gentleman saluting the Alps in a dinky green hat with a little feather.

It was Milt who, when they had labored back up again, when they had sat
smiling at each other with comfortable weariness, made her see the
canyon not as a freak, but as the miraculous work of a stream rolling
grains of sand for millions of years, till it had cut this Jovian
intaglio. He seemed to have read--whether in books, or in paragraphs in
mechanical magazines--a good deal about geology. He made it real. Not
that she paid much attention to what he actually said! She was too busy
thinking of the fact that he should say it at all.

Not condescendingly but very companionably she accompanied Milt in the
exploration of their camp for the night--the big dining tent, the city
of individual bedroom tents, canvas-sided and wooden-floored, each with
a tiny stove for the cold mornings of these high altitudes. She was awed
that evening by hearing her waitress discussing the novels of Ibanez.
Jeff Saxton knew the names of at least six Russian novelists, but Jeff
was not highly authoritative regarding Spanish literature.

"I suppose she's a school-teacher, working here in vacation," Claire
whispered to Milt, beside her at the long, busy, scenically
conversational table.

"Our waitress? Well, sort of. I understand she's professor of literature
in some college," said Milt, in a matter of fact way. And he didn't at
all see the sequence when she went on:

"There is an America! I'm glad I've found it!"

The camp's evening bonfire was made of logs on end about a stake of
iron. As the logs blazed up, the guests on the circle of benches crooned
"Suwanee River," and "Old Black Joe," and Claire crooned with them. She
had been afraid that her father would be bored, but she saw that, above
his carefully tended cigar, he was dreaming. She wondered if there had
been a time when he had hummed old songs.

The fire sank to coals. The crowd wandered off to their tents. Mr.
Boltwood followed them after an apologetic, "Good night. Don't stay up
too late." With a scattering of only half a dozen people on the benches,
this huge circle seemed deserted; and Claire and Milt, leaning forward,
chins on hands, were alone--by their own campfire, among the mountains.

The stars stooped down to the hills; the pines were a wall of blackness;
a coyote yammered to point the stillness; and the mighty pile of coals
gave a warmth luxurious in the creeping mountain chill.

The silence of large places awes the brisk intruder, and Claire's voice
was unconsciously lowered as she begged, "Tell me something about
yourself, Mr. Daggett. I don't really know anything at all."

"Oh, you wouldn't be interested. Just Schoenstrom!"

"But just Schoenstrom might be extremely interesting."

"But honest, you'd think I was--edging in on you!"

"I know what you are thinking. The time I suggested, way back there in
Dakota, that you were sticking too close. You've never got over it. I've
tried to make up for it, but---- I really don't blame you. I was horrid.
I deserve being beaten. But you do keep on punishing ra----"

"Punishing? Lord, I didn't mean to! No! Honest! It was nothing. You were
right. Looked as though I was inviting myself---- But, oh, pleassssse,
Miss Boltwood, don't ever think for a sec. that I meant to be a
grouch----"

"Then do tell me---- Who is this Milton Daggett that you know so much
better than I ever can?"

"Well," Milt crossed his knees, caught his chin in his hand, "I don't
know as I really do know him so well. I thought I did. I was onto his
evil ways. He was the son of the pioneer doctor, Maine folks."

"Really? My mother came from Maine."

Milt did not try to find out that they were cousins. He went on, "This
kid, Milt, went to high school in St. Cloud--town twenty times as big
as Schoenstrom--but he drifted back because his dad was old and needed
him, after his mother's death----"

"You have no brothers or sisters?"

"No. Nobody. 'Cept Lady Vere de Vere--which animal she is going to get
cuffed if she chews up any more of my overcoat out in my tent
tonight!... Well, this kid worked 'round, machinery mostly, and got
interested in cars, and started a garage---- Wee, that was an awful
shop, first one I had! In Rauskukle's barn. Six wrenches and a
screwdriver and a one-lung pump! And I didn't know a roller-bearing from
three-point suspension! But---- Well, anyway, he worked along, and built
a regular garage, and paid off practically all the mortgage on it----"

"I remember stopping at a garage in Schoenstrom, I'm almost sure it was,
for something. I seem to remember it was a good place. Do you own it?
Really?"

"Ye-es, what there is of it."

"But there's a great deal of it. It's efficient. You've done your job.
That's more than most high-born aides-de-camp could say."

"Honestly? Well--I don't know----"

"Who did you play with in Schoenstrom? Oh, I _wish_ I'd noticed that
town. But I couldn't tell then that---- What, uh, which girl did you
fall in love with?"

"None! Honest! None! Not one! Never fell in love----"

"You're unfortunate. I have, lots of times. I remember quite enjoying
being kissed once, at a dance."

When he answered, his voice was strange: "I suppose you're engaged to
somebody."

"No. And I don't know that I shall be. Once, I thought I liked a man,
rather. He has nice eyes and the most correct spectacles, and he is
polite to his mother at breakfast, and his name is Jeff, and he will
undoubtedly be worth five or six hundred thousand dollars, some day, and
his opinions on George Moore and commercial paper are equally sound and
unoriginal---- Oh, I ought not to speak of him, and I certainly ought
not to be spiteful. I'm not at all reticent and ladylike, am I! But----
Somehow I can't see him out here, against a mountain of jagged rock."

"Only you won't always be out here against mountains. Some day you'll be
back in--where is it in New York State?"

"I confess it's Brooklyn--but not what you'd mean by Brooklyn. Your
remark shows you to have subtlety. I must remember that, mustn't I! I
won't always be driving through this big land. But---- Will I get all
fussy and ribbon-tied again, when I go back?"

"No. You won't. You drive like a man."

"What has that----"

"It has a lot to do with it. A garage man can trail along behind another
car and figger out, figure out, just about what kind of a person the
driver is from the way he handles his boat. Now you bite into the job.
You drive pretty neat--neatly. You don't either scoot too far out of the
road in passing a car, or take corners too wide. You won't be fussy. But
still, I suppose you'll be glad to be back among your own folks and
you'll forget the wild Milt that tagged along----"

"Milt--or Mr. Daggett--no, Milt! I shall never, in my oldest grayest
year, in a ducky cap by the fireplace, forget the half-second when your
hand came flashing along, and caught that man on the running-board. But
it wasn't just that melodrama. If that hadn't happened, something else
would have, to symbolize you. It's that you--oh, you took me in, a
stranger, and watched over me, and taught me the customs of the country,
and were never impatient. No, I shan't forget that; neither of the
Boltwoods will."

In the rose-haze of firelight he straightened up and stared at her, but
he settled into shyness again as she added:

"Perhaps others would have done the same thing. I don't know. If they
had, I should have remembered them too. But it happened that it was you,
and I, uh, my father and I, will always be grateful. We both hope we may
see you in Seattle. What are you planning to do there? What is your
ambition? Or is that a rude question?"

"Why, uh----"

"What I mean---- I mean, how did you happen to want to go there, with a
garage at home? You still control it?"

"Oh yes. Left my mechanic in charge. Why, I just kind of decided
suddenly. I guess it was what they call an inspiration. Always wanted a
long trip, anyway, and I thought maybe in Seattle I could hook up with
something a little peppier than Schoenstrom. Maybe something in Alaska.
Always wished I were a mechanical or civil engineer so----"

"Then why don't you become one? You're young---- How old are you?"

"Twenty-five."

"We're both children, compared with Je--compared with some men who are
my friends. You're quite young enough to go to engineering school. And
take some academic courses on the side--English, so on. Why don't you?
Have you ever thought of it?"

"N-no, I hadn't thought of doing it, but---- All right. I will! In
Seattle! B'lieve the University of Washington is there."

"You mean it?"

"Yes. I do. You're the boss."

"That's--that's flattering, but---- Do you always make up your mind as
quickly as this?"

"When the boss gives orders!"

He smiled, and she smiled back, but this time it was she who was
embarrassed. "You're rather overwhelming. You change your life--if you
really do mean it--because a _jeune fille_ from Brooklyn is so
impertinent, from her Olympian height of finishing-school learning, as
to suggest that you do so."

"I don't know what a _jeune fille_ is, but I do know----" He sprang up.
He did not look at her. He paraded back and forth, three steps to the
right, three to the left, his hands in his pockets, his voice
impersonal. "I know you're the finest person I ever met. You're the
kind--I knew there must be people like you, because I knew the Joneses.
They're the only friends I've got that have, oh, I suppose it's what
they call culture."

In a long monologue, uninterrupted by Claire, he told of his affection
for the Schoenstrom "prof" and his wife. The practical, slangy Milt of
the garage was lost in the enthusiastic undergraduate adoring his
instructor in the university that exists as veritably in a teacher's or
a doctor's sitting-room in every Schoenstrom as it does in certain
lugubrious stone hulks recognized by a state legislature as magically
empowered to paste on sacred labels lettered "Bachelor of Arts."

He broke from his revelations to plump down on the bench beside her, to
slap his palm with his fist, and sigh, "Lord, I've been gassing on!
Guess I bored you!"

"Oh, please, Milt, please! I see it all so---- It must have been
wonderful, the evening when Mrs. Jones read Noyes's 'Highwayman' aloud.
Tell me--long before that--were you terribly lonely as a little boy?"

Now Milt had not been a terribly lonely little boy. He had been a leader
in a gang devoted to fighting, swimming, pickerel-spearing,
beggie-stealing, and catching rides on freights.

But he believed that he was accurately presenting every afternoon of his
childhood, as he mused, "Yes, I guess I was, pretty much. I remember I
used to sit on dad's doorstep, all those long sleepy summer afternoons,
and I'd think, 'Aw, geeeeee, I--wisht--I--had--somebody--to--play--with!'
I always wanted to make-b'lieve Robin Hood, but none of the other
kids--so many of them were German; they didn't know about Robin Hood; so
I used to scout off alone."

"If I could only have been there, to be Maid Marian for you! We'd have
learned archery! Lonely little boy on the doorstep!" Her fingers just
touched his sleeve. In her gesture, the ember-light caught the crystal
of her wrist watch. She stooped to peer at it, and her pitying
tenderness broke off in an agitated: "Heavings! Is it that late? To bed!
Good night, Milt."

"Good night, Cl---- Miss Boltwood."

"No. 'Claire,' of course. I'm not normally a first-name-snatcher, but I
do seem to have fallen into saying 'Milt.' Night!"

As she undressed, in her tent, Claire reflected, "He won't take
advantage of my being friendly, will he? Only thing is---- I sha'n't
dare to look at Henry B. when Milt calls me 'Claire' in that sedate
Brooklyn Heights presence. The dear lamb! Lonely afternoons----!"




CHAPTER XIV

THE BEAST OF THE CORRAL


They met in the frost-shimmering mountain morning, on their way to the
corral, to get their cars ready before breakfast. They were shy, hence
they were boisterous, and tremendously unreferential to campfire
confidences, and informative about distilled water for batteries, and
the price of gas in the Park. On Milt's shoulder rode Vere de Vere who,
in her original way, relieved one pause by observing "Mrwr."

They came in through the corral gate before any of the other motor
tourists had appeared--and they stupidly halted to watch a bear, a
large, black, adipose and extremely unchained bear, stalk along the line
of cars, sniff, cock an ear at the Gomez, lumber up on its
running-board, and bundle into the seat. His stern filled the space
between side and top, and he was to be heard snuffing.

"Oh! Look! Milt! Left box of candy on seat---- Oh, please drive him
away!"

"Me? Drive--that?"

"Frighten him away. Aren't animals afraid human eye----"

"Not in this park. Guns forbidden. Animals protected by U. S. Army,
President, Congress, Supreme Court, Department of Interior, Monroe
Doctrine, W. C. T. U. But I'll try--cautiously."

"Don't you want me think you're hero?"

"Ye-es, providin' I don't have to go and be one."

They edged toward the car. The bear flapped his hind legs, looked out at
the intruders, said "Oofflll!" and returned to the candy.

"Shoo!" Milt answered politely.

"Llooffll!"

From his own bug, beside the Gomez, Milt got a tool kit, and with
considerable brilliance as a pitcher he sent a series of wrenches at the
agitated stern of the bear. They offended the dignity of the ward of the
Government. He finished the cover and ribbons of the candy box, and
started for Milt ... who proceeded with haste toward Claire ... who was
already at the gate.

Lady Vere de Vere, cat of a thousand battles, gave one frightful squawl,
shot from Milt's shoulder and at the bear, claws out, fur electric. The
bear carelessly batted once with its paw, and the cat sailed into the
air. The satisfied bear strolled to the fence, shinned up it and over.

"Good old Vere! That wallop must of darn near stunned her, though!" Milt
laughed to Claire, as they trotted back into the corral. The cat did not
move, as they came up; did not give the gallant "Mrwr" with which she
had saluted Milt on lonely morning after morning of forlorn driving
behind the Gomez. He picked Vere up.

"She's--she's dead," he said. He was crying.

"Oh, Milt---- Last night you said Vere was all the family you had. You
have the Boltwoods, now!"

She did not touch his hand, nor did they speak as they walked soberly to
the far side of the corral, and buried Lady Vere de Vere. At breakfast
they talked of the coming day's run, from the canyon out of the Park,
and northward. But they had the queer, quick casualness of intimates.

       *       *       *       *       *

It was at breakfast that her father heard one Milt Daggett address the
daughter of the Boltwoods as "Claire." The father was surprised into
clearing his throat, and attacking his oatmeal with a zealousness
unnatural in a man who regarded breakfast-foods as moral rather than
interesting.

While he was lighting a cigar, and Claire was paying the bill, Mr.
Boltwood stalked Milt, cleared his throat all over again, and said,
"Nice morning."

It was the first time the two men had talked unchaperoned by Claire.

"Yes. We ought to have a good run, sir." The "sir" came hard. The
historian puts forth a theory that Milt had got it out of fiction. "We
might go up over Mount Washburn. Take us up to ten thousand feet."

"Uh, you said--didn't Miss Boltwood tell me that you are going to
Seattle, too?"

"Yes."

"Friends there, no doubt?"

Milt grinned irresistibly. "Not a friend. But I'm going to make 'em. I'm
going to take up engineering, and some French, I guess, at the
university there."

"Ah. Really?"

"Yes. Been too limited in my ambition. Don't see why I shouldn't get out
and build railroads and power plants and roads--Siberia, Africa, all
sorts of interesting places."

"Quite right. Quite right. Uh, ah, I, oh, I---- Have you seen Miss
Boltwood?"

"I saw Miss Boltwood in the office."

"Oh yes. Quite so. Uh--ah, here she is."

When the Gomez had started, Mr. Boltwood skirmished, "This young man----
Do you think you better let him call you by your Christian name?"

"Why not? I call him 'Milt.' 'Mr. Daggett' is too long a handle to use
when a man is constantly rescuing you from the perils of the deep or
hoboes or bears or something. Oh, I haven't told you. Poor old Milt, his
cat was killed----"

"Yes, yes, dolly, you may tell me about that in due time, but let's
stick to this social problem for a moment. Do you think you ought to be
too intimate with him?"

"He's only too self-respecting. He wouldn't take advantage----"

"I'm quite aware of that. I'm not speaking on your behalf, but on his.
I'm sure he's a very amiable chap, and ambitious. In fact---- Did you
know that he has saved up money to attend a university?"

"When did he tell you that? How long has he been planning---- I thought
that I----"

"Just this morning; just now."

"Oh! I'm relieved."

"I don't quite follow you, dolly, but---- Where was I? Do you realize
what a demure tyrant you are? If you can drag me from New York to the
aboriginal wilds, and I did _not_ like that oatmeal, what will you do to
this innocent? I want to protect him!"

"You better! Because I'm going to carve him, and paint him, and possibly
spoil him. The creating of a man--of one who knows how to handle
life--is so much more wonderful than creating absurd pictures or statues
or stories. I'll nag him into completing college. He'll learn
dignity--or perhaps lose his simplicity and be ruined; and then I'll
marry him off to some nice well-bred pink-face, like Jeff Saxton's
pretty cousin--who may turn him into a beastly money-grubber; and I'm
monkeying with destiny, and I ought to be slapped, and I realize it, and
I can't help it, and all my latent instinct as a feminine meddler is
aroused, and--golly, I almost went off that curve!"




CHAPTER XV

THE BLACK DAY OF THE VOYAGE


That was the one black day of her voyage--black stippled with crimson.

It began with the bear's invasion of the car, resulting in long
claw-marks across the upholstery, the loss of some particularly good
candy bought at a Park hotel, and genuine grief abiding after the
sentimental tragedy of Vere de Vere's death. The next act was the
ingenious loss of all power of her engine. She forgot that, before
breakfast, Milt had filled the oil-well for her. When she stopped for
gasoline, and the seller inquired, "Quart of oil?"--she absently nodded.
So the cylinders filled with surplus oil, the spark-plugs were fouled,
and the engine had the power of a sewing machine.

She could not make Mount Washburn--she could not make even the slopes of
the lower road. Now she knew the agony of the feeble car in the
mountains--most shameful and anxious of a driver's dolors: the brisk
start up the hill, the belief that you will keep on going this time; the
feeling of weariness through all the car; the mad shifting of gears, the
slipping of the clutch, and more gas, and less gas, and wondering
whether more gas or less is the better, and the appalling knocking when
you finally give her a lot too much gas; the remembrance, when it's too
late, to retard the spark; the safe crawling up to the last sharp pitch,
just fifteen feet from the summit; the car's halting; the yelp at your
passenger, "Jump out and push!"; the painful next five feet; and the
final death of the power just as the front wheels creep up over the
pitch. Then the anxious putting on of brakes--holding the car with both
foot-brake and emergency, lest it run down backward, slip off the road.
The calf of your leg begins to ache from the pressure on the foot-brake,
and with an unsuccessful effort to be courteous you bellow at the
passenger, who has been standing beside the car looking deprecatory,
"Will you please block the back wheels with a stone--hustle up, will
you!"

All this routine Claire thoroughly learned. Always Milt bumbled up, said
cheerful things, and either hauled the Gomez over the pitch by a towline
to his bug, or getting out, pushing on a rear fender till his neck was
red and bulgy, gave the extra impetus necessary to get the Gomez over.

"Would you mind shoving on that side, just a little bit?" he suggested
to Mr. Boltwood, who ceased the elaborate smoking of cigars, dusted his
hands, and gravely obeyed, while Claire was awaiting the new captain's
command to throw on the power.

"I wish we weren't under so much obligation to this young man," said Mr.
Boltwood, after one crisis.

"I know but--what can we do?"

"Don't you suppose we might pay him?"

"Henry B. Boltwood, if you tried to do that---- I'm not sure. Your being
my parent might save you, but even so, I think he'd probably chase you
off the road, clear down into that chasm."

"I suppose so. Shall we have to entertain him in Seattle?"

"Have to? My dear parent, you can't keep me from it! Any of the Seattle
friends of Gene Gilson who don't appreciate that straight, fine,
aspiring boy may go---- Not overdo it, you understand. But---- Oh, take
him to the theater. By the way; shall we try to climb Mount Rainier
before----"

"See here, my good dolly; you stop steering me away from my feeble
parental efforts. Do you wish to be under obligations----"

"Don't mind, with Milt. He wouldn't charge interest, as Jeff Saxton
would. Milt is, oh, he's folks!"

"Quite true. But are we? Are you?"

"Learning to be!"

Between discussions and not making hills, Claire cleaned the spark plugs
as they accumulated carbon from the surplus oil--or she pretended to
help Milt clean them. The plugs were always very hot, and when you were
unscrewing the jacket from the core, you always burned your hand, and
wished you could swear ... and sometimes you could.

After noon, when they had left the Park and entered Gardiner, Milt
announced, "I've got to stick around a while. The key in my
steering-gear seems to be worn. May have to put in a new one. Get the
stuff at a garage here. If you wouldn't mind waiting, be awful glad to
tag, and try to give a few helping hands till the oil cleans itself
out."

"I'll just stroll on," she said, but she drove away as swiftly as she
could. Her father's worry about obligations disturbed her, and she did
not wish to seem too troublesome an amateur to Milt. She would see him
in Livingston, and tell him how well she had driven. The spark plugs
kept clean enough now so that she could command more power, but----

Between the Park and the transcontinental road there are many climbs
short but severely steep; up-shoots like the humps on a scenic railway.
To tackle them with her uncertain motor was like charging a machine-gun
nest. She spent her nerve-force lavishly, and after every wild rush to
make a climb, she had to rest, to rub the suddenly aching back of her
neck. Because she was so tired, she did not take the trouble to save her
brakes by going down in gear. She let the brakes smoke while the river
and railroad below rose up at her.

There was a long drop. How long it was she did not guess, because it was
concealed by a curve at the top. She seemed to plane down forever. The
brakes squealed behind. She tried to shift to first but there was a
jarring snarl, and she could neither get into first nor back into third.
She was running in neutral, the great car coasting, while she tried to
slow it by jamming down the foot-brake. The car halted--and started on
again. The brake-lining which had been wished on her at Saddle Back was
burnt out.

She had the feeling of the car bursting out from under control ... ready
to leap off the road, into a wash. She wanted to jump. It took all her
courage to stay in the seat. She got what pressure she could from the
remaining band. With one hand she kept the accelerating car in the
middle of the road; with the other she tried to pull the handle of the
emergency brake back farther. She couldn't. She was not strong enough.
Faster, faster, rushing at the next curve so that she could scarce steer
round it----

As quietly as she could, she demanded of her father, "Pull back on this
brake lever, far as you can. Take both hands."

"I don't understand----"

"Heavens! Y' don't haft un'stand! Yank back! Yank, I tell you!"

Again the car slowed. She was able to get into second speed. Even that
check did not keep the car from darting down at thirty miles an
hour--which pace, to one who desires to saunter down at a dignified rate
of eighteen, is equivalent in terms of mileage on level ground to
seventy an hour, with a drunken driver, on a foggy evening, amid
traffic.

She got the car down and, in the midst of a valley of emptiness and
quiet, she dropped her head on her father's knee and howled.

"I just can't face going down another hill! I just can't face it!" she
sobbed.

"No, dolly. Mustn't. We better---- You're quite right. This young
Daggett is a very gentlemanly fellow. I didn't think his
table-manners---- But we'll sit here and regard the flora and fauna till
he comes. He'll see us through."

"Yes! He will! Honestly, dad----" She said it with the first touch of
hero-worship since she had seen an aviator loop loops. "Isn't he, oh,
effective! Aren't you glad he's here to help us, instead of somebody
like Jeff Saxton?"

"We-ul, you must remember that Geoffrey wouldn't have permitted the
brake to burn out. He'd have foreseen it, and have had a branch office,
with special leased wire, located back on that hill, ready to do
business the instant the market broke. Enthusiasm is a nice quality,
dolly, but don't misplace it. This lad, however trustworthy he may be,
would scarcely even be allowed to work for a man like Geoffrey Saxton.
It may be that later, with college----"

"No. He'd work for Jeff two hours. Then Jeff would give him that 'You
poor fish!' look, and Milt would hit him, and stroll out, and go to the
North Pole or some place, and discover an oil-well, and hire Jeff as his
nice, efficient general manager. And---- I do wish Milt would hurry,
though!"

It was dusk before they heard the pit-pit-pit chuckling down the hill.
Milt's casual grin changed to bashfulness as Claire ran into the road,
her arms wide in a lovely gesture of supplication, and cried, "We been
waiting for you so long! One of my brake-bands is burnt out, and the
other is punk."

"Well, well. Let's try to figure out something to do."

She waited reverently while the local prophet sat in his bug, stared at
the wheels of the Gomez, and thought. The level-floored,
sagebrush-sprinkled hollow had filled with mauve twilight and creeping
stilly sounds. The knowable world of yellow lights and security was far
away. Milt was her only means of ever getting back to it.

"Tell you what we might try," he speculated. "I'll hitch on behind you,
and hold back in going down hill."

She did not even try to help him while he again cleaned the spark plugs
and looked over brakes, oil, gas, water. She sat on the running-board,
and it was pleasant to be relieved of responsibility. He said nothing at
all. While he worked he whistled that recent refined ballad:

    I wanta go back to Oregon
    And sit on the lawn, and look at the dawn.
    Oh motheruh dear, don't leavuh me here,
    The leaves are so sere, in the fallothe year,
    I wanta go back to Oregugon,
    To dearuh old Oregugon.

They started, shouting optimistically to each other, lights on, trouble
seeming over--and they stopped after the next descent, and pools of
tears were in the corners of Claire's eyes. The holdback had not
succeeded. Her big car, with its quick-increasing momentum, had jerked
at the bug as though it were a lard-can. The tow-rope had stretched,
sung, snapped, and again, in fire-shot delirium, she had gone rocking
down hill.

He drove up beside her, got out, stood at her elbow. His "I'm a bum
inventor. We'll try somethin' else" was so careless that, in her
nerve-twanging exhaustion she wailed, "Oh, don't be so beastly cheerful!
You don't care a bit!"

In the dusk she could see him straighten, and his voice came sharp as he
ignored the ever-present parental background and retorted, "Somebody has
got to be cheerful. Matter fact, I worked out the right stunt, coming
down."

Like a man in the dentist's chair, recovering between bouts, she drowsed
and ignored the fact that in a few minutes she would again have to
reassemble herself, become wakeful and calm, and go through quite
impossible maneuvers of driving. Milt was, with a hatchet from his
camping-kit, cutting down a large scrub pine. He dragged it to the Gomez
and hitched it to the back axle. The knuckles of the branches would dig
into the earth, the foliage catch at every pebble.

"There! That anchor would hold a truck!" he shouted.

It held. She went down the next two hills easily. But she was through.
Her forearms and brain were equally numb. She appealed to Milt, "I can't
seem to go on any more. It's so dark, and I'm so tired----"

"All right. No ranch houses anywheres near, so we'll camp here, if Mr.
Boltwood doesn't mind."

Claire stirred herself to help him prepare dinner. It wasn't much of a
dinner to prepare. Both cars had let provisions run low. They had bacon
and petrified ends of a loaf and something like coffee--not much like
it. Scientists may be interested in their discovery that as a substitute
for both cream and sugar in beverages strawberry jam is a fallacy.

For Mr. Boltwood's bed Milt hauled out the springy seat-cushions of both
cars. The Gomez cushion was three inches thicker than that of the bug,
which resulted in a mattress two stories in front with a lean-to at the
foot, and the entire edifice highly slippery. But with a blanket from
Milt's kit, it was sufficient. To Claire, Milt gave another blanket,
his collection of antique overcoats, and good advice. He spoke vaguely
of a third blanket for himself. And he had one. Its dimensions were
thirteen by twenty inches, it was of white wool, he had bought it in
Dakota for Vere de Vere, and many times that day he had patted it and
whispered, "Poor old cat."

Under his blankets Mr. Boltwood thought of rattlesnakes, bears,
rheumatism, Brooklyn, his debt to Milt, and the fact that--though he
hadn't happened to mention it to Claire--he had expected to be killed
when the brake had burned out.

Claire was drowsily happy. She had got through. She was conscious of
rustling sagebrush, of the rapids of the Yellowstone beside her, of open
sky and sweet air and a scorn for people in stuffy rooms, and
comfortably ever conscious of Milt, ten feet away. She had in him the
interest that a young physician would have in a new X-ray machine, a
printer in a new font of type, any creator in a new outlet for his
power. She would see to it that her Seattle cousins, the Gilsons, helped
him to know the right people, during his university work. She herself
would be back in Brooklyn, but perhaps he would write to her,
write--write letters--Brooklyn--she was in Brooklyn--no, no, where was
she?--oh, yes, camping--bad day--brakes---- No, she would not marry Jeff
Saxton! Brooklyn--river singing--stars----

And when Milt wasn't unromantically thinking of his cold back, he
exulted. "She won't be back among her own folks till Seattle. Probably
forget me then. Don't blame her. But till we get there, she'll let me
play in her yard. Gee! In the morning I'll be talking to her again, and
she's right there, right now!"

In the morning they were all very stiff, but glad of the sun on
sagebrush and river, and the boy and girl sang over breakfast. While
Milt was gathering fuel he looked up at Claire standing against a
background of rugged hills, her skirt and shoes still smug, but her
jacket off, her blouse turned in at the throat, her hair blowing, her
sleeves rolled up, one hand on her hip, erect, charged with vigor--the
spirit of adventure.

When her brake had been relined, at Livingston, they sauntered
companionably on to Butte. And the day after Butte, when Milt was half a
mile behind the Gomez, a pink-haired man with a large, shiny revolver
stepped out from certain bushes, and bowed politely, and at that point
Milt stopped.




CHAPTER XVI

THE SPECTACLES OF AUTHORITY


Over the transcontinental divide and into Butte, diamond-glittering on
its hills in the dark; into Missoula, where there are trees and a
university, with a mountain in everybody's backyard; through the
Flathead Agency, where scarlet-blanketed Indians stalk out of tepees and
the papoose rides on mother's back as in forgotten days; down to St.
Ignatius, that Italian Alp town with its old mission at the foot of
mountains like the wall of Heaven, Claire had driven west, then north.
She was sailing past Flathead Lake, where fifty miles of mountain glory
are reflected in bright waters. Everywhere were sections of flat
wheat-plains, stirring with threshing, with clattering machinery and the
flash of blown straw. But these miniature prairies were encircled by
abrupt mountains.

Mr. Boltwood remarked, "I'd rather have one of these homesteads and look
across my fields at those hills than be King of England." Not that he
made any effort to buy one of the homesteads. But then, he made no
appreciable effort to become King of England.

Claire had not seen Milt for a day and a half; not since the morning
when both cars had left Butte. She wondered, and was piqued, and
slightly lonely. Toward evening, when she was speculating as to whether
she would make Kalispell--almost up to the Canadian border--she saw a
woman run into the road from a house on the shore of Flathead Lake. The
woman held out her hand. Claire pulled up.

"Are you Miss Boltwood?"

It was as startling as the same question would have been in a Chinese
village.

"W-why, yes."

"Somebody trying to get you on the long-distance 'phone."

"Me? 'Phone?"

She was trembling. "Something's happened to Milt. He needs me!" She
could not manage her voice, as she got the operator on the farmers'-line
wire, and croaked, "Was some one trying to get Miss Boltwood?"

"Yes. This Boltwood? Hotel in Kalispell trying to locate you, for two
hours. Been telephoning all along the line, from Butte to Somers."

"W-well, w-will you g-get 'em for me?"

It was not Milt's placid and slightly twangy voice but one smoother,
more decisive, perplexingly familiar, that finally vibrated, "Hello!
Hello! Miss Boltwood! Operator, I can't hear. Get me a better
connection. Miss Boltwood?"

"Yes! Yes! This is Miss Boltwood!" she kept beseeching, during a long
and not unheated controversy between the unknown and the crisp operator,
who knew nothing of the English language beyond, "Here's your party. Why
don't you talk? Speak louder!"

Then came clearly, "Hear me now?"

"Yes! Yes!"

"Miss Boltwood?"

"Yes?"

"Oh. Oh, hello, Claire. This is Jeff."

"Jess who?"

"Not Jess. Jeff! Geoffrey! J-e-f-f! Jeff Saxton!"

"Oh!" It was like a sob. "Why--why--but you're in New York."

"Not exactly, dear. I'm in Kalispell, Montana."

"But that's right near here."

"So am I!"

"B-but----"

"Out West to see copper interests. Traced you from Yellowstone Park but
missed you at Butte. Thought I'd catch you on road. You talking from
Barmberry's?"

The woman who had hailed her was not missing a word of a telephone
conversation which might be relative to death, fire, elopement, or any
other dramatic event. Claire begged of her, "Where in the world am I
talking from, anyway?"

"This is Barmberry's Inn."

"Yes," Claire answered on the telephone, "I seem to be. Shall I start on
and----"

"No. Got ripping plan. Stay right where you are. Got a fast car waiting.
Be right down. We'll have dinner. By!"

A click. No answer to Claire's urgent hellos. She hung up the receiver
very, very carefully. She hated to turn and face her audience of Mr.
Henry B. Boltwood, Mr. James Barmberry, Mrs. James Barmberry, and four
Barmberry buds averaging five and a quarter in age. She tried to ignore
the Barmberrys, but their silence was noisy and interested while she
informed her father, "It's Jeff Saxton! Out here to see copper mines.
Telephoned along road to catch us. Says we're to wait dinner till he
comes."

"Yessum," Mrs. Barmberry contributed, "he told me if I did catch you, I
was to have some new-killed chickens ready to fry, and some whipped
cream---- Jim Barmberry, you go right out and finish whipping that
cream, and don't stand there gawping and gooping, and you children, you
scat!"

Claire seized the moment of Mr. Boltwood's lordly though bewildered bow
to their hostess, and escaped outdoors. Round the original settler's
log-cabin were nests of shacks and tents, for bedrooms, and on a
screened porch, looking on Flathead Lake, was the dining-room. The few
other guests had finished supper and gone to their tents.

She ambled to the lake shore, feeling feebler, more slapped and sent
back to be a good little girl, than she had when Milt had hitched a
forest to the back axle, three days ago. A map of her thoughts about
Jeff Saxton would have shown a labyrinth. Now, she was muttering, "Dear
Jeff! So thoughtful! Clever of him to find me! So good to see him
again!" Now: "It's still distinctly understood that I am not engaged to
him, and I'm not going to be surprised into kissing him when he comes
down like a wolf on the fold." Now: "Jeff Saxton! Here! Makes me
homesick for the Heights. And nice shops in Manhattan, and a really good
play--music just before the curtain goes up." Now: "Ohhhhhh geeeeee
whizzzzzz! I wonder if he'll let us go any farther in the car? He's so
managerial, and dad is sure to take his side. He tried to scare us off
by that telegram to Fargo." Now: "He'd be horrified if he knew about
that bum brake. Milt didn't mind. Milt likes his womenfolks to be
daring. Jeff wants his harem admiring and very reliable."

She crouched on the shore, a rather forlorn figure. The peaks of the
Mission Range, across the violet-shadowed mirror of Flathead Lake, were
a sudden pure rose, in reflection of sunset, then stony, forbidding.
Across the road, on the Barmberry porch, she could hear her father
saying "Ah?" and "Indeed?" to James's stories.

Up the road, a blaring horn, great lights growing momently more
dazzling, a roar, a rush, the halting car, and out of its blurred bulk,
a trim figure darting--Jeff Saxton--home and the people she loved, and
the ways and days she knew best of all. He had shouted only "Is
Miss----" before she had rushed to him, into the comfort of his arms,
and kissed him.

She backed off and tried to sound as if it hadn't happened, but she was
quavery: "I can't believe it! It's too ridiculously wonderful to see
you!" She retreated toward the Barmberry porch, Jeff following, his two
hands out. They came within the range of the house lights, and Mr.
Boltwood hailed, "Ah! Geoffrey! Never had such a surprise--nor a more
delightful one!"

"Mr. Boltwood! Looking splendid, sir! New man! William Street better
look to its laurels when you come back and get into the game!"

Then, on the lamp-lighted porch, the two men shook hands, and looked for
some other cordial thing to do. They thought about giving each other
cigars. They smiled, and backed away, and smiled, in the foolish,
indeterminate way males have, being unable to take it out in kissing.
Mr. Boltwood solved the situation by hemming, "Must trot in and wash.
See you very soon." Mr. James Barmberry and the squad of lesser
Barmberrys regretfully followed. Claire was alone with Jeff, and she was
frightened. Yet she was admitting that Jeff, in his English cap and
flaring London top-coat, his keen smile and his extreme shavedness, was
more attractive than she had remembered.

"Glad to see me?" he demanded.

"Oh, rather!"

"You're looking----"

"You're so----"

"Nice trip? You know you've sent me nothing but postcards with 'Pretty
town,' or something equally sentimental."

"Yes, it's really been bully. These mountains and big spaces simply
inspire me." She said it rather defiantly.

"Of course they do! Trouble is, with you away, we've nothing to inspire
us!"

"Do you need anything, with your office and your club?"

"Why, Claire!"

"I'm sorry. That was horrid of me."

"Yes, it was. Though I don't mind. I'm sure we've all become meek,
missing you so. I'm quite willing to be bullied, and reminded that I'm a
mere T.B.M."

She had got herself into it; she had to tell him that he wasn't just a
business man; that she had "just meant" he was so practical.

"But Jeff is no longer the practical one," he declared. "Think of Claire
driving over deserts and mountains. But---- Oh, it's been so lonely for
us. Can you guess how much? A dozen times every evening, I've turned to
the telephone to call you up and beg you to let me nip in and see you,
and then realized you weren't there, and I've just sat looking at the
'phone---- Oh, other people are so dull!"

"You really miss----"

"I wish I were a poet, so I could tell you adequately. But you haven't
said you missed me, Claire. Didn't you, a teeny bit? Wouldn't it have
been tolerable to have poor old Jeff along, to drive down dangerous
hills----"

"And fill grease-cups! Nasty and stickum on the fingers!"

"Yes, I'd have done that, too. And invented surprises along the way. I'm
a fine surpriser! I've arranged for a motor-boat so we can explore the
lake here tomorrow. That's why I had you wait here instead of coming on
to Kalispell. Tomorrow morning, unfortunately, I have to hustle back and
catch a train--called to California, and possibly a northern trip. But
meantime---- By now, my driver must have sneaked my s'prises into the
kitchen."

"What are they?"

"Guess."

"Food. Eats. Divine eats."

"Maybe."

"But what? Please, sir. Claire is so hungry."

"We shall see in time, my child. Uncle Jeff is not to be hurried."

"Ah--let--me--see--now! I'll kick and scream!"

From New York Jeff had brought a mammoth picnic basket. To the fried
chicken ordered for dinner he added sealed jars of puree of wood pigeon,
of stuffed artichokes prepared by his club chef; caviar and anchovies; a
marvelous nightmare-creating fruit cake to go with the whipped cream;
two quarts of a famous sherry; candied fruits in a silver box. Dinner
was served not on the dining-porch but before the fire in the
Barmberrys' living-room. Claire looked at the candied fruits, stared at
Jeff rather queerly--as though she was really thinking of some one
else--and mused:

"I didn't know I cared so much for these foolish luxuries. Tonight, I'd
like a bath, just a tiny bit scented, and a real dressing-table with a
triple mirror, and French talc, and come down in a dinner-gown---- Oh, I
have enjoyed the trip, Jeff. But my poor body does get so tired and
dusty, and then you treacherously come along with these things that
you've magicked out of the mountains and---- I'm not a pioneer woman,
after all. And Henry B. is not a caveman. See him act idolatrously
toward his soup."

"I feel idolatrous. I'd forgotten the supreme ethical importance of the
soup. I'll never let myself forget it again," said Mr. Boltwood, in the
tone of one who has come home.

Claire was grateful to Jeff that he did not let her go on being
grateful. He turned the talk to Brooklyn. He was neat and explicit--and
almost funny--in his description of an outdoor presentation of
_Midsummer Night's Dream_, in which a domestic and intellectual lady
weighing a hundred and eighty-seven stageside had enacted Puck. As they
sat after dinner, as Claire shivered, he produced a knitted robe, and
pulled it about her shoulders, smiling at her in a lonely, hungry way.
She caught his hand.

"Nice Jeff!" she whispered.

"Oh, my dear!" he implored. He shook his head in a wistful way that
caught her heart, and dutifully went back to informing Mr. Boltwood of
the true state of the markets.

"Talk to Claire too!" she demanded. She stopped, stared. From outside
she heard a nervous pit-pit-pit, a blurred dialogue between Mr. James
Barmberry and another man. Into the room rambled Milt Daggett, dusty of
unpressed blue suit, tired of eyes, and not too well shaved of chin,
grumbling, "Thought I'd never catch up with you, Claire---- Why----"

"Oh! Oh, Milt--Mr. Daggett---- Oh, Jeff, this is our good friend Milt
Daggett, who has helped us along the road."

Jeff's lucid rimless spectacles stared at Milt's wind-reddened eyes; his
jaunty patch-pocket outing clothes sniffed at Milt's sweater; his even
voice followed Milt's grunt of surprise with a curt "Ah. Mr. Daggett."

"Pleased meet you," faltered Milt.

Jeff nodded, turned his shoulder on Milt, and went on, "The fact is, Mr.
Boltwood, the whole metal market----"

Milt was looking from one to another. Claire was now over her first
shocked comparison of candied fruits with motor grease. She rose, moved
toward Milt, murmuring, "Have you had dinner?"

The door opened again. A pink-haired, red-faced man in a preposterous
green belted suit lunged in, swept his broad felt hat in greeting, and
boomed like a cheap actor:

"Friends of my friend Milt, we about to dine salute you. Let me
introduce myself as Westlake Parrott, better known to the vulgar as
Pinky Parrott, gentleman adventurer, born in the conjunction of Mars and
Venus, with Saturn ascendant."

Jeff had ignored Milt. But at this absurd second intrusion on his
decidedly private dinner-party he flipped to the center of the room and
said "I beg your pardon!" in such a head-office manner that the
pink-locked Mystery halted in his bombast. Claire felt wabbly. She had
no theories as to where Milt had acquired a private jester, nor as to
what was about to happen to Milt--and possibly to her incautious self.




CHAPTER XVII

THE VAGABOND IN GREEN


As Milt had headed westward from Butte, as he rattled peacefully along
the road, conscious of golden haze over all the land, and the
unexpectedness of prairie threshing-crews on the sloping fields of
mountainsides, a man had stepped out from bushes beside the road, and
pointed a .44 navy revolver.

The man was not a movie bandit. He wore a green imitation of a Norfolk
jacket, he had a broad red smile, and as he flourished his hat in a bow,
his hair was a bristly pompadour of gray-streaked red that was almost
pink. He made oration:

"Pardon my eccentric greeting, brother of the open road, but I wanted
you to give ear to my obsequious query as to how's chances on gettin' a
lift? I have learned that obsequiousness is best appreciated when it is
backed up by prayer and ca'tridges."

"What's the idea? I seem to gather you'd like a lift. Jump in."

"You do not advocate the Ciceronian style, I take it," chuckled the man
as he climbed aboard.

Milt was not impressed. Claire might have been, but Milt had heard
politics and religion argued about the stove in Rauskukle's store too
often to be startled by polysyllabomania. He knew it was often the sign
of a man who has read too loosely and too much by himself. He snorted.
"Huh! What are you--newspaper, politics, law, preacher, or gambler?"

"Well, a little of all those interesting occupations. And
ten-twent-thirt trouping, and county-fair spieling, and selling Dr.
Thunder Rapids' Choctaw Herbal Sensitizer. How far y' going?"

"Seattle."

"Honest? Say, kid, this is---- Muh boy, we shall have the rare privilege
of pooling adventures as far as Blewett Pass, four to six days' run from
here--a day this side of Seattle. I'm going to my gold-mine there. I'll
split up on the grub--I note from your kit that you camp nights. Quite
all right, my boy. Pinky Parrott is no man to fear night air."

He patted Milt's shoulder with patronizing insolence. He filled a pipe
and, though the car was making twenty-five, he lighted the pipe with
distinguished ease, then settled down to his steady stride:

"In the pride of youth, you feel that you have thoroughly categorized
me, particularly since I am willing to admit that, though I shall have
abundance of the clinking iron men to buy my share of our chow, I chance
just for the leaden-footed second to lack the wherewithal to pay my
railroad fare back to Blewett; and the bumpers and side-door Pullman of
the argonauts like me not. Too damn dusty. But your analysis is
unsynthetic, though you will scarce grasp my paradoxical metaphor."

"The hell I won't. I've taken both chemistry and rhetoric," growled
Milt, strictly attending to driving, and to the desire to get rid of his
parasite.

"Oh! Oh, I see. Well, anyway: I am no mere nimble knight of wits, as you
may take it. In fact, I am lord of fair acres in Arcady."

"Don't know the burg. Montana or Idaho?"

"Neither! In the valley of dream!"

"Oh! That one. Huh!"

"But I happen to back them up with a perfectly undreamlike gold-mine.
Prospected for it in a canyon near Blewett Pass and found it, b' gum,
and my lady wife, erstwhile fairest among the society favorites of North
Yakima, now guards it against her consort's return. Straight goods. Got
the stuff. Been to Butte to get a raise on it, but the fell khedives of
commerce are jealous. They would hearken not. Gee, those birds certainly
did pull the frigid mitt! So I wend my way back to the demure Dolores,
the houri of my heart, and the next time I'll take a crack at the big
guns in Seattle. And I'll sure reward you for your generosity in taking
me to Blewett, all the long, long, languid, languorous way----"

"Too bad I got to stop couple of days at Spokane."

"Well, then you shall have the pleasure of taking me that far."

"And about a week in Kalispell!"

"'Twill discommode me, but 'pon honor, I like your honest simple face,
and I won't desert you. Besides! I know a guy in Kalispell, and I can
panhandle the sordid necessary chuck while I wait for you. Little you
know, my cockerel, how facile a brain your 'bus so lightly bears. When
I've cashed in on the mine, I'll take my rightful place among the
motored gentry. Not merely as actor and spieler, promoter and inventor
and soldier and daring journalist, have I played my role, but also I am
a mystic, an initiate, a clairaudient, a psychometrist, a Rosicrucian
adept, and profoundly psychic--in fact, my guide is Hermes Trismegistus
himself! I also hold a degree as doctor of mento-practic, and my studies
in astro-biochemistry----"

"Gonna stop. All off. Make little coffee," said Milt.

He did not desire coffee, and he did not desire to stop, but he did
desperately desire not to inflict Pinky Parrott upon the Boltwoods. It
was in his creed as a lover of motors never to refuse a ride to any one,
when he had room. He hoped to get around his creed by the hint implied
in stopping. Pinky's reaction to the hint was not encouraging:

"Why, you have a touch of the psychic's flare! I could do with coffee
myself. But don't trouble to make a fire. I'll do that. You drive--I do
the camp work. Not but that I probably drive better than you, if you
will permit me to say so. I used to do a bit of racing, before I took up
aviation."

"Huh! Aviation! What machine d'you fly?"

"Why, why--a biplane!"

"Huh! What kind of motor?"

"Why, a foreign one. The--the---- It was a French motor."

"Huh! What track you race on?"

"The---- Pardon me till I build a fire for our _al fresco_ collation,
and I my driving history will unfold."

But he didn't do either.

After he had brought seven twigs, one piece of sagebrush, and a six-inch
board, Pinky let Milt finish building the fire, while he told how much
he knew about the mysteries of ancient Egyptian priests.

Milt gave up hope that Pinky would become bored by waiting and tramp on.
After one hour of conversational deluge, he decided to let Pinky
drive--to make him admit that he couldn't. He was wrong. Pinky could
drive. He could not drive well, he wabbled in his steering, and he
killed the engine on a grade, but he showed something of the same
dashing idiocy that characterized his talk. It was Milt not Pinky, who
was afraid of their running off the road, and suggested resuming the
wheel.

Seven times that day Milt tried to lose him. Once he stopped without
excuse, and merely stared up at rocks overhanging the hollowed road.
Pinky was not embarrassed. He leaned back in the seat and sang two
Spanish love songs. Once Milt deliberately took a wrong road, up a
mountainside. They were lost, and took five hours getting back to the
highway. Pinky loved the thrill and--in a brief address lasting fifteen
minutes--he said so.

Milt tried to bore him by driving at seven miles an hour. Pinky
affectionately accepted this opportunity to study the strata of the
hills. When they camped, that night, Pinky loved him like a brother, and
was considering not stopping at Blewett Pass, to see his gold-mine and
Dolores the lady-wife, but going clear on to Seattle with his playmate.

The drafted host lay awake, and when Pinky awoke and delivered a few
well-chosen words on the subject of bird-song at dawn, Milt burst out:

"Pinky, I don't like to do it, but---- I've never refused a fellow a
lift, but I'm afraid you'll have to hike on by yourself, the rest of the
way."

Pinky sat up in his blankets. "Afraid of me, eh? You better be! I'm a
bad actor. I killed Dolores's husband, and took her along, see? I----"

"Are you trying to scare me, you poor four-flusher?" Milt's right hand
expanded, fingers arching, with the joyous tension of a man stretching.

"No. I'm just reading your thoughts. I'm telling you you're scared of
me! You think that if I went on, I might steal your car! You're afraid
because I'm so suave. You aren't used to smooth ducks. You don't dare to
let me stick with you, even for today! You're afraid I'd have your
mis'able car by tonight! You don't dare!"

"The hell I don't!" howled Milt. "If you think I'm afraid---- Just to
show you I'm not, I'll let you go on today!"

"That's sense, my boy. It would be a shame for two such born companions
of the road to part!" Pinky had soared up from his blankets; was
lovingly shaking Milt's hand.

Milt knew that he had been tricked, but he felt hopeless. Was it
impossible to insult Pinky? He tried again:

"I'll be frank with you. You're the worst wind-jamming liar I ever met.
Now don't reach for that gat of yours. I've got a hefty rock right here
handy."

"But, my dear, dear boy, I don't intend to reach for any crude lethal
smoke-wagon. Besides, there isn't anything in it. I hocked the shells in
Butte. I am not angry, merely grieved. We'll argue this out as we have
breakfast and drive on. I can prove to you that, though occasionally I
let my fancy color mere untutored fact with the pigments of a Robert J.
Ingersoll---- By the way, do you know his spiel on whisky?"

"Stick to the subject. We'll finish our arguing right now, and I'll
give you breakfast, and we'll sadly part."

"Merely because I am lighter of spirits than this lugubrious old world?
No! I decline to be dropped. I'll forgive you and go on with you. Mind
you, I am sensitive. I will not intrude where I am not welcome. Only you
must give me a sounder reason than my diverting conversational powers
for shucking me. My logic is even stronger than my hedonistic contempt
for hitting the pike."

"Well, hang it, if you must know---- Hate to say it, but I'd do almost
anything to get rid of you. Fact is, I've been sort of touring with a
lady and her father, and you would be in the way!"

"Aaaaaaah! You see! Why, my boy, I will not only stick, but for you, I
shall do the nimble John Alden and win the lady fair. I will so bedizen
your virile, though somewhat crassly practical gifts---- Why, women are
my long suit. They fall for----"

"Tut, tut, tut! You're a fool. She's no beanery mistress, like you're
used to. She really is a lady."

"How blind you are, cruel friend. You do not even see that whatever my
vices may be, my social standing----"

"Oh--shut--up! Can't you see I'm trying to be kind to you? Have I simply
got to beat you up before you begin to suspect you aren't welcome? Your
social standing isn't even in the telephone book. And your
vocabulary---- You let too many 'kids' slip in among the juicy words.
Have I got to lick----"

"Well. You're right. I'm a fliv. Shake hands, m' boy, and no hard
feelings."

"Good. Then I can drive on nice and alone, without having to pound your
ears off?"

"Certainly. That is--we'll compromise. You take me on just a few miles,
into more settled country, and I'll leave you."

So it chanced that Milt was still inescapably accompanied by Mr. Pinky
Parrott, that evening, when he saw Claire's Gomez standing in the yard
at Barmberry's and pulled up.

Pinky had voluntarily promised not to use his eloquence on Claire, nor
to try to borrow money from Mr. Boltwood. Without ever having quite won
permission to stay, he had stayed. He had also carried out his promise
to buy his half of the provisions by adding a five-cent bag of lemon
drops to Milt's bacon and bread.

When they had stopped, Milt warned, "There's their machine now. Seems to
be kind of a hotel here. I'm going in and say howdy. Good-by, Pink. Glad
to have met you, but I expect you to be gone when I come out here again.
If you aren't---- Want granite or marble for the headstone? I mean it,
now!"

"I quite understand, my lad. I admire your chivalric delicacy. Farewell,
old _compagnon de voyage_!"

Milt inquired of Mr. Barmberry whether the Boltwoods were within, and
burst into the parlor-living-room-library. As he cried to Claire, by the
fire, "Thought I'd never catch up with you," he was conscious that
standing up, talking to Mr. Boltwood, was an old-young man, very suave,
very unfriendly of eye. He had an Oxford-gray suit, unwrinkled cordovan
shoes; a pert, insultingly well-tied blue bow tie, and a superior narrow
pink bald spot. As he heard Jeff Saxton murmur, "Ah. Mr. Daggett!" Milt
felt the luxury in the room--the fleecy robe over Claire's shoulders,
the silver box of candy by her elbow, the smell of expensive cigars, and
the portly complacence of Mr. Boltwood.

"Have you had any dinner?" Claire was asking, when a voice boomed, "Let
me introduce myself as Westlake Parrott."

Jeff abruptly took charge. He faced Pinky and demanded, "I beg pardon!"

Claire's eyebrows asked questions of Milt.

"This is a fellow I gave a lift to. Miner--I mean actor--well, kind of
spiritualistic medium----"

Mr. Boltwood, with the geniality of dinner and cigar, soothed, "Jeff,
uh, Daggett here has saved our lives two distinct times, and given us a
great deal of help. He is a motor expert. He has always refused to let
us do anything in return but---- I noticed there was almost a whole
fried chicken left. I wonder if he wouldn't share it with, uh, with his
acquaintance here before--before they make camp for the night?"

In civil and vicious tones Jeff began, "Very glad to reward any one who
has been of service to----"

He was drowned out by Pinky's effusive, "True hospitality is a virtue as
delicate as it is rare. We accept your invitation. In fact I should be
glad to have one of those cigarros elegantos that mine olfactory----"

Milt cut in abruptly, "Pink! Shut up! Thanks, folks, but we'll go on.
Just wanted to see if you had got in safe. See you tomorrow, some
place."

Claire was close to Milt, her fingers on his sleeve. "Please, Milt!
Father! You didn't make your introduction very complete. You failed to
tell Mr. Daggett that this is Mr. Saxton, a friend of ours in Brooklyn.
Please, Milt, do stay and have dinner. I won't let you go on hungry. And
I want you to know Jeff--Mr. Saxton.... Jeff, Mr. Daggett is an
engineer, that is, in a way. He's going to take an engineering course in
the University of Washington. Some day I shall make you bloated copper
magnates become interested in him.... Mrs. Barmberry. Mrssssssss.
Barrrrrrrmberrrrrry! Oh. Oh, Mrs. Barmberry, won't you please warm up
that other chicken for----"

"Oh, now, that's too bad. Me and Jim have et it all up!" wept the
landlady, at the door.

"I'll go on," stammered Milt.

Jeff looked at him expressionlessly.

"You will not go on!" Claire was insisting. "Mrs. Barmberry, won't you
cook some eggs or steak or something for these boys?"

"Perhaps," Jeff suggested, "they'd rather make their own dinner by a
campfire. Must be very jolly, and that sort of thing."

"Jeff, if you don't mind, this is my party, just for the moment!"

"Quite right. Sorry!"

"Milt, you sit here by the fire and get warm. I'm not going to be robbed
of the egotistic pleasure of being hospitable. Everybody look happy
now!"

She got them all seated--all but Pinky. He had long since seated
himself, by the fire, in Claire's chair, and he was smoking a cigar from
the box which Jeff had brought for Mr. Boltwood.

Milt sat farthest from the fire, by the dining-table. He was agonizing,
"This Jeff person is the real thing. He's no Percy in riding-breeches.
He's used to society and nastiness. If he looks at me once more--young
garage man found froze stiff, near Flathead Lake, scared look in eyes,
believed to have met a grizzly, no signs of vi'lence. And I thought I
could learn to mingle with Claire's own crowd! I wish I was out in the
bug. I wonder if I can't escape?"




CHAPTER XVIII

THE FALLACY OF ROMANCE


During dinner Milt watched Jeff Saxton's manner and manners. The hot day
had turned into a cold night. Jeff tucked the knitted robe about
Claire's shoulders, when she returned to the fire. He moved quietly and
easily. He kept poking up the fire, smiling at Claire as he did so. He
seemed without difficulty to maintain two conversations: one with Mr.
Boltwood about finances, one with Claire about mysterious persons called
Fannie and Alden and Chub and Bobbie and Dot, the mention of whom made
Milt realize how much a stranger he was. Once, as he passed by Claire,
Jeff said gently, "You _are_ lovely!" Only that, and he did not look at
her. But Milt saw that Claire flushed, and her eyes dimmed.

Pinky was silent till he had eaten about two-thirds of the total amount
of fried eggs, cold lamb and ice-box curios. When Claire came over to
see how they fared, Pinky removed himself, with smirking humility, and
firmly joined himself to Jeff and Mr. Boltwood. He caught the subject of
finance and, while Claire dropped down in the chair by Milt, Pinky was
lecturing the two men from New York:

"Ah, finance! Queen of the sociological pantheon! I don't know how come
I am so graced by Fortune as to have encountered in these wilds two
gentlemen so obviously versed in the stratagems of the great golden
game, but I will take the opportunity to give you gentlemen some
statistics about the gold-deposits still existent in the Cascades and
other ranges that may be of benefit and certainly will be a surprise to
you. It happens that I have at the present time a mine----"

Claire was whispering to Milt, "If we can get rid of your dreadful
passenger, I do want you to meet Mr. Saxton. He may be of use to you
some day. He's terribly capable, and really quite nice. Think! He
happened to be out here, and he traced me by telephone--oh, he treats
long-distance 'phoning as I do a hair-pin. He brought down the duckiest
presents--divertissements for dinner, and that knitted robe, and some
real Rene Bleuzet perfume--I was all out of it---- And after the grime
of the road----"

"Do you really care for things like that, all those awfully expensive
luxuries?" begged Milt.

"Of course I do. Especially after small hotels."

"Then you don't really like adventuring?"

"Oh yes--in its place! For one thing, it makes a clever dinner seem so
good by contrast!"

"Well---- Afraid I don't know much about clever dinners," Milt was
sighing, when he was aware of Jeff Saxton looming down on him,
demanding:

"Daggett, would you mind trying to inform your friend that neither Mr.
Boltwood nor I care to invest in his gold-mine? We can't seem to get
that into his head. I don't mind being annoyed myself, but I really feel
I must protect Mr. Boltwood."

"What can I do?"

"My dear sir, since you brought him here----"

It was the potassium cyanide and cracked ice and carpet tacks and TNT
and castor oil in Jeff's "My dear sir" that did it. Milt discovered
himself on his feet, bawling, "I am not your dear sir! Pinky is my
guest, and---- Gee, sorry I lost my temper, Claire, terrible sorry. See
you along the road. Good night. Pink! You take your hat! Git!"

Milt followed Pinky out of the door, snarling, "Git in the car, and do
it quick. I'll take you clear to Blewett Pass. We drive all night."

Pinky was of great silence and tact. Milt lumped into the bug beside
him. But he did not start the all-night drive. He wanted to crawl back,
on his knees, to apologize to Claire--and to be slapped by Jeff Saxton.
He compromised by slowly driving a quarter of a mile up the road, and
camping there for the night.

Pinky tried to speak words of philosophy and cheer--just once he tried
it.

For hours, by a small fire, Milt grieved that all his pride was gone in
a weak longing to see Claire again. In the morning he did see
her--putting off on the lake, in a motor-boat with Jeff and Mr.
Barmberry. He saw the boat return, saw Jeff get into the car which had
brought him from Kalispell, saw the farewell, the long handclasp, the
stoop of Jeff's head, and Claire's quick step backward before Jeff could
kiss her. But Claire waved to Jeff long after his car had started.

       *       *       *       *       *

When Claire and her father came along in the Gomez, Milt was standing by
the road. She stopped. She smiled. "Night of sadness and regrets? You
were fairly rude, Milt. So was Mr. Saxton, but I've lectured him, and he
sends his apologies."

"I send him mine--'deed I do," said Milt gravely.

"Then everything's all right. I'm sure we were all tired. We'll just
forget it."

"Morning, Daggett," Mr. Boltwood put in. "Hope you lose that dreadful
red-headed person."

"No, I can't, Mr. Boltwood. When Mr. Saxton turned on me, I swore I'd
take Pinky clear through to Blewett Pass ... though not to Seattle, by
golly!"

"Foolish oaths should be broken," Claire platitudinized.

"Claire--look---- You don't really care so terribly much about these
little luxuries, food and fixin's and six-dollar-a-day-hotel junk, do
you?"

"Yes," stoutly, "I do."

"But not compared with mountains and----"

"Oh, it's all very well to talk, and be so superior about these dear old
grandeurs of Nature, and the heroism of pioneers, and I do like a
glimpse of them. But the niceties of life do mean something and even if
it is weak and dependent, I shall always simply adore them!"

"All these things are kind of softening." And he meant that she was
still soft.

"At least they're not rude!" And she meant that he was rude.

"They're absolutely trivial. They shut off----"

"They shut off rain and snow and dirt, and I still fail to see the
picturesqueness of dirt! Good-by!"

She had driven off, without looking back. She was heading for Seattle
and the Pacific Ocean at forty miles an hour--and they had no engagement
to meet either in Seattle or in the Pacific.

Before Milt went on he completed a task on which he had decided the
night before while he had meditated on the tailored impertinence of Jeff
Saxton's gray suit. The task was to give away the Best Suit, that
stolid, very black covering which at Schoenstrom had seemed suitable
either to a dance or to the Y. P. S. C. E. The recipient was Mr. Pinky
Parrott, who gave in return a history of charity and high souls.

Milt did not listen. He was wondering, now that they had started, where
they had started for. Certainly not for Seattle! Why not stop and see
Pinky's gold-mine? Maybe he did have one. Even Pinky had to tell the
truth sometimes. With a good popular gold-mine in his possession, Milt
could buy quantities of clothes like Jeff Saxton's, and----

"And," he reflected, "I can learn as good manners as his in one hour,
with a dancing lesson thrown in. If I didn't, I'd sue the professor!"




CHAPTER XIX

THE NIGHT OF ENDLESS PINES


On the edge of Kootenai Canyon, feeling more like an aviator than like
an automobilist, Claire had driven, and now, nearing Idaho, she had
entered a national forest. She was delayed for hours, while she tried to
change a casing, after a blow-out when the spare tire was deflated. She
wished for Milt. She would never see him again. She was sorry. He hadn't
meant----

But hang it, she panted, if he admired her at all, he'd be here now and
get on this per-fect-ly beast-ly casing, over which she had been
laboring for a dozen years; and she was simply too ridiculously tired;
and was there any respectful way of keeping Henry B. from beaming in
that benevolent manner while she was killing herself; and look at those
fingernails; and--oh, drrrrrrat that casing!

To make the next town, after this delay, she had to drive for hours by
night through the hulking pines of the national forest. It was her first
long night drive.

A few claims, with log cabins of recent settlers, once or twice the
shack of a forest-ranger, a telephone in a box by the road or a rough R.
F. D. box nailed to a pine trunk, these indicated that civilization
still existed, but they were only melancholy blurs. She was in a cold
enchantment. All of her was dead save the ability to keep on driving,
forever, with no hope of the tedium ending. She was bewildered. She
passed six times what seemed to be precisely the same forest clearing,
always with the road on a tiny ridge to the left of the clearing, always
with a darkness-stilled house at one end and always, in the pasture at
the other end, a horse which neighed. She was in a panorama stage-scene;
things moved steadily by her, there was a sound of the engine, and a
sensation of steering, but she was forever in the same place, among the
same pines, with the same scowling blackness between their bare clean
trunks. Only the road ahead was clear: a one-way track, the foot-high
earthy bank and the pine-roots beside it, two distinct ruts, and a
roughening of strewn brown bark and pine-needles, which, in the beating
light of the car's lamps, made the sandy road scabrous with little
incessant shadows.

She had never known anything save this strained driving on. Jeff and
Milt were old tales, and untrue. Was it ten hours before that she had
cooked dinner beside the road? No matter. She wasn't hungry any longer.
She would never reach the next town--and she didn't care. It wasn't she,
but a grim spirit which had entered her dead body, that kept steering,
feeding gas, watching the road.

In the darkness outside the funnel of light from her lamps were shadows
that leaped, and gray hands hastily jerked back out of sight behind tree
trunks as she came up; things that followed her, and hidden men waiting
for her to stop.

As drivers will, she tried to exorcise the creeping fear by singing. She
made up what she called her driving-song. It was intended to echo the
hoofs of a fat old horse on a hard road:

    The old horse trots with a jog, jog, jog,
    And a jog, jog, jog; and a jog, jog, jog.
    And the old road makes a little jog, jog, jog,
    To the west, jog, jog; and the north, jog, jog.
    While the farmer drinks some cider from his jug, jug, jug,
    From his coy jug, jug; from his joy jug, jug.
    Till he accumulates a little jag, jag, jag,
    And he jigs, jigs, jigs, with his jug, jug, jug----

The song was a comfort, at first--then a torment. She drove to it, and
she steered to it, and when she tried to forget, it sang itself in her
tired brain: "Jog, jog, jog--oh, _damn_!"

Her father had had a chill. Miserable, weak as a small boy, he had
curled up on the bottom of the car, his head on the seat, and gone to
sleep. She was alone. The mile-posts went by slowly. The posts said
there was a town ahead called Pellago, but it never came----

And when it did come she was too tired to care. In a thick dream she
drove through midnight streets of the town. In stupid paralysis she
kicked at the door of the galvanized-iron-covered garage. No answer. She
gave it up. She drove down the street and into the yard of a hotel
marked by a swing sign out over the plank sidewalk. She got out the
traveling bags, awakened her father, led him up on the porch.

The Pellago Tavern was a transformed dwelling house. The pillars of the
porch were aslant, and the rain-warped boards snapped beneath her feet.
She hesitatingly opened the door. The hallway was dark and musty. A
sound like a moan filtered down the unlighted stairs.

There seemed to be light in the room on the right. Trying to assure
herself that her father was a protection, she pushed open the door. She
looked into an airless room, scattered with rubber boots, unsavory old
corduroy caps, tattered magazines. By the stove nodded a wry-mouthed,
squat old woman, and a tall, cheaply handsome man of forty. Tobacco
juice stained the front of his stiff-bosomed, collarless shirt. His
hands were white but huge.

The old woman started. "Well?"

"I want to get two rooms for the night, please."

The man smirked at her. The woman creaked, "Well, I don't know. Where d'
you come from, heh?"

"We're motoring through."

"Heh? Who's that man?"

"He's my father, madam."

"Needn't to be so hoity-toity about it, 'he's my father, madam!' F' that
matter, that thing there is my husband!"

The man had been dusting his shabby coat, stroking his mustache, smiling
with sickly gallantry. He burbled, "Shut up, Teenie. This lady is all
right. Give her a room. Number 2 is empty, and I guess Number 7 has been
made up since Bill left--if 'tain't, the sheets ain't been slept on but
one night."

"Where d' you come----"

"Now don't go shooting off a lot of questions at the lady, Teenie. I'll
show her the rooms."

The woman turned on her husband. He was perhaps twenty-five years
younger; a quarter-century less soaked in hideousness. Her yellow,
concave-sided teeth were bared at him, her mouth drew up on one side
above the gums. "Pete, if I hear one word more out of you, out you go.
Lady! Huh! Where d' you come from, young woman?"

Claire was too weak to stagger away. She leaned against the door. Her
father struggled to speak, but the woman hurled:

"Wherdjuhcomfromised!"

"From New York. Is there another hotel----"

"Nah, there ain't another hotel! Oh! So you come from New York, do you?
Snobs, that's what N' Yorkers are. I'll show you some rooms. They'll be
two dollars apiece, and breakfast fifty cents extra."

The woman led them upstairs. Claire wanted to flee, but---- Oh, she
couldn't drive any farther! She couldn't!

The floor of her room was the more bare in contrast to a two-foot-square
splash of gritty ingrain carpet in front of the sway-backed bed. On the
bed was a red comforter that was filthy beyond disguise. The yellow
earthenware pitcher was cracked. The wall mirror was milky. Claire had
been spoiled. She had found two excellent hotels since Yellowstone Park.
She had forgotten how badly human beings can live. She protested:

"Seems to me two dollars is a good deal to charge for this!"

"I didn't say two dollars. I said three! Three each for you and your pa.
If you don't like it you can drive on to the next town. It's only
sixteen miles!"

"Why the extra dollar--or extra two dollars?"

"Don't you see that carpet? These is our best rooms. And three
dollars---- I know you New Yorkers. I heard of a gent once, and they
charged him five dollars--five dol-lars!--for a room in New York, and a
boy grabbed his valise from him and wanted a short-bit and----"

"Oh--all--right! Can we get something to eat?"

"Now!?"

"We haven't eaten since noon."

"That ain't my fault! Some folks can go gadding around in automobuls,
and some folks has to stay at home. If you think I'm going to sit up all
night cooking for people that come chassayin' in here God knows what all
hours of the day and night----! There's an all-night lunch down the
street."

When she was alone Claire cried a good deal.

Her father declined to go out to the lunch room. The chill of the late
ride was still on him, he croaked through his door; he was shivering; he
was going right to bed.

"Yes, do, dear. I'll bring you back a sandwich."

"Safe to go out alone?"

"Anything's safe after facing that horrible---- I do believe in witches,
now. Listen, dear; I'll bring you a hot-water bag."

She took the bag down to the office. The landlady was winding the clock,
while her husband yawned. She glared.

"I wonder if I may have some hot water for my father? He has a chill."

"Stove's out. No hot water in the house."

"Couldn't you heat some?"

"Now look here, miss. You come in here, asking for meals and rooms at
midnight, and you want a cut rate on everything, and I do what I can,
but enough's enough!"

The woman stalked out. Her husband popped up. "Mustn't mind the old
girl, lady. Got a grouch. Well, you can't blame her, in a way; when Bill
lit out, he done her out of four-bits! But I'll tell you!" he leered.
"You leave me the hot-water biznai, and I'll heat you some water
myself!"

"Thank you, but I won't trouble you. Good night."

Claire was surprised to find a warm, rather comfortable all-night lunch
room, called the Alaska Cafe, with a bright-eyed man of twenty-five in
charge. He nodded in a friendly way, and made haste with her order of
two ham-and-egg sandwiches. She felt adventurous. She polished her knife
and fork on a napkin, as she had seen people do in lunches along the
way. A crowd of three rubbed their noses against the front window to
stare at the strange girl in town, but she ignored them, and they
drifted away.

The lunchman was cordial: "At a hotel, ma'am? Which one? Gee, not the
Tavern?"

"Why yes. Is there another?"

"Sure. First-rate one, two blocks over, one up."

"The woman said the Tavern was the only hotel."

"Oh, she's an old sour-face. Don't mind her. Just bawl her out. What's
she charging you for a room?"

"Three dollars."

"Per each? Gee! Well, she sticks tourists anywheres from one buck to
three. Natives get by for fifty cents. She's pretty fierce, but she
ain't a patch on her husband. He comes from Spokane--nobody knows
why--guess he was run out. He takes some kind of dope, and he cheats at
rummy."

"But why does the town stand either of them? Why do you let them torture
innocent people? Why don't you put them in the insane hospital, where
they belong?"

"That's a good one!" her friend chuckled. But he saw it only as a joke.

She thought of moving her father to the good hotel, but she hadn't the
strength.

Claire Boltwood, of Brooklyn Heights, went through the shanty streets of
Pellago, Montana, at one A.M. carrying a sandwich in a paper bag which
had recently been used for salted peanuts, and a red rubber hot-water
bag filled with water at the Alaska Cafe. At the Tavern she hastened
past the office door. She made her father eat his sandwich; she teased
him and laughed at him till the hot-water bag had relieved his
chill-pinched back; she kissed him boisterously, and started for her own
room, at the far end of the hall.

The lights were off. She had to feel her way, and she hesitated at the
door of her room before she entered. She imagined voices, creeping
footsteps, people watching her from a distance. She flung into the
room, and when the kindled lamp showed her familiar traveling bag, she
felt safer. But once she was in bed, with the sheet down as far as
possible over the loathly red comforter, the quiet rustled and snapped
about her, and she could not relax. Sinking into sleep seemed slipping
into danger, and a dozen times she started awake.

But only slowly did she admit to herself that she actually did hear a
fumbling, hear the knob of her door turning.

"W-who's there?"

"It's me, lady. The landlord. Brought you the hot water."

"Thanks so much, but I don't need it now."

"Got something else for you. Come to the door. Don't want to holler and
wake ev'body up."

At the door she said timorously, "Nothing else I want, thank you.
D-don't bother me."

"Why, I've brought you up a sandwich, girlie, all nice and hot, and a
nip of something to take the chill off."

"I don't want it, I tell you!"

"Be a sport now! You use Pete right, and he'll use you right. Shame to
see a lady like you not gettin' no service here. Open the door. Dandy
sandwich!" The knob rattled again. She said nothing. The heel of her
palm pressed against the door till the molding ate into it. The man was
snorting:

"I ain't going to all this trouble and then throw away a good sandwich.
You asked me----"

"M-must I s-shout?"

"S-shout your fool head off!" He kicked the door. "Good friends of mine,
'long this end of the hall. Aw, listen. Just teasing. I'm not going to
rob you, little honey bird. Laws, you could have a million dollars, and
old Pete wouldn't take two-bits. I just get so darn lonely in this hick
town. Like to chat to live ones from the big burg. I'm a city fella
myself--Spokane and Cheyenne and everything."

In her bare feet, Claire had run across the room, looked desperately out
of the window. Could she climb out, reach her friend of the Alaska Cafe?
If she had to----

Then she grinned. The world was rose-colored and hung with tinkling
bells. "I love even that Pinky person!" she said. In the yard of the
hotel, beside her Gomez, was a Teal bug, and two men were sleeping in
blankets on the ground.

She marched over to the door. She flung it open. The man started back.
He was holding an electric, torch. She could not see him, but to the
hovering ball of light she remarked, "Two men, friends of mine, are
below, by their car. You will go at once, or I'll call them. If you
think I am bluffing, go down and look. Good night!"




CHAPTER XX

THE FREE WOMAN


Before breakfast, Claire darted down to the hotel yard. She beamed at
Milt, who was lacing a rawhide patch on a tire, before she remembered
that they were not on speaking terms. They both looked extremely
sheepish and young. It was Pinky Parrott who was the social lubricant.
Pinky was always on speaking terms with everybody. "Ah, here she is! The
little lady of the mutinous eyes! Our colonel of the flivver hussars!"

But he got no credit. Milt straightened up and lumbered, "Hel-lo!"

She peeped at him and whispered, "Hel-lo!"

"Say, oh please, Claire---- I didn't mean----"

"Oh, I know! Let's--let's go have breakfast."

"Was awfully afraid you'd think we were fresh, but when we came in last
night, and saw your car--didn't like the looks of the hotel much, and
thought we'd stick around."

"I'm so glad. Oh, Milt--yes, and you, Mr. Parrott--will you
whip--lick--beat up--however you want to say it--somebody for me?"

With one glad communal smile Milt and Pinky curved up their wrists and
made motions as of pulling up their sleeves.

"But not unless I say so. I want to be a Citizeness Fixit. I've been
good for so long. But now----"

"Show him to me!" and "Up, lads, and atum!" responded her squad.

"Not till after breakfast."

It was a sufficiently vile breakfast, at the Tavern. The feature was
curious cakes whose interior was raw creepy dough. A dozen skilled
workmen were at the same long table with Claire, Milt, Pinky, and Mr.
Boltwood--the last two of whom were polite and scenically descriptive to
each other, but portentously silent about gold-mines. The landlady and a
slavey waited on table; the landlord could be seen loafing in the
kitchen.

Toward the end of the meal Claire insultingly crooked her finger at the
landlady and said, "Come here, woman."

The landlady stared, then ignored her.

"Very well. Then I'll say it publicly!" Claire swept the workmen with an
affectionate smile. "Gentlemen of Pellago, I want you to know from one
of the poor tourists who have been cheated at this nasty place that we
depend on you to do something. This woman and her husband are criminals,
in the way they overcharge for hideous food and----"

The landlady had been petrified. Now she charged down. Behind her came
her husband. Milt arose. The husband stopped. But it was Pinky who faced
the landlady, tapped her shoulder, and launched into, "And what's more,
you hag, if our new friends here have any sense, they'll run you out of
town."

That was only the beginning of Pinky's paper on corrections and
charities. He enjoyed himself. Before he finished, the landlady was
crying ... she voluntarily promised to give her boarders waffles, some
morning, jus' soon as she could find the waffle-iron.

With her guard about her, at the office desk, Claire paid one dollar
apiece for the rooms, and discussion was not.

Before they started, Milt had the chance to say to her, "I'm getting so
I can handle Pinky now. Have to. Thinking of getting hold of his
gold-mine. I just give him the eye, as your friend Mr. Saxton would, and
he gets so meek----"

"But don't! Please understand me, Milt; I do admire Mr. Saxton; he is
fine and capable, and really generous; only---- He may be just a bit
snippish at times, while you--you're a playmate--father's and
mine--and---- I did face that landlady, didn't I! I'm not soft and
trivial, am I! Praise!"

       *       *       *       *       *

She had driven through the panhandle of Idaho into Washington, through
Spokane, through the writhing lava deposits of Moses Coulee where fruit
trees grow on volcanic ash. Beyond Wenatchee, with its rows of apple
trees striping the climbing fields like corduroy in folds, she had come
to the famous climb of Blewett Pass. Once over that pass, and
Snoqualmie, she would romp into Seattle.

She was sorry that she hadn't come to know Milt better, but perhaps she
would see him in Seattle.

Not adventure alone was she finding, but high intellectual benefit in
studying the names of towns in the state of Washington. Not Kankakee nor
Kalamazoo nor Oshkosh can rival the picturesque fancy of Washington, and
Claire combined the town-names in a lyric so emotion-stirring that it
ought, perhaps, to be the national anthem. It ran:

    Humptulips, Tum Tum, Moclips, Yelm,
    Satsop, Bucoda, Omak, Enumclaw,
    Tillicum, Bossburg, Chettlo, Chattaroy,
    Zillah, Selah, Cowiche, Keechelus,
    Bluestem, Bluelight, Onion Creek, Sockeye,
    Antwine, Chopaka, Startup, Kapowsin,
      Skamokawa, Sixprong, Pysht!

    Klickitat, Kittitas, Spangle, Cedonia,
    Pe Ell, Cle Elum, Sallal, Chimacum,
    Index, Taholah, Synarep, Puyallup,
    Wallula, Wawawai, Wauconda, Washougal,
    Walla Walla, Washtucna, Wahluke,
    Solkulk, Newaukum, Wahkiakus,
      Penawawa, Ohop, Ladd!

    Harrah, Olalla, Umtanum, Chuckanut,
    Soap Lake, Loon Lake, Addy, Ace, Usk,
    Chillowist, Moxee City, Yellepit, Cashup,
    Moonax, Mabton, Tolt, Mukilteo,
    Poulsbo, Toppenish, Whetstone, Inchelium,
    Fishtrap, Carnation, Shine, Monte Cristo,
      Conconully, Roza, Maud!

    China Bend, Zumwalt, Sapolil, Riffle,
    Touchet, Chesaw, Chew, Klum, Bly,
    Humorist, Hammer, Nooksack, Oso,
    Samamish, Dusty, Tiger, Turk, Dot,
    Scenic, Tekoa, Nellita, Attalia,
    Steilacoom, Tweedle, Ruff, Lisabeula,
    Latah, Peola, Towal, Eltopia,
      Steptoe, Pluvius, Sol Duc, Twisp!

"And then," complained Claire, "they talk about Amy Lowell! I leave it
to you, Henry B., if any union poet has ever written as gay a refrain as
'Ohop Ladd'!"

She was not merely playing mental whist. She was trying to keep from
worry. All the way she had heard of Blewett Pass; its fourteen miles of
climbing, and the last half mile of stern pitch. On this eastern side of
the pass, the new road was not open; there was a tortuous,
flint-scattered trail, too narrow, in most places, for the passing of
other cars. Claire was glad that Milt and Pinky were near her.

If so many of the race of kind advisers of tourists had not warned her
about it, doubtless she would have gone over the pass without
difficulty. But their voluntary croaking sapped her nerve, and her
father's. He kept worrying, "Do you think we better try it?" When they
stopped at a ranch house at the foot of the climb, for the night, he
seemed unusually tired. He complained of chill. He did not eat
breakfast. They started out silent, depressed.

He crouched in the corner of the seat. She looked at him and was
anxious. She stopped on the first level space on the pass, crying, "You
are perfectly miserable. I'm afraid of---- I think we ought to see a
doctor."

"Oh, I'll be all right."

But she waited till Milt came pit-pattering up the slope. "Father feels
rather sick. What shall I do? Turn round and drive to the nearest
doctor--at Cashmere, I suppose?"

"There's a magnolious medico ahead here on the pass," Pinky Parrott
interrupted. "A young thing, but they say he's a graduate of Harvard.
He's out here because he has some timber-claims. Look, Milt o' the
Daggett, why don't you drive Miss Boltwood's 'bus--make better time, and
hustle the old gent up to the doc, and I'll come on behind with your
machine."

"Why," Claire fretted, "I hate----"

A new Milt, the boss, abrupt, almost bullying, snapped out of his bug.
"Good idee. Jump in, Claire. I'll take your father up. Heh, whasat,
Pink? Yes, I get it; second turn beyond grocery. Right. On we go. Huh?
Oh, we'll think about the gold-mine later, Pink."

With the three of them wedged into the seat of the Gomez, and Pinky
recklessly skittering after them in the bug, they climbed again--and lo!
there was no climb! Unconsciously Claire had hesitated before dashing at
each sharp upsloping bend; had lost headway while she was wondering,
"Suppose the car went off this curve?" Milt never sped up, but he never
slackened. His driving was as rhythmical as music.

They were so packed in that he could scarcely reach gear lever and
hand-brake. He halted on a level, and curtly asked, "That trap-door in
the back of the car--convertible extra seat?"

"Yes, but we almost never use it, and it's stuck. Can't get it open."

"I'll open it all right! Got a big screwdriver? Want you sit back there.
Need elbow room."

"Perhaps I'd better drive with Mr. Pinky."

"Nope. Don't think better."

With one yank he opened the trap-door, revealing a folding seat, which
she meekly took. Back there, she reflected, "How strong his back looks.
Funny how the little silvery hairs grow at the back of his neck."

They came to a settlement and the red cedar bungalow of Dr. Hooker
Beach. The moment Claire saw the doctor's thin demanding face, she
trusted him. He spoke to Mr. Boltwood with assurance: "All you need is
some rest, and your digestion is a little shaky. Been eating some pork?
Might stay here a day or two. We're glad to have a glimpse of
Easterners."

Mr. Boltwood went to bed in the Beaches' guest-room. Mrs. Beach gave
Claire and Milt lunch, with thin toast and thin china, on a porch from
which an arroyo dropped down for a hundred feet. Fir trees scented the
air, and a talking machine played the same Russian music that was
popular that same moment in New York. And the Beaches knew people who
knew Claire.

Claire was thinking. These people were genuine aristocrats, while Jeff
Saxton, for all his family and his assumptions about life, was the
eternal climber. Milt, who had been uncomfortable with Jeff, was serene
and un-self-conscious with the Beaches, and the doctor gratefully took
his advice about his stationary gas engine. "He's rather like the
Beaches in his simplicity--yes, and his ability to do anything if he
considers it worth while," she decided.

After lunch, when the doctor and his wife had to trot off to a patient,
Claire proposed, "Let's walk up to that ledge of rock and see the view,
shall we, Milt?"

"Yes! And keep an eye on the road for Pinky. The poor nut, he hasn't
showed up. So reckless; hope he hasn't driven the Teal off the road."

She crouched at the edge of a rock, where she would have been
frightened, a month before, and looked across the main road to a creek
in a pine-laced gully. He sat beside her, elbows on knees.

"Those Beaches--their kin are judges and senators and college
Presidents, all over New England," she said. "This doctor must be the
grandson of the ambassador, I fancy."

"Honest? I thought they were just regular folks. Was I nice?"

"Of course you were."

"Did I--did I wash my paws and sit up and beg?"

"No, you aren't a little dog. I'm that. You're the big mastiff that
guards the house, while I run and yip." She was turned toward him,
smiling. Her hand was beside him. He touched the back of it with his
forefinger, as though he was afraid he might soil it.

There seemed to be no reason, but he was trembling as he stammered,
"I--I--I'm d-darn glad I didn't know they were anybody, or 'd have been
as bad as a flivver driver the first time he tries a t-twelve-cylinder
machine. G-gee your hand is little!"

She took it back and inspected it. "I suppose it is. And pretty
useless."

"N-no, it isn't, but your shoes are. Why don't you wear boots when
you're out like this?" A flicker of his earlier peremptoriness came into
his voice. She resented it:

"My shoes are perfectly sensible! I will not wear those horrible
vegetarian uplift sacks on my feet!"

"Your shoes may be all right for New York, but you're not going to New
York for a while. You've simply got to see some of this country while
you're out here--British Columbia and Alaska."

"Would be nice, but I've had enough roughing----"

"Chance to see the grandest mountains in the world, almost, and then you
want to go back to tea and all that junk!"

"Stop trying to bully me! You have been dictatorial ever since we
started up----"

"Have I? Didn't mean to be. Though I suppose I usually am bullying. At
least I run things. There's two kinds of people; those that give orders,
and those that naturally take them; and I belong to the first one,
and----"

"But my dear Milt, so do I, and really----"

"And mostly I'd take them from you. But hang it, Seattle is just a day
away, and you'll forget me. Wish I could kidnap you. Have half a mind
to. Take you way up into the mountains, and when you got used to
roughing it in sure-enough wilderness--say you'd helped me haul timber
for a flume--then we'd be real pals. You have the stuff in you, but you
still need toughening before----"

"Listen to me, Milton. You have been reading fiction, about this
man--sometimes he's a lumberjack, and sometimes a trapper or a miner,
but always he's frightfully hairy--and he sees a charming woman in the
city, and kidnaps her, and shuts her up in some unspeakable shanty, and
makes her eat nice cold boiled potatoes, and so naturally, she simply
adores him! A hundred men have written that story, and it's an example
of their insane masculine conceit, which I, as a woman, resent.
Shakespeare may have started it, with his silly _Taming of the Shrew_.
Shakespeare's men may have been real, but his women were dolls, designed
to please some majesty. You may not know it, but there are women today
who don't live just to please majesties' fancies. If a woman like me
were kidnapped, she would go on hating the brute, or if she did give in,
then the man would lose anyway, because she would have degenerated;
she'd have turned into a slave, and lost exactly the things he'd liked
in her. Oh, you cavemen! With your belief that you can force women to
like you! I have more courage than any of you!"

"I admit you have courage, but you'd have still more, if you bucked the
wilds."

"Nonsense! In New York I face every day a hundred complicated problems
you don't know I ever heard of!"

"Let me remind you that Brer Julius Caesar said he'd rather be mayor in a
little Spanish town than police commissioner in Rome. I'm king in
Schoenstrom, while you're just one of a couple hundred thousand bright
people in New York----"

"Really? Oh, at least a million. Thanks!"

"Oh--gee--Claire, I didn't mean to be personal, and get in a row and
all, but--can't you see--kind of desperate--Seattle so soon----"

Her face was turned from him; its thin profile was firm as silver wire.
He blundered off into silence and--they were at it again!

"I didn't mean to make you angry," he gulped.

"Well, you did! Bullying---- You and your men of granite, in mackinaws
and a much-needed shave, trying to make a well-bred woman satisfied with
a view consisting of rocks and stumps and socks on the line! Let me tell
you that compared with a street canyon, a mountain canyon is simply
dead, and yet these unlettered wild men----"

"See here! I don't know if you're firing these adjectives at me, but I
don't know that I'm so much more unlettered---- You talked about taking
French in your finishing-school. Well, they taught American in mine!"

"They would!"

Then he was angry. "Yes, and chemistry and physics and Greek and Latin
and history and mathematics and economics, and I took more or less of a
whirl at all of them, while you were fiddling with ribbons, and then I
had to buck mechanics and business methods."

"I also 'fiddled' with manners--an unfortunate omission in your
curriculum, I take it! You have been reasonably rude----"

"So have you!"

"I had to be! But I trust you begin to see that even your strong hand
couldn't control a woman's taste. Kidnapping! As intelligent a boy as
you wanting to imitate these boorish movie----"

"Not a darn bit more boorish than your smart set, with its champagne and
these orgies at country clubs----"

"You know so much about country clubs, don't you! The worst orgy I ever
saw at one was the golf champion reading the beauty department in
_Boudoir_. Would you mind backing up your statements about the vices of
myself and my friends----"

"Oh, you. Oh, I didn't mean----"

"Then why did you----"

"Now you're bullying me, and you know that if the smart set isn't
vicious, at least it's so snobbish that it can't see any----"

"Then it's wise to be snobbish, because if it did condescend----"

"I won't stand people talking about condescending----"

"Would you mind not shouting so?"

"Very well! I'll keep still!"

Silence again, while both of them looked unhappy, and tried to remember
just what they had been fighting about. They did not at first notice a
small red car larruping gaily over the road beneath the ledge, though
the driver was a pink-haired man in a green coat. He was almost gone
before Milt choked, "It's Pinky!"

"Pink! Pinky!" he bellowed.

Pinky looked back but, instead of stopping, he sped up, and kept going.




CHAPTER XXI

THE MINE OF LOST SOULS


"That couldn't have been Pinky! Why! Why, the car he had was red," cried
Claire.

"Sure. The idiot's got hold of some barn paint somewhere, and tried to
daub it over. He's trying to make a getaway with it!"

"We'll chase him. In my car."

"Don't you mind?"

"Of course not. I do not give up my objections to the roughing
philosophy, but---- You were right about these shoes---- Oh, don't leave
me behind! Want to go along!"

These sentences she broke, scattered, and totally lost as she scrambled
after him, down the rocks. He halted. His lips trembled. He picked her
up, carried her down, hesitated a second while his face--curiously
foreshortened as she looked up at it from his big arms--twisted with
emotion. He set her down gently, and she climbed into the Gomez.

It seemed to her that he drove rather too carefully, too slowly. He took
curves and corners evenly. His face was as empty of expression, as
unmelodramatic, as that of a jitney driver. Then she looked at the
speedometer. He was making forty-eight miles an hour down hill and forty
to thirty on upgrades.

They were in sight of the fleeing Pinky in two miles. Pinky looked back;
instantly was to be seen pulling his hat low, stooping over--the demon
driver. Milt merely sat more erect, looked more bland and white-browed
and steady.

The bug fled before them on a winding shelf road. It popped up a curve,
then slowed down. "He took it too fast. Poor Pink!" said Milt.

They gained on that upslope, but as the road dropped, the bug started
forward desperately. Another car was headed toward them; was drawn to
the side of the road, in one of the occasional widenings. Pinky passed
it so carelessly that, with crawling spine, Claire saw the outer wheels
of the bug on the very edge of the road--the edge of a fifty-foot drop.
Milt went easily past the halted car--even waved his hand to the waiting
driver.

This did not seem to Claire at all like the chase of a thief. She looked
casually ahead at Pinky, as he whirled round an S-shaped curve on the
downslope, then---- It was too quick to see what happened. The bug
headed directly toward the edge of the road, shot out, went down the
embankment, over and over. It lay absurdly upside-down, its muffler and
brake-rods showing in place of the seat and hood.

Milt quite carefully stopped the Gomez. The day was still--just a
breathing of running water in the deep gully. The topsy-turvy car below
them was equally still; no sight of Pinky, no sound.

The gauche boy gone from him, Milt took her hand, pressed it to his
cheek. "Claire! You're here! You might have gone with him, to make
room---- Oh, I was bullying you because I was bullying myself! Trying to
make myself tell you--but oh, you know, you know! Can you stand going
down there? I hate to have you, but you may be needed."

"Yes. I'll come," she whispered.

Their crawl down the rock-rolling embankment seemed desperately slow.

"Wait here," bade Milt, at the bottom.

She looked away from the grotesque car. She had seen that one side of it
was crumpled like paper in an impatient hand.

Milt was stooping, looking under; seemed to be saying something. When he
came back, he did not speak. He wiped his forehead. "Come. We'll climb
back up. Nothing to do, now. Guess you better not try to help, anyway.
You might not sleep well."

He gave her his hand up the embankment, drove to the nearest house,
telephoned to Dr. Beach. Later she waited while Milt and the doctor,
with two other men, were raising the car. As she waited she thought of
the Teal bug as a human thing--as her old friend, to which she had often
turned in need.

Milt returned to her. "There is one thing for you to do. Before he died,
Pinky asked me to go get his wife--Dolores, I think it is. She's up in a
side canyon, few miles away. She may want a woman around. Beach will
take care of--of him. Can you come?"

"Of course. Oh, Milt, I didn't----"

"I didn't----"

"--mean you were a caveman! You're my big brother!"

"--mean you were a snob!"

They drove five miles along the highway, then up a trail where the Gomez
brushed the undergrowth on each side as it desperately dug into moss,
rain-gutted ruts, loose rocks, all on a vicious slant which seemed to
push the car down again. Beside them, the mountain woods were sacredly
quiet, with fern and lily and green-lit spaces. They came out in a
clearing, before dusk. Beside the clearing was a brook, with a crude
cradle--sign of a not very successful gold miner. Before a log cabin, in
a sway-sided rocker, creaked a tall, white, flabby woman, once nearly
beautiful, now rubbed at the edges. She rose, huddling her wrapper about
her bosom, as they drove into the clearing and picked their way through
stumps and briars.

"Where you folks think you're going?" she whimpered.

"Why, why just----"

"I cer'nly am glad to see somebody! I been 'most scared to death. Been
here alone two weeks now. Got a shotgun, but if anybody come, I guess
they'd take it away from me. I was brought up nice, no rough-house
or---- Say, did you folks come to see the gold-mine?"

"M-mine?" babbled Milt.

"Course not. Pinky said I was to show it, but I'm so sore on that
low-life hound now, I swear I won't even take the trouble and lie about
it. No more gold in that crick than there is in my eye. Or than there's
flour or pork in the house!"

The woman's voice was rising. Her gestures were furious. Claire and Milt
stood close, their hands slipping together.

"What d' you think of a man that'd go off and leave a lady without half
enough to eat, while he gallivanted around, trying to raise money by
gambling, when he was offered a good job up here? He's a gambler--told
me he was a rich mine-owner, but never touched a mine in his life. Lying
hound--worst talker in ten counties! Got a gambler's hand on him, too--I
ought to seen it! Oh, wait till I get hold of him; just wait!"

Claire thought of the still hand--so still--that she had seen under the
edge of the upturned car. She tried to speak, while the woman raved on,
wrath feeding wrath:

"Thank God, I ain't really his wife! My husband is a fine man--Mr.
Kloh--Dlorus Kloh, my name is. Mr. Kloh's got a fine job with the mill,
at North Yakima. Oh, I was a fool! This gambler Pinky Parrott, he comes
along with his elegant ways, and he hands me out a swell line of gab,
and I ups and leaves poor Kloh, and the kid, and the nicest kid---- Say,
please, could you folks take me wherever you're going? Maybe I could get
a job again--used to was a good waitress, and I ain't going to wait here
any longer for that lying, cheating, mean-talking----"

"Oh, Mrs. Kloh, please don't! He's dead!" wailed Claire.

"Dead? Pinky? Oh--my--God! And I won't ever see him, and he was so funny
and----"

She threw herself on the ground; she kicked her heels; she tore at her
loosely caught, tarnished blonde hair.

Claire knelt by her. "You mustn't--you mustn't--we'll----"

"Damn you, with your smug-faced husband there, and your fine auto and
all, butting into poor folks' troubles!" shrieked Dlorus.

Claire stumbled to her feet, stood with her clenched right hand to her
trembling lips, cupping it with her nervous left hand. Her shoulders
were dejected. Milt pleaded, "Let's hike out. I don't mind decent honest
grease, but this place--look in at table! Dirty dishes---- And gin
bottles on the floor!"

"Desert her? When she needs me so?" Claire started forward, but Milt
caught her sleeve, and admired, "You were right! You've got more nerve
than I have!"

"No. I wouldn't dare if---- I'm glad you're here with me!"

Claire calmed the woman; bound up her hair; washed her face--which
needed it; and sat on the log doorstep, holding Dlorus's head in her
lap, while Dlorus sobbed, "Pinky--dead! Him that was so lively! And he
was so sweet a lover, oh, so sweet. He was a swell fellow; my, he could
just make you laugh and cry, the way he talked; and he was so educated,
and he played the vi'lin--he could do anything--and athaletic--he would
have made me rich. Oh, let me alone. I just want to be alone and think
of him. I was so bored with Kloh, and no nice dresses or nothin', and--I
did love the kid, but he squalled so, just all the time, and Pinky come,
and he was so funny---- Oh, let me alone!"

Claire shivered, then, and the strength seemed to go from the steady
arms that had supported Dlorus's head. Dusk had sneaked up on them; the
clearing was full of swimming grayness, and between the woman's screams,
the woods crackled. Each time Dlorus spoke, her screech was like that of
an animal in the woods, and round about them crept such sinister echoes
that Milt kept wanting to look back over his shoulder.

"Yes," sighed Claire at last, "perhaps we'd better go."

"If you go, I'll kill myself! Take me to Mr. Kloh! Oh, he was---- My
husband, Mr. Kloh. Oh, so good. Only he didn't understand a lady has to
have her good times, and Pink danced so well----"

Dlorus sprang up, flung into the cabin, stood in the dimness of the
doorway, holding a butcher knife and clamoring, "I will! I'll kill
myself if you leave me! Take me down to Mr. Kloh, at North Yakima,
tonight!"

Milt sauntered toward her.

"Don't you get flip, young man! I mean it! And I'll kill you----"

Most unchivalrously, quite out of the picture of gray grief, Milt
snapped, "That'll be about enough of you! Here! Gimme that knife!"

She dropped the knife, sniveling, "Oh Gawd, somebody's always bullying
me! And all I wanted was a good time!"

Claire herded her into the cabin. "We'll take you to your
husband--tonight. Come, let's wash up, and I'll help you put on your
prettiest dress."

"Honest, will you?" cried the woman, in high spirits, all grief put
aside. "I got a dandy China silk dress, and some new white kid shoes!
My, Mr. Kloh, he won't hardly know me. He'll take me back. I know how to
handle him. That'll be swell, going back in an automobile. And I got a
new hair-comb, with genuine Peruvian diamonds. Say, you aren't kidding
me along?"

In the light of the lantern Milt had kindled, Claire looked
questioningly at him. Both of them shrugged. Claire promised, "Yes.
Tonight. If we can make it."

"And will you jolly Mr. Kloh for me? Gee, I'll be awfully scared of him.
I swear, I'll wash his dishes and everything. He's a good man. He----
Say, he ain't seen my new parasol, neither!"




CHAPTER XXII

ACROSS THE ROOF OF THE WORLD


Claire dressed Dlorus, cooked a dinner of beet greens, potatoes, and
trout; and by bullying and great sweetness kept Dlorus from too many
trips to the gin bottle. Milt caught the trout, cut wood, locked in a
log shed Pinky's forlorn mining-tools. They started for North Yakima at
eight of the evening, with Dlorus, back in the spare seat, alternately
sobbing and to inattentive ears announcing what she'd say to the Old
Hens.

Milt was devoted to persuading the huge cat of a car to tiptoe down the
slippery gouged ruts of the road, and Claire's mind was driving with
him. Every time he touched the foot-brake, she could feel the strain in
the tendons of her own ankle.

A mile down the main road they stopped at a store-post-office to
telephone back to Mr. Boltwood and Dr. Beach. On the porch was a man in
overalls and laced boots. He was lean and quick-moving. As he raised his
head, and his spectacles flashed, Claire caught Milt's arm and gasped,
"Oh, my dear, I'm in a beautiful state of nerves. For a moment I thought
that was Jeff Saxton. I bet it is his astral body!"

"And you thought he was going to forbid your running away on this fool
expedition, and you were scared," chuckled Milt, as they sat in the car.

"Of course I was! And I still am! I know what he'll say afterward! He
_is_ here, reasoning with me. Oughtn't I to be sensible? Oughtn't I to
have you leave me at the Beaches' before you start--jolly jaunt to take
a strange woman to her presumably homicidal husband! Why am I totally
lacking in sense? Just listen to what Jeff is saying!"

"Of course you ought to go back, and let me drive alone. Absolutely
insane, your----"

"But you would like me to go along, wouldn't you!"

"Like you to? It's our last ride together, and that bloomin' old
Browning never thought of a ride together by midnight over the roof of
the world! No, it's really our first ride together, and tomorrow--you're
gone."

"No, I sha'n't be gone, but----" Addressing herself to the astounded
overalled man on the porch, she declared, "You're quite right, Jeff. And
Milt is wrong. Insane adventure. Only, it's wonderful to be young enough
to do insane adventures. Falling down abyssy places is so much more
interesting than bridge. I'm going--going--going!... Milt, you
telephone."

"Don't you think you better?"

"No, siree! Father would forbid me. Try not to get him--just tell Dr.
Beach where we're going, and hang up, and scoot!"

All night they drove; down the Pacific side of Blewett Pass; down the
sweeping spirals to a valley. Dlorus drowsed in the extra seat. Claire's
sleepy head was fantastically swaying. She was awakened by an
approaching roar and, as though she sat at a play, she watched a big
racing machine coming toward them, passing them with two wheels in the
ditch. She had only a thunderous glimpse of the stolid driver; a dark,
hooded, romantic figure, like a sailor at the helm in a storm.

Milt cried, "Golly! May be a transcontinental racer! Be in New York in
five days--going night and day--take mud at fifty an hour--crack
mechanic right from the factory--change tires in three minutes--people
waiting up all night to give him gasoline and a sandwich! That's my idea
of fun!"

Studying Milt's shadowed face, Claire considered, "He could do it, too.
Sitting there at the wheel, taking danger and good road with the same
steadiness. Oh, he's--well, anyway, he's a dear boy."

But what she said was:

"Less dramatic things for you, now, Milt. Trigonometry is going to be
your idea of fun; blueprints and engineering books."

"Yes. I know. I'm going to do it. Do four years' work in three--or two.
I'll tack pages of formulas on the wall, in my bum hallroom, and study
'em while I'm shaving. Oh, I'll be the grind! But learn to dance the
fox-trot, though! If America gets into the war, I'll get into the
engineering corps, and come back to school afterward."

"Will the finances----"

"I'll sell my garage, by mail. Rauskukle will take it. He won't rob me
of more than a thousand dollars on price--not much more."

"You're going to love Seattle. And we'll have some good tramps while I'm
there, you and I."

"Honestly? Will you want to?"

"Do you suppose for one second I'd give up my feeling of free air? If
you don't come and get me, I'll call on you and make you come!"

"Warn you I'll probably be living over some beanery."

"Probably. With dirty steps leading up to it. I'll sweep the steps. I'll
cook supper for you. I can do things, can't I! I did manage Dlorus,
didn't I!"

He was murmuring, "Claire, dear!" when she changed her tone to the echo
of Brooklyn Heights, and hurried on, "You do understand, don't you!
We'll be, uh, good friends."

"Yes." He drove with much speed and silence.

Though they were devouring the dark road, though roadside rocks, caught
by the headlights, seemed to fly up at them, though they went on
forever, chased by a nightmare, Claire snuggled down in security. Her
head drooped against his shoulder. He put his arm about her, his hand
about her waist. She sleepily wondered if she ought to let him. She
heard herself muttering, "Sorry I was so rude when you were so rude,"
and her chilly cheek discovered that the smooth-worn shoulder of his old
blue coat was warm, and she wondered some more about the questions of
waists and hands and---- She was asleep.

She awoke, bewildered to find that dawn was slipping into the air. While
she had slept Milt had taken his arm from about her and fished out a
lap-robe for her. Behind them, Dlorus was slumbering, with her soft
mouth wide open. Claire felt the luxury of the pocket of warmth under
the lap-robe; she comfortably stretched her legs while she pictured Milt
driving on all the night, rigid, tireless, impersonal as the engineer of
a night express.

They came into North Yakima at breakfast time, and found the house of
Mr. Kloh, a neat, bare, drab frame box, with tight small front and back
yards. Dlorus was awake, and when she wasn't yawning, she was enjoying
being hysterical.

"Miss Boltwood," she whined, "you go in and jolly him up."

Milt begged, "Better let me do it, Claire."

They looked squarely at each other. "No, I think I'd better," she
decided.

"Right, Claire, but--I wish I could do more things for you."

"I know!"

He lifted her stiff, cold little body from the car. His hands under her
arms, he held her on the running-board an instant, her eyes level with
his. "Little sister--plucky little sister!" he sighed. He lowered her to
the ground.

Claire knocked at the back door. To it came a bald, tired man, in an
apron wet at the knees. The kitchen floor was soaped, and a
scrubbing-brush rode amid the seas. A rather dirty child clung to his
hand. "Trying to clean up, ma'am. Not very good at it. I hope you ain't
the Cruelty to Children lady. Willy looks mussed, but fact is, I just
can't get time to wash the clothes, but he means a terrible lot to me.
What was it? Will you step in?"

Claire buttoned the child's rompers before she spoke. Then:

"Mr. Kloh, I want to be perfectly honest with you. I've had word from
your wife. She's unhappy, and she loves and admires you more than any
other man in the world, and I think she would come back--misses the
child so."

The man wiped his reddened hands. "I don't know---- I don't wish her no
harm. Trouble was, I'm kind of pokey. I guess I couldn't give her any
good times. I used to try to go to dances with her, but when I'd worked
late, I'd get sleepy and---- She's a beautiful woman, smart 's a whip,
and I guess I was too slow for her. No, she wouldn't never come back to
me."

"She's out in front of the house now--waiting!"

"Great Caesar's ghost, and the floor not scrubbed!" With a squawk of
anxiety he leaped on the scrubbing-brush, and when Milt and Dlorus
appeared at the door, Mr. Kloh and Miss Claire Boltwood were wiping up
the kitchen floor.

Dlorus looked at them, arms akimbo, and sighed, "Hello, Johnny, my,
ain't it nice to be back, oh, you had the sink painted, oh, forgive me,
Johnny, I was a bad ungrateful woman, I don't care if you don't never
take me to no more dances, hardly any, Willy come here, dear, oh, he is
such a sweet child, my, his mouth is so dirty, will you forgive me,
Johnny, is my overcoat in the moth-balls?"

When Mr. Kloh had gone off to the mill--thrice returning from the gate
to kiss Dlorus and to thank her rescuers--Claire sat down and yawningly
lashed off every inch of Dlorus's fair white skin:

"You're at it already; taking advantage of that good man's forgiveness,
and getting lofty with him, and rather admiring yourself as a
spectacular sinner. You are a lazy, ignorant, not very clean woman, and
if you succeed in making Mr. Kloh and Willy happy, it will be almost too
big a job for you. Now if I come back from Seattle and find you
misbehaving again----"

Dlorus broke down. "You won't, miss! And I will raise chickens, like he
wanted, honest I will!"

"Then you may let me have a room to take a nap in, and perhaps Mr.
Daggett could sleep in there on the sofa, and we'll get rested before we
start back."

Both Milt and Dlorus meekly followed the boss.

It was noon before Milt and Claire woke, and discovered that Dlorus had
prepared for them scrambled eggs and store celery, served on an almost
clean table-cloth. Mr. Kloh came home for lunch, and while Dlorus sat on
his lap in the living-room, and repeated that she had been a "bad,
naughty, 'ittle dirl--what did the fellows say at the mill?" Milt and
Claire sat dumpily on the back porch, regarding scenery which featured
of seven tin cans, a broken patent washing-machine, and a rheumatic pear
tree.

"I suppose we ought to start," groaned Claire.

"I have about as much nerve as a rabbit, and as much punch as a bale of
hay," Milt admitted.

"We're like two children that have been playing too long."

"But don't want to go home!"

"Quite! Though I don't think much of your idea of a playhouse--those tin
cans. But it's better than having to be grown-up."

In the midst of which chatter they realized that Mr. Henry B. Boltwood
and Dr. Hooker Beach had come round the corner of the house, and were
gaping at them.




CHAPTER XXIII

THE GRAEL IN A BACK YARD IN YAKIMA


"I must say that you two have chosen a fine pastoral scene!" observed
Mr. Boltwood.

"Hhhhhhhhow did you get here?" gasped Claire.

"Auto 'bus over Blewett Pass, train here from Ellensburg. That
woman--everything all right?"

"Yes, everything's fine. We were just starting back, sir," implored
Milt.

"Huh!"

"Awfully sorry, sir, to take Claire on such a hike----"

"I don't blame you particularly. When that young woman gets an idea into
her head, the rest of us are pawns. Why, even me--she's dragged me all
over the Rocky Mountains. And I will admit, Claire, that it's been good
for me. But I begin to feel human again, and I think it's about time I
took charge. We'll catch the afternoon train for Seattle, Claire. The
trip has been extremely interesting, but I think perhaps we'll call it
enough. Daggett, want to get you to drive the Gomez on to Seattle. Beach
tells me your car is completely wrecked. Lose any money in it?"

"No, sir. Had my roll in the bug. I'll have to go back to it and get
some clothes out of it, though."

"Well, then, will you drive my car in? Charge me anywhere up to fifty
dollars, if you want to----"

"I'd rather not----"

"It's a perfectly honest job--I'd do it, too quick! Or if your
confounded pride won't let you charge anything, bring the car on anyway.
Come, dolly, I have a jitney here, please observe my graceful use of
'jitney,' and I have the bags. We'll hustle to the station now. No! No
arguments, chick!"

On the station platform, Claire and Milt were under the surveillance of
Mr. Boltwood, who was extremely irritable as every two minutes the train
was reported to be two minutes later. They tramped up and down, speaking
in lowered voices, very meek but in their joint naughtiness very
intimate.

"That was a nice place to end a transcontinental drive--in the back yard
of Mr. Johnny Kloh, with an unrestricted view of tin cans!" lamented
Claire.

"Still, your drive didn't end at Kloh's; it ended way up in the
mountains."

Mr. Boltwood bumbled down on them: "Another minute late! Like to know
what the matter is!"

"Yes, father!"

When Mr. Boltwood's impatiently waiting back was turned, Claire gripped
Milt's hand, and whispered to him, "You see, I'm captured! I thought I
was father's lord and chauffeur, but he sniffs the smoke of the ticker.
In his mind, he's already back in the office, running things. He'll
probably turn me over to Jeff, for disciplining! You won't let them
change me back into a pink-face, will you? Come to tea, at the Gilsons',
just as soon as you reach Seattle."

"Tea---- Now we're so near your Gilsons, I begin to get scared. Wouldn't
know what to do. Gee, I've heard you have to balance a tea-cup and a
sandwich and a hunk o' cake and a lot of conversation all at once! I'd
spill the tea, and drop crumbs, and probably have the butler set on me."

"You will not! And if you did--can't you see?--it wouldn't matter! It
just wouldn't matter!"

"Honestly? Claire dear, do you know why I came on this trip? In
Schoenstrom, I heard you say you were going to Seattle. That moment, I
decided I would, too, and get acquainted with you, if murder would do
it. But, oh, I'm clumsy."

"You've seen me clumsy, in driving. You taught me to get over it. Perhaps
I can teach you some things. And we'll study--together--evenings! I'm a
thoroughly ignorant parasite woman. Make me become real! A real woman!"

"Dear--dear----"

Mr. Boltwood loomed on them. "The train's coming, at last. We'll have a
decent sleep for once, at the Gilsons'. I've wired them to meet us." He
departed.

"Terribly glad your father keeps coming down on us, because it scares
me so I get desperate," said Milt. "Golly, I think I can hear the train.
I, uh, Claire, Claire dear----"

"Milt, are you proposing to me? Please hurry, because that is the train.
Isn't it absurd--some day you'll have to propose all over again
formally, for the benefit of people like father, when you and I already
know we're partners! We've done things together, not just danced
together! When you're an engineer, you'll call me, and I'll come
a-running up to Alaska. And sometimes you'll come with me to
Brooklyn--we'll be a couple of bombs---- There's the train. Oh,
playmate, hurry with your engineering course! Hurry, hurry, hurry!
Because when it's done, then---- Whither thou goest, there I go also!
And you did bully me, you did, you did, and I like it, and---- Yes,
father, the bags are right here. Telephone me, minute you reach Seattle,
dear, and we'll have a private lesson in balancing tea-cups---- Yes,
father, I have the tickets. So glad, dear, the trip smashed up like
this--shocked me into reality--made me realize I've been with you every
hour since I dismissed you, back in Dakota, and you looked at me, big
hurt eyes, like a child, and---- Yes, father, Pullman's at the back.
Yes, I'm coming!"

"W-wait! D-did you know I was going to propose?"

"Yes. Ever since the Yellowstone. Been trying to think of a nice way to
refuse you. But there isn't any. You're like Pinky--can't get rid of
you--have t' adopt you. Besides, I've found out----"

"You love me?"

"I don't know! How can I tell? But I do like to drive with my head on
your shoulder and---- Yesssss, father, coming!"




CHAPTER XXIV

HER OWN PEOPLE


Mr. Henry B. Boltwood was decorously asleep in a chair in the
observation car, and Claire, on the wide back platform, sat unmoving,
apparently devoted to agriculture and mountain scenery. But it might
have been noted that her hand clenched one of the wooden supports of her
camp-stool, and that her hunched back did not move.

When she had turned to follow her father into the train, Milt had caught
her shoulders and kissed her.

For half an hour that kiss had remained, a perceptible warm pressure on
her lips. And for half an hour she had felt the relief of gliding
through the mountains without the strain of piloting, the comfort of
having the unseen, mysterious engineer up ahead automatically drive for
her. She had caroled to her father about nearing the Pacific. Her
nervousness had expressed itself in jerky gaiety.

But when he had sneaked away for a nap, and Claire could no longer hide
from herself by a veil of chatter the big decision she had made on the
station platform, then she was lonely and frightened--and very anxious
to undecide the decision. She could not think clearly. She could see
Milt Daggett only as a solemn young man in an inferior sweater,
standing by the track in a melancholy autumnal light, waving to her as
the train pulled out, disappearing in a dun obscurity, less significant
than the station, the receding ties, or the porter who was, in places
known only to his secretive self, concealing her baggage.

She could only mutter in growing panic, "I'm crazy. In-sane! Pledging
myself to this boy before I know how he will turn out. Will he learn
anything besides engineering? I know it--I do want to stroke his cheek
and--his kiss frightened me, but---- Will I hate him when I see him with
nice people? Can I introduce him to the Gilsons? Oh, I was mad; so
wrought up by that idiotic chase with Dlorus, and so sure I was a
romantic heroine and---- And I'm simply an indecisive girl in a
realistic muddle!"

Threatened by darkness and the sinister evening chill of the mountains,
with the train no longer cheerfully climbing the rocky ridge but
rumbling and snorting in the defiles, and startling her with agitating
forward leaps as though the brakes had let go, she could not endure the
bleak platform, and even less could she endure sitting in the chair car,
eyed by the smug tourists--people as empty of her romance as they were
incapable of her sharp tragedy. She balanced forward to the vestibule.
She stood in that cold, swaying, darkling place that was filled with the
smell of rubber and metal and grease and the thunderous clash of steel
on steel; she tried to look out into the fleeing darkness; she tried to
imagine that the train was carrying her away from the pursuing
enemy--from her own weak self.

Her father came puffing and lip-pursing and jolly, to take her to
dinner. Mr. Boltwood had no tearing meditations; he had a healthy
interest in soup. But he glanced at her, across the bright, sleek
dining-table; he seemed to study her; and suddenly Claire saw that he
was a very wise man. His look hinted, "You're worried, my dear," but his
voice ventured nothing beyond comfortable drawling stories to which she
had only, from the depth of her gloomy brooding, to nod mechanically.

She got a great deal of satisfaction and horror out of watching two
traveling-men after dinner. Milt had praised the race, and one of the
two traveling-men, a slender, clear-faced youngster, was rather like
Milt, despite plastered hair, a watch-chain slung diagonally across his
waistcoat, maroon silk socks, and shoes of pearl buttons, gray tops, and
patent-leather bottoms. The other man was a butter-ball. Both of them
had harshly pompous voices--the proudly unlettered voices of the smoking
compartment. The slender man was roaring:

"Yes, sir, he's got a great proposition there--believe me, he's got a
great proposition--he's got one great little factory there, take it from
me. He can turn out toothpicks to compete with Michigan. He's simply
piling up the shekels--why say, he's got a house with eighteen
rooms--every room done different."

Claire wondered whether Milt, when the sting and faith of romance were
blunted, would engage in Great Propositions, and fight for the
recognition of his--toothpicks. Would his creations be favorites in the
best lunch rooms? Would he pile up shekels?

Then her fretting was lost in the excitement of approaching Seattle and
their host--Claire's cousin, Eugene Gilson, an outrageously prosperous
owner of shingle-mills. He came from an old Brooklyn Heights family. He
had married Eva Gontz of Englewood. He liked music and wrote jokey
little letters and knew the addresses of all the best New York shops. He
was of Her Own People, and she was near now to the security of his
friendship, the long journey done.

Lights thicker and thicker--a factory illuminated by arc-lamps,--the
baggage--the porter--the eager trail of people in the aisle--climbing
down to the platform--red caps--passing the puffing engine which had
brought them in--the procession to the gate--faces behind a
grill--Eugene Gilson and Eva waving--kisses, cries of "How was the
trip?" and "Oh! Had won-derful drive!"--the huge station, and curious
waiting passengers, Jap coolies in a gang, lumbermen in corks--the
Gilsons' quiet car, and baggage stowed away by the chauffeur instead of
by their own tired hands--streets strangely silent after the tumult of
the train--Seattle and the sunset coast at last attained.

Claire had forgotten how many charming, most desirable things there were
in the world. The Gilsons drove up Queen Anne Hill to a bay-fronting
house on a breezy knob--a Georgian house of holly hedge, French windows,
a terrace that suggested tea, and a great hall of mahogany and white
enamel with the hint of roses somewhere, and a fire kindled in the
paneled drawing-room to be seen beyond the hall. Warmth and softness and
the Gilsons' confident affection wrapped her around; and in contented
weariness she mounted to a bedroom of Bakst sketches, a four-poster, and
a bedside table with a black and orange electric lamp and a collection
of Arthur Symons' essays.

She sank by the bed, pitifully rubbed her cheek against the silk
comforter that was primly awaiting her commands at the foot of the bed,
and cried, "Oh, four-posters _are_ necessary! I can't give them up! I
won't! They---- No one has a right to ask me." She mentally stamped her
foot. "I simply won't live in a shack and take in washing. It isn't
worth it."

A bath, faintly scented, in a built-in tub in her own marble bathroom. A
preposterously and delightfully enormous Turkish towel. One of Eva
Gilson's foamy negligees. Slow exquisite dressing--not the scratchy
hopping over ingrown dirt, among ingrown smells, of a filthy
small-hotel bedroom, but luxurious wandering over rugs velvety to her
bare feet. A languid inspection of the frivolous colors and curves in
the drawings by Bakst and George Plank and Helen Dryden. A glance at the
richness of the toilet-table, at the velvet curtains that shut out the
common world.

Expanding to the comfort as an orchid to cloying tropic airs, she drew
on her sheerest chemise, her most frivolous silk stockings. In a
dreaming enervated joy she saw how smooth were her arms and legs; she
sleepily resented the redness of her wrists and the callouses of the
texture of corduroy that scored her palms from holding the steering
wheel.

Yes, she was glad that she had made the experiment--but gladder that she
was safely in from the long dust-whitened way, back in her own world of
beauty; and she couldn't imagine ever trying it again. To think of
clumping out into that world of deliberate and brawling crudeness----

Of one Milt Daggett she didn't think at all.

Gorgeously sleepy--and gorgeously certain that by and by she would go,
not to a stingy hotel bed, with hound-dog ribs to cut into her tired
back, but to a feathery softness of slumber--she wavered down to the
drawing-room, and on the davenport, by the fire, with Victoria
chocolates by her elbow, and pillows behind her shoulders, she gossiped
of her adventure, and asked for news of friends and kin back East.

Eugene and Eva Gilson asked with pyrotechnic merriness about the "funny
people she must have met along the road." With a subdued, hidden
unhappiness, Claire found that she could not mention Milt--that she was
afraid her father would mention Milt--to these people who took it for
granted that all persons who did not live in large houses and play good
games of bridge were either "queer" or "common"; who believed that their
West was desirable in proportion as it became like the East; and that
they, though Westerners, were as superior to workmen with hard hands as
was Brooklyn Heights itself.

Claire tried to wriggle out from under the thought of Milt while, with
the Gilsons as the perfect audience, she improvised on the theme of
wandering. With certain unintended exaggerations, and certain not quite
accurate groupings of events, she described the farmers and cowpunchers,
the incredible hotels and garages. Indeed they had become incredible to
her own self. Obviously this silken girl couldn't possibly take
seriously a Dlorus Kloh--or a young garage man who said "ain't."

Eva Gilson had been in Brooklyn within the month, and in a passion of
remembrance of home, Claire cried, "Oh, do tell me about everybody."

"I had such a good time with Amy Dorrance," said Mrs. Gilson. "Of course
Amy is a little dull, but she's such an awfully good sort and---- We did
have the jolliest party one afternoon. We went to lunch at the Ritz,
and a matinee, and we saw such an interesting man--Gene is frightfully
jealous when I rave about him--I'm sure he was a violinist--simply an
exquisite thing he was--I wanted to kiss him. Gene will now say, 'Why
didn't you?'"

And Gene said, "Well, why _didn't_ you?" and Claire laughed, and her
toes felt warm and pink and good, and she was perfectly happy, and she
murmured, "It would be good to hear a decent violinist again. Oh! What
had George Worlicht been doing, when you were home?"

"Don't you think Georgie is wonderful?" fluttered Mrs. Gilson. "He makes
me rue my thirty-six sad years. I think I'll adopt him. You know, he
almost won the tennis cup at Long Branch."

Georgie had a little mustache and an income, just enough income to
support the little mustache, and he sang inoffensively, and was always
winning tennis cups--almost--and he always said, at least once at every
party, "The basis of _savoir faire_ is knowing how to be rude to the
right people." Fire-enamored and gliding into a perfumed haze of
exquisite drowsiness, Claire saw Georgie as heroic and wise. But the
firelight got into her eyes, and her lids wouldn't stay open, and in her
ears was a soft humming as of a million bees in a distant meadow
golden-spangled--and Gene was helping her upstairs; sleepiness submerged
her like bathing in sweet waters; she fumbled at buttons and hooks and
stays, let things lie where they fell--and of all that luxury nothing
was more pleasant than the knowledge that she did not have to take
precautions against the rats, mice, cockroaches, and all their obscene
little brothers which--on some far-off fantastic voyaging when she had
been young and foolish--she seemed to remember having found in her own
room. Then she was sinking into a bed like a tide of rainbow-colored
foam, sinking deep, deep, deep----

And it was morning, and she perceived that the purpose of morning light
was to pick out surfaces of mahogany and orange velvet and glass, and
that only an idiot would ever leave this place and go about begging
dirty garage men to fill her car with stinking gasoline and oil.

The children were at breakfast--children surely not of the same species
as the smeary-cheeked brats she had seen tumbling by roadsides along the
way--sturdy Mason, with his cap of curls, and Virginia, with bobbed
ash-blond hair prim about her delicate face. They curtsied, and in
voices that actually had intonations they besought her, "Oh, Cousin
Claire, would you pleasssssse tell us about drive-to-the-coast?"

After breakfast, she went out on the terrace for the View.

In Seattle, even millionaires, and the I. W. W., and men with red
garters on their exposed shirt-sleeves who want to give you real estate,
all talk about the View. The View is to Seattle what the car-service,
the auditorium, the flivver-factory, or the price of coal is to other
cities. At parties in Seattle, you discuss the question of whether the
View of Lake Union or the View of the Olympics is the better, and polite
office-managers say to their stenographers as they enter, "How's your
View this morning?" All real-estate deeds include a patent on the View,
and every native son has it as his soundest belief that no one in Tacoma
gets a View of Mount Rainier.

Mrs. Gilson informed Claire that they had the finest View in Seattle.

Below Claire was the harbor, with docks thrust far out into the water,
and steamers alive with smoke. Mrs. Gilson said they were Blue Funnel
Liners, loading for Vladivostok and Japan. The names, just the names,
shot into Claire's heart a wistful unexpressed desire that was somehow
vaguely connected with a Milt Daggett who, back in the Middlewestern mud
and rain, had longed for purple mountains and cherry blossoms and the
sea. But she cast out the wish, and lifted her eyes to mountains across
the sound--not purple mountains, but sheer silver streaked with black,
like frozen surf on a desolate northern shore--the Olympics, two-score
miles away.

Up there, one could camp, with a boy in a deteriorated sweater singing
as he watched the coffee----

Hastily she looked to the left, across the city, with its bright new
skyscrapers, its shining cornices and masses of ranked windows, and the
exclamation-point of the "tallest building outside of New York"--far
livelier than her own rusty Brooklyn. Beyond the city was a dun cloud,
but as she stared, far up in the cloud something crept out of the vapor,
and hung there like a dull full moon, aloof, majestic, overwhelming, and
she realized that she was beholding the peak of Mount Rainier, with the
city at its foot like white quartz pebbles at the base of a tower.

A landing-stage for angels, she reflected.

It did seem larger than dressing-tables and velvet hangings and scented
baths.

But she dragged herself from the enticing path of that thought, and
sighed wretchedly, "Oh, yes, he would appreciate Rainier, but how--how
would he manage a grape-fruit? I mustn't be a fool! I mustn't!" She saw
that Mrs. Gilson was peeping at her, and she made herself say adequate
things about the View before she fled inside--fled from her sputtering
inquiring self.

In the afternoon they drove to Capitol Hill; they dropped in at various
pretty houses and met the sort of people Claire knew back home. Between
people they had Views; and the sensible Miss Boltwood, making a
philosophic discovery, announced to herself, "After all, I've seen just
as much from this limousine as I would from a bone-breaking Teal bug.
Silly to make yourself miserable to see things. Oh yes, I will go
wandering some more, but not like a hobo. But---- What can I say to him?
Good heavens, he may be here any time now, with our car. Oh,
why--why--why was I insane on that station platform?"




CHAPTER XXV

THE ABYSSINIAN PRINCE


Snoqualmie Pass lies among mountains prickly with rocks and burnt
stumps, but the road is velvet, with broad saucer curves; and to Milt it
was pure beauty, it was release from life, to soar up coaxing inclines
and slip down easy grades in the powerful car. "No more Teals for me,"
he cried, in the ecstasy of handling an engine that slowed to a demure
whisper, then, at a touch of the accelerator, floated up a rise,
effortless, joyous, humming the booming song of the joy in speed. He
suddenly hated the bucking tediousness of the Teal. The Gomez-Dep
symbolized his own new life.

So he came to Lake Washington, and just across it was the city of his
long dreams, the city of the Pacific--and of Claire. There was no ferry
in sight, and he rounded the lake, struck a brick pavement, rolled
through rough woods, suburban villas, and petty business streets, to a
region of factories and mills, with the funnels of ships beyond.

And every minute he drove more slowly and became more uneasy.

The pavement--the miles of it; the ruthless lumbermills, with their
thousands of workmen quite like himself; the agitation of realizing
that every three minutes he was passing a settlement larger than
Schoenstrom; the strangeness of ships and all the cynical ways of the
sea--the whole scene depressed him as he perceived how little of the
world he knew, and how big and contemptuous of Milt Daggetts that world
must be.

"Huh!" he growled. "Quite some folks living here. Don't suppose they
spend such a whale of a lot of time thinking about Milt Daggett and Bill
McGolwey and Prof Jones. I guess most of these people wouldn't think
Heinie Rauskukle's store was so gosh-awful big. I wasn't scared of
Minneapolis--much--but there they didn't ring in mountains and an ocean
on you. And I didn't have to go up on the hill and meet folks like
Claire's relations, and figure out whether you shake hands
catch-as-catch-can or Corinthian. Look at that sawmill chimney--isn't it
nice of 'em to put the fly-screen over it so the flies won't get down
into the flames. No, they haven't got much more than a million feet of
lumber in that one pile. And here's a bum little furniture store--it
wouldn't cost more 'n about ten times all I've got to buy one of those
Morris chairs. Oh Gooooooosh, won't these houses ever stop? Say, that
must be a jitney. The driver snickered at me. Will the whole town be
onto me? Milt, you're a kind young fellow, and you know what's the
matter with Heinie's differential, but they don't need you here. Quite
a few folks to carry on the business. Gosh, look at that building
ahead--nine stories!"

He had planned to stop at a hotel, to wash up, and to gallop to Claire.
But--well--wouldn't it maybe be better to leave the car at a public
garage, so the Boltwoods could get it when they wanted to? He'd better
"just kind of look around before he tackled the watch-dog."

It was the public garage which finally crushed him. It was a garage of
enameled brick and colored tiles, with a plate-glass-enclosed office in
which worked young men clad as the angels. One of them wore a carnation,
Milt noted.

"Huh! I'll write back and tell Ben Sittka that hereafter he's to wear
his best-Sunday-go-to-meeting clothes and a milkweed blossom when he
comes down to work at the Red Trail Garage!"

Milt drove up the brick incline into a room thousands of miles long,
with millions of new and recently polished cars standing in lines as
straight as a running-board. He begged of a high-nosed colored
functionary--not in khaki overalls but in maroon livery--"Where'll I put
this boat?"

The Abyssinian prince gave him a check, and in a tone of extreme lack of
personal interest snapped, "Take it down the aisle to the elevator."

Milt had followed the natural lines of traffic into the city; he had
spoken to no one; the prince's snort was his welcome to Seattle.

Meekly he drove past the cars so ebon and silvery, so smug and strong,
that they would have regarded a Teal bug as an insult. Another attendant
waved him into the elevator, and Milt tried not to look surprised when
the car started, not forward, but upward, as though it had turned into
an aeroplane.

When these adventures were over, when he had had a shave and a shine,
and washed his hands, and looked into a department-store window that
contained ten billion yards of silk draped against polished satinwood,
when he had felt unhappy over a movie theater large enough to contain
ten times the population of Schoenstrom, and been cursed by a policeman
for jaywalking, and had passed a hotel entirely full of diplomats and
marble and caviare--then he could no longer put off telephoning to
Claire, and humbly, in a booth meant for an umbrella-stand, he got the
Eugene Gilson house, and to a female who said "Yes?" in a tone which
made it mean "No!" he ventured, "May I speak to Miss Boltwood?"

Miss Boltwood, it seemed, was out.

He was not sorry. He was relieved. He ducked out of the telephone-booth
with a sensation of escape.

Milt was in love with Claire; she was to him the purpose of life; he
thought of her deeply and tenderly and longingly. All the way into
Seattle he had brooded about her; remembered her every word and
gesture; recalled the curve of her chin, and the fresh feeling of her
hands. But Claire had suddenly become too big. In her were all these
stores, these office buildings for clever lawyers and surgeons, these
contemptuous trolley cars, these careless people in beautiful clothes.
They were too much for him. Desperately he was pushing them
back--back--fighting for breath. And she belonged with them.

He mailed the check for the stored car to her, with a note--written
standing before a hacked wall-desk in a branch post-office--which said
only, "Here's check for the boat. Did not know whether you would have
room for it at house. Tried to get you on phone, phone again just as
soon as rent room etc. Hope having happy time, M.D."

He went out to the university. On the trolley he relaxed. But he did not
exultantly feel that he had won to the Pacific; he could not regard
Seattle now as a magic city, the Bagdad of modern caravans, with Alaska
and the Orient on one hand, the forests to the north, and eastward the
spacious Inland Empire of the wheat. He saw it as a place where you had
to work hard just to live; where busy policemen despised you because you
didn't know which trolley to take; where it was incredibly hard to
remember even the names of the unceasing streets; where the conductors
said "Step lively!" and there was no room to whistle, no time to swap
stories with a Bill McGolwey at an Old Home lunch-counter.

He found the university; he talked with the authorities about entering
the engineering school; the Y. M. C. A. gave him a list of rooms; and,
because it was cheap, he chose a cubbyhole in a flat over a candy
store--a low room, which would probably keep out the rain, but had no
other virtues. It had one bed, one table, one dissipated bureau, two
straight bare chairs, and one venerable lithograph depicting a girl with
ringlets shaking her irritating forefinger at a high-church kitten.

The landlady consented to his importing an oil-stove for cooking his
meals. He bought the stove, with a box of oatmeal, a jar of bacon, and
half a dozen eggs. He bought a plane and solid geometry, and an algebra.
At dinner time he laid the algebra beside his plate of anemic bacon and
leaking eggs. The eggs grew cold. He did not stir. He was reviewing his
high-school algebra. He went down the pages, word by word, steadily,
quickly, absolutely concentrated--as concentrated as he would recently
have been in a new problem of disordered transmission. Not once did he
stop to consider how glorious it would be to marry Claire--or how
terrifying it would be to marry Miss Boltwood.

Three hours went by before he started up, bewildered, rubbed his eyes,
picked at the chill bacon and altogether disgusting eggs, and rambled
out into the street.

Again he risked the scorn of conductors and jitney drivers. He found
Queen Anne Hill, found the residence of Mr. Eugene Gilson. He sneaked
about it, slipped into the gate, prowled toward the house. Flabby from
the intensity of study, he longed for the stimulus of Claire's smile.
But as he stared up at the great squares of the clear windows, at the
flare of white columns in the porch-lights, that smile seemed
unreachable. He felt like a rustic at court. From the shelter of the
prickly holly hedge he watched the house. It was "some kind of a
party?--or what would folks like these call a party?" Limousines were
arriving; he had a glimpse of silken ankles, frothy underskirts; heard
easy laughter; saw people moving through a big blue and silver room;
caught a drifting tremor of music.

At last he saw Claire. She was dancing with a young man as decorative as
"that confounded Saxton fellow" he had met at Flathead Lake, but younger
than Saxton, a laughing young man, with curly black hair. For the first
time in his life Milt wanted to kill. He muttered, "Damn--damn--DAMN!"
as he saw the young man carelessly embracing Claire.

His fingers tingling, his whole body yearning till every cell seemed a
beating hammer, Milt longed just once to slip his hand about Claire's
waist like that. He could feel the satin of her bodice and its warmth.

Then it seemed to him, as Claire again passed the window, that he did
not know her at all. He had once talked to a girl who resembled her, but
that was long ago. He could understand a Gomez-Dep and appreciate a
brisk sports-suit, but this girl was of a world unintelligible to him.
Her hair, in its dips and convolutions, was altogether a puzzle. "How
did she ever fix it like that?" Her low evening dress--"what was it made
of--some white stuff, but was it silk or muslin or what?" Her shoulders
were startling in their bare powdery smoothness--"how dare that young
pup dance with her?" And her face, that had seemed so jolly and
friendly, floated past the window as pale and illusive as a wisp of fog.
His longing for her passed into clumsy awe. He remembered, without
resentment, that once on a hilltop in Dakota she had coldly forbidden
him to follow her.

With all the pleasure of martyrdom--to make quite sure that he should
realize how complete a fool he had been to intrude on Miss Boltwood--he
studied the other guests. He gave them, perhaps, a glory they did not
have. There were girls sleek as ivory. There was a lean stooped man,
very distinguished. There was a bulky man in a dinner coat, with a
semi-circle of mustache, and eyes that even at a distance seemed to give
impatient orders. He would be a big banker, or a lumberman.

It was the easy friendliness of all of them that most made Milt feel
like an outsider. If a servant had come out and ordered him away, he
would have gone meekly ... he fancied.

He straggled off, too solidly unhappy to think how unhappy he was. In
his clammy room he picked up the algebra. For a quarter-hour he could
not gather enough vigor to open it. In his lassitude, his elbows felt
feeble, his fingers were ready to drop off. He slowly scratched the book
open----

At one o'clock he was reading algebra, his face still and grim. But
already it seemed less heartily brick-red.

He listlessly telephoned to Claire, in the morning.

"Hello? Oh! Miss Boltwood? This is Milt Daggett."

"Oh! Oh, how are you?"

"Why, why I'm--I've got settled. I can get into the engineering school
all right."

"I'm glad."

"Uh, enjoying Seattle?"

"Oh! Oh yes. The mountains---- Do you like it?"

"Oh! Oh yes. Sea and all---- Great town."

"Uh, w-when are we going to see you? Daddy had to go East, left you his
regards. W-when----?"

"Why--why I suppose you're awful--awfully busy, meeting people and
all----"

"Yes, I am, rather, but----" Her hedging uncomfortable tone changed to a
cry of distress. "Milt! I must see you. Come up at four this afternoon."

"Yes!"

He rushed to a small, hot tailor-shop. He panted "Press m' suit while I
wait?" They gave him a pair of temporary trousers, an undesirable pair
of trousers belonging to a short fat man with no taste in fabrics, and
with these flapping about his lean legs, he sat behind a calico curtain,
reading _The War Cry_ and looking at a "fashion-plate" depicting nine
gentlemen yachtsmen each nine feet tall, while the Jugoslav in charge
unfeelingly sprinkled and ironed and patted his suit.

He spent ten minutes in blacking his shoes, in his room--and twenty
minutes in getting the blacking off his fingers.

He was walking through the gate in the Gilson hedge at one minute to
four.

But he had reached Queen Anne Hill at three. For an hour he had walked
the crest road, staring at the steamers below, alternately gripping his
hands with desire of Claire, and timorously finally deciding that he
wouldn't go to her house--wouldn't ever see her again.

He came into the hall tremblingly expecting some great thing, some
rending scene, and she met him with a cool, "Oh, this is nice. Eva had
some little white cakes made for us." He felt like a man who has asked
for a drink of cold charged water and found it warm and flat.

"How---- Dandy house," he muttered, limply shaking her limp hand.

"Yes, isn't it a darling. They do themselves awfully well here. I'm
afraid your bluff, plain, democratic Westerners are a fraud. I hear a
lot more about 'society' here than I ever did in the East. The sets seem
frightfully complicated." She was drifting into the drawing-room, to a
tapestry stool, and Milt was awkwardly stalking a large wing chair,
while she fidgeted:

"Everybody tells me about how one poor dear soul, a charming lady who
used to take in washing or salt gold-mines or something, and she came
here a little while ago with billions and billions of dollars, and tried
to buy her way in by shopping for all the charities in town, and
apparently she's just as out of it here as she would be in London. You
and I aren't exclusive like that, are we!"

Somehow----

Her "you and I" was too kindly, as though she was trying to put him at
ease, as though she knew he couldn't possibly be at ease. With a
horribly elaborate politeness, with a smile that felt hot on his
twitching cheeks, he murmured, "Oh no. No, we---- No, I guess----"

If he knew what it was he guessed, he couldn't get it out. While he was
trying to find out what had become of all the things there were to say
in the world, a maid came in with an astonishing object--a small, red,
shelved table on wheels, laden with silver vessels, and cake, and
sandwiches that were amazingly small and thin.

The maid was so starched that she creaked. She glanced at Milt----
Claire didn't make him so nervous that he thought of his clothes, but
the maid did. He was certain that she knew that he had blacked his own
shoes, knew how old were his clothes. He was urging himself, "Must get
new suit tomorrow--ready-made--mustn't forget, now--be sure--get suit
tomorrow." He wanted to apologize to the maid for existing.... He
wouldn't dare to fall in love with the maid.... And he'd kill the man
who said he could be fool enough to fall in love with Miss Boltwood.

He sipped his tea, and dropped sandwich crumbs, and ached, and panted,
and peeped at the crushing quantities of pictures and sconces and tables
and chairs in the room, and wondered what they did with all of them,
while Claire chattered:

"Yes, we weren't exclusive out on the road. Didn't we meet funny people
though! Oh, somehow that 'funny people' sounds familiar. But---- What
fun that morning was at--Pellago, was it? Heavens, I'm forgetting those
beastly little towns already--that place where we hazed the poor
landlady who overcharged me."

"Yes." He was thinking of how much Claire would forget, now. "Yes. We
certainly fixed her, all right. Uh--did you get the storage check for
your car?"

"Oh yes, thank you. So nice of you to bother with it."

"Oh, nothing at all, nothing---- Nothing at all. Uh---- Do you like
Seattle?"

"Oh yes. Such views--the mountains---- Do you like it?"

"Oh yes. Always wanted to see the sea."

"Yes, and---- Such a well-built town."

"Yes, and---- They must do a lot of business here."

"Yes, they---- Oh yes, I do like Seat----"

He had darted from his chair, brushed by the tea-wagon, ignoring its
rattle and the perilous tipping of cups. He put his hand on her
shoulder, snorted, "Look here. We're both sparring for time. Stop it.
It's--it's all right, Claire. I want you to like me, but I'm not--I'm
not like that woman you were telling about that's trying to butt in. I
know, Lord I know so well what you're thinking! You're thinking I'm not
up to the people you've been seeing last couple of days--not up to 'em
yet, anyway. Well---- We'll be good friends."

Fearless, now, his awe gone in tenderness, he lifted her chin, looked
straight into her eyes, smiled. But his courage was slipping. He wanted
to run and hide.

He turned abruptly, grumbling, "Well, better get back to work now, I
guess."

Her cry was hungry: "Oh, please don't go." She was beside him, shyly
picking at his sleeve. "I know what you mean. I like you for being so
understanding. But---- I do like you. You were the perfect companion.
Let's---- Oh, let's have a walk--and try to laugh again."

He definitely did not want to stay. At this moment he did not love her.
He regarded her as an estimable young woman who, for a person so
idiotically reared, had really shown a good deal of pluck out on the
road--where he wanted to be. He stood in the hall disliking his old cap
while she ran up to put on a top coat.

Mute, casual, they tramped out of the house together, and down the hill
to a region of shabby old brown houses like blisters on the hillside.
They had little to say, and that little was a polite reminiscence of
incidents in which neither was interested.

When they came back to the Gilson hedge, he stopped at the gate, with
terrific respectableness removed his cap.

"Good night," she said cheerily. "Call me up soon again."

He did not answer "Good night." He said "Good-by"; and he meant it to be
his last farewell. He caught her hand, hastily dropped it, fled down the
hill.

He was, he told himself, going to leave Seattle that evening.

That, doubtless, is the reason why he ran to a trolley, to get to a
department-store before it closed; and why, precipitating himself upon a
startled clerk, he purchased a new suit of chaste blue serge, a new pair
of tan boots (curiously like some he had seen on the university campus
that morning) and a new hat so gray and conservative and felty that it
might have been worn by Woodrow Wilson.

He spent the evening in reading algebra and geometry, and in telling
himself that he was beautifully not thinking about Claire.

In the midst of it, he caught himself at it, and laughed.

"What you're doing, my friend, is pretending you don't like Claire, so
that you can hide from your fool self the fact that you're going to
sneak back to see her the first chance you get--first time the watch-dog
is out. Seriously now, son, Claire is impossible for you. No can do. Now
that you've been chump enough to leave home---- Oh Lord, I wish I
hadn't promised to take this room for all winter. Wish I hadn't
matriculated at the U. But I'm here now, and I'll stick it out. I'll
stay here one year anyway, and go back home. Oh! And to---- By Golly!
She liked me!"

He was thinking of the wild-rose teacher to whom he had given a lift
back in Dakota. He was remembering her daintiness, her admiration.

"Now there's somebody who'd make me keep climbing, but wouldn't think I
was a poor hick. If I were to drive back next spring, I could find
her----"




CHAPTER XXVI

A CLASS IN ENGINEERING AND OMELETS


The one thing of which Milt Daggett was certain was that now he had
managed to crawl into the engineering school, he must get his degree in
mechanical engineering. He was older than most of his classmates. He
must hurry. He must do four years' work in two.

There has never been a Freshman, not the most goggle-eyed and earnest of
them, who has seen less of classmates, thought less about "outside
activities," more grimly centered the universe about his work.

Milt had sold his garage, by mail, to Ben Sittka and Heinie Rauskukle.
He had enough money to get through two years, with economy. His life was
as simple and dull as it had been in Schoenstrom. He studied while he
cooked his scrappy meals; he pinned mathematical formulae and mechanical
diagrams on the wall, and pored over them while he was dressing--or
while he was trying to break in the new shoes, which were beautiful,
squeaky, and confoundedly tight.

He was taking French and English and "composition-writing" in addition
to engineering, and he made out a schedule of life as humorlessly as a
girl grind who intends to be a Latin teacher. When he was not at work,
or furiously running and yanking chest-weights in the gymnasium, he was
attending concerts, lectures.

Studying the life about him, he had discovered that the best way to save
time was to avoid the lazy friendships of college; the pipe-smoking,
yawning, comfortable, rather heavy, altogether pleasant wondering about
"what'll we do next?" which occupies at least four hours a day for the
average man in college. He would have liked it, as he had liked long
talks about nothing with Bill McGolwey at the Old Home Lunch. But he
couldn't afford it. He had to be ready to----

That was the point at which his reflections always came up with a jolt.
He was quite clear about the method of getting ready, but he hadn't the
slightest idea of what he was getting ready for. The moment he had
redecided to marry Claire, he saw that his only possible future would be
celibate machinery-installing in Alaska; and the moment he was content
with the prospect of an engineer's camp in Alaskan wilds, his thoughts
went crazily fluttering after Claire.

Despite his aloofness, Milt was not unpopular in his class. The
engineers had few of them the interest in dances, athletics, college
journalism, which distinguished the men in the academic course. They
were older, and more conscious of a living to earn. And Milt's cheerful,
"How's the boy?" his manner of waving his hand--as though to a good
customer leaving the Red Trail Garage with the generator at last
tamed--indicated that he was a "good fellow."

One group of collegians Milt did seek. It is true that he had been
genuine in scorning social climbers. But it is also true that the men
whom he sought to know were the university smart set. Their satisfaction
in his allegiance would have been lessened, however, had they known how
little he cared for what they thought of him, and with what cruel
directness he was using them as models for the one purpose of pleasing
Miss Claire Boltwood.

The American state universities admit, in a pleased way, that though
Yale and Harvard and Princeton may be snobbish, the state universities
are the refuge of a myth called "college democracy." But there is no
university near a considerable city into which the inheritors of the
wealth of that city do not carry all the local social distinctions.
Their family rank, their place in the unwritten peerage, determines to
which fraternity they shall be elected, and the fraternity determines
with whom--men and girls--they shall be intimate. The sons and daughters
of Seattle and Tacoma, the scions of old families running in an unbroken
line clear back to 1880, were amiable to poor outsiders from the Yakima
valley and the new claims of Idaho, but they did not often invite them
to their homes on the two hills and the Boulevard.

Yet it was these plutocrats whom Milt followed; they whose boots and
table manners, cigarettes and lack of interest in theology, he studied.
He met them in his English class. He remarked "Hello, Smith," and
"Mornin', Jones," as though he liked them but didn't care a hang whether
they liked him. And by and by he drifted into their fraternity
dwelling-house, with a question about the next day's assignment, and met
their friends. He sat pipe-smoking, silent, cheerful, and they seemed to
accept him. Whenever one of them felt that Milt was intruding, and asked
impertinent questions in the manner of a Pullman porter at a Darktown
ball, Milt had a peculiar level look which had been known to generate
courtesy even in the offspring of a million dollars. They found that he
knew more about motor-cars than any of them, and as motor-cars were
among their greater gods, they considered him wise. He was incomparably
simple and unpretentious; they found his presence comfortable.

But there is a question as to what they would have thought had they
known that, lying awake in the morning, Milt unsmilingly repeated:

"Hair always straight down at the back. Never rounded. Nix on clippers
over the ears.

"Matisse is a popular nut artist. Fashionable for the swells to laugh at
him, and the fellows on the college papers to rave about him.

"Blinx and Severan the swellest--the smartest haberdashery in the city.

"The one way to get in Dutch is to mention labor leaders.

"Never say 'Pleased to meet you.' Just look about halfway between bored
and tol'able and say, 'How do you do?'"

       *       *       *       *       *

All these first three weeks of his life in Seattle, he had seen Claire
only on his first call. Twice he had telephoned to her. On one of these
high occasions she had invited him to accompany the family to the
theater--which meant to the movies--and he had wretchedly refused; the
other time she had said that she might stay in Seattle all winter, and
she might go any day, and they "must be sure to have that good long
walk"; and he had said "oh yes," ten or twelve unhappy times, and had
felt very empty as he hung up the receiver.

Then she wrote to invite him to late Sunday breakfast at the
Gilsons'--they made a function of it, and called it bruncheon. The hour
was given as ten-thirty; most people came at noon; but Milt arrived at
ten-thirty-one, and found only a sleepy butler in sight.

He waited in the drawing-room for five minutes, feeling like a
bill-collector. Into the room vaulted a medium-sized, medium-looking,
amiable man, Eugene Gilson, babbling, "Oh, I say, so sorry to keep you
waiting, Mr. Daggett. Rotten shame, do come have a bun or something,
frightfully informal these bruncheons, play auction?"

"Zallright--no," said Milt.

The host profusely led him to a dining-room where--in English fashion,
or something like English fashion, or anyway a close approximation to
the fictional pictures of English fashion--kidneys and sausages and
omelets waited in dishes on the side-board. Mr. Gilson poured coffee,
and chanted:

"Do try the kidneys. They're usually very fair. Miss Boltwood tells me
that you were very good to her on the trip. Must have been jolly trip.
You going to be in town some time, oh yes, Claire said you were in the
university, engineering, wasn't it? have you ever seen our lumbermills,
do drop around some---- Try the omelet before the beastly thing gets
cold, do you mind kicking that button, we'll have some more omelet
in--any time at the mill and I'll be glad to have some one show you
through, how did you find the roads along the Red Trail?"

"Why, pretty fair," said Milt.

Into the room precipitated Mrs. Gilson, in a smile, a super-sweater, and
a sports skirt that would have been soiled by any variety of sport more
violent than pinochle, and she was wailing as she came:

"We're disgraced, Gene, is this Mr. Daggett? how do you do, so good of
you to come, do try the kidneys, they're usually quite decent, are the
omelets warm, you might ring for some more, Gene, for heaven's sake give
me some coffee, Miss Boltwood will be right down, Mr. Daggett, she told
us how fortunate they were that they met you on the road, did you like
the trip, how were the roads?"

"Why, they were pretty good," said Milt.

Claire arrived, fresh and serene in white taffeta, and she cried
prettily, "I ought to have known that you'd be prompt even if no one
else in the world is, so glad you came, have you tried the kidneys, and
do have an--oh, I see you have tried the omelets, how goes the work at
the university?"

"Why, fine," said Milt.

He ate stolidly, and looked pleased, and sneaked in a glance at his new
(and still tight and still squeaky) tan boots to make sure that they
were as well polished as they had seemed at home.

From nowhere appeared a bustling weighty woman, purring, "Hello, hello,
hello, is it possible that you're all up---- Mr. Daggett. Yes, do lead
me to the kidneys."

And a man with the gray hair of a grandfather and the giggle of a
cash-girl bounced in clamoring, "Mornin'--expected to have bruncheon
alone--do we have some bridge? Oh, good morning, Mr. Daggett, how do
you like Seattle? Oh, thanks so much, yes, just two."

Then Milt ceased to keep track of the conversation, which bubbled over
the omelets, and stewed over the kidneys, and foamed about the coffee,
and clashed above a hastily erected bridge table, and altogether sounded
curiously like four cars with four quite different things the matter
with them all being tried out at once in a small garage. People flocked
in, and nodded as though they knew one another too well to worry about
it. They bowed to him charmingly, and instantly forgot him for the
kidneys and sausages. He sat looking respectable and feeling lonely, by
a cup of coffee, till Claire--dropping the highly unreal smile with
which she had been listening to the elderly beau's account of a
fishing-trip he hadn't quite got around to taking--slipped into a chair
beside him and begged, "Are they looking out for you, Milt?"

"Oh yes, thank you."

"You haven't been to see me."

"Oh no, but---- Working so darn hard."

"What a strikingly original reason! But have you really?"

"Honest."

Suddenly he wanted--eternal man, forever playing confidential small boy
to the beloved--to tell her about his classes and acquaintances; to get
pity for his bare room and his home-cooking. But round them blared the
brazen interest in kidneys, and as Claire glanced up with much
brightness at another arrival, Milt lost momentum, and found that there
was absolutely nothing in the world he could say to her.

He made a grateful farewell to the omelets and kidneys, and escaped.

He walked many miles that day, trying to remember how Claire looked.




CHAPTER XXVII

THE VICIOUSNESS OF NICE THINGS


"What did you think of my nice Daggett boy?" Claire demanded of Eva
Gilson, the moment bruncheon was over.

"Which one was---- Oh, the boy you met on the road? Why, really, I
didn't notice him particularly. I'd rather fancied from the way you
referred to him that he was awfully jolly and forceful, but rather
crude. But I didn't notice him at all. He seemed perfectly well-bred,
but slightly heavy."

"No, he isn't that---- He---- Why did you lead spades?" reflected
Claire.

They were in the drawing-room, resting after the tact and tumult of the
bruncheon. Claire had been here long enough now for the Gilsons to
forget her comfortably, and be affectionate and quarrelsome and natural,
and to admit by their worrying that even in their exalted social
position there were things to fuss about.

"I do think we ought to have invited Belle Torrens," fretted Mrs.
Gilson. "We've simply got to have her here soon."

Mr. Gilson speculated intensely, "But she's the dullest soul on earth,
and her husband spends all his spare time in trying to think up ways of
doing me dirt in business. Oh, by the way, did you get the water tap in
the blue room fixed? It's dripping all the time."

"No, I forgot it."

"Well, I _do_ wish you'd have it attended to. It simply drips all the
time."

"I know. I intended to 'phone the plumber---- Can't you 'phone him
tomorrow, from the office?"

"No, I haven't time to bother with it. But I do wish you would. It keeps
on dripping----"

"I know, it doesn't seem to stop. Well, you remind me of it in the
morning."

"I'm afraid I'll forget. You better make a note of it. If it keeps on
dripping that way, it's likely to injure something. And I do wish you'd
tell the Jap not to put so much parsley in the omelet. And I say, how
would an omelet be with a butter sauce over it?"

"Oh, no, I don't think so. An omelet ought to be nice and dry. Butter
makes it so greasy--besides, with the price of butter----"

"But there's a richness to butter---- You'd better make a note about the
tap dripping in the blue room right now, before you forget it. Oh! Why
in heaven's name did we have Johnny Martin here? He's dull as
ditchwater----"

"I know, but---- It is nice to go out to his place on the Point. Oh,
Gene, I do wish you'd try and remember not to talk about your business
so much. You and Mr. Martin were talking about the price of lumber for
at least half an hour----"

"Nothing of the kind. We scarcely mentioned it. Oh! What car are you
going to use this afternoon? If we get out to the Barnetts', I thought
we might use the limousine---- Or no, you'll probably go out before I
do, I have to read over some specifications, and I promised to give Will
a lift, couldn't you take the Loco, maybe you might drive yourself, no,
I forgot, the clutch is slipping a little, well, you might drive out and
send the car back for me--still, there wouldn't hardly be time----"

Listening to them as to a play, Claire suddenly desired to scream, "Oh,
for heaven's sake quit fussing! I'm going up and drown myself in the
blue-room tap! What does it matter! Walk! Take a surface car! Don't fuss
so!"

Her wrath came from her feeling of guilt. Yes, Milt had been
commonplace. Had she done this to him? Had she turned his cheerful
ignorances into a careful stupor? And she felt stuffy and choking and
overpacked with food. She wanted to be out on the road, clear-headed,
forcing her way through, an independent human being--with Milt not too
far behind.

Mrs. Gilson was droning, "I do think Mattie Vincent is so nice."

"Rather dull I'd call her," yawned Mr. Gilson.

Mattie was the seventh of their recent guests whom he had called dull by
now.

"Not at all--oh, of course she doesn't dance on tables and quote
Maeterlinck, but she does have an instinct for the niceties and the
proprieties--her little house is so sweet--everything just exactly
right--it may be only a single rose, but always chosen so carefully to
melt into the background; and such adorable china--I simply die of envy
every time I see her Lowestoft plates. And such a quiet way of reproving
any bad taste--the time that crank university professor was out there,
and spoke of the radical labor movement, and Mattie just smiled at him
and said, 'If you don't mind, let's not drag filthy lumberjacks into the
drawing-room--they'd hate it just as much as we would, don't you think,
perhaps?'"

"Oh, _damn_ nice china! Oh, let's hang all spinsters who are brightly
reproving," Claire was silently raging. "And particularly and earnestly
confound all nicety and discretion of living."

She tried to break the spell of the Gilsons' fussing. She
false-heartedly fawned upon Mr. Gilson, and inquired:

"Is there anything very exciting going on at the mills, Gene?"

"Exciting?" asked Mr. Gilson incredulously. "Why, how do you mean?"

"Don't you find business exciting? Why do you do it then?"

"Oh, wellllll---- Of course---- Oh, yes, exciting in a way. Well----
Well, we've had a jolly interesting time making staves for candy
pails--promises to be wonderfully profitable. We have a new way of
cutting them. But you wouldn't be interested in the machinery."

"Of course not. You don't bore Eva with your horrid, headachy
business-problems, do you?" Claire cooed, with low cunning.

"Indeed no. Don't think a chap ought to inflict his business on his
wife. The home should be a place of peace."

"Yes," said Claire.

But she wasn't thinking "Yes." She was thinking, "Milt, what worries me
now isn't how I can risk letting the 'nice people' meet you. It's how I
can ever waste you on the 'nice people.' Oh, I'm spoiled for
cut-glass-and-velvet afternoons. Eternal spiritual agony over blue-room
taps is too high a price even for four-poster beds. I want to be
driving! hiking! living!"

That afternoon, after having agreed that Mr. Johnny Martin was a bore,
Mr. and Mrs. Gilson decided to run out to the house of Mr. Johnny
Martin. They bore along the lifeless Claire.

Mr. Martin was an unentertaining bachelor who entertained. There were a
dozen supercilious young married people at his bayside cottage when the
Gilsons arrived. Among them were two eyebrow-arching young matrons whom
Claire had not met--Mrs. Corey and Mrs. Betz.

"We've all heard of you, Miss Boltwood," said Mrs. Betz. "You come from
the East, don't you?"

"Yes," fluttered Claire, trying to be cordial.

Mrs. Corey and Mrs. Betz looked at each other in a motionless wink, and
Mrs. Corey prodded:

"From New York?"

"No. Brooklyn." Claire tried not to make it too short.

"Oh." The tacit wink was repeated. Mrs. Corey said brightly--much too
brightly--"I was born in New York. I wonder if you know the Dudenants?"

Now Claire knew the Dudenants. She had danced with that young ass Don
Dudenant a dozen times. But the devil did enter into her and possess
her, and, to Eva Gilson's horror, Claire said stupidly, "No-o, but I
think I've heard of them."

The condemning wink was repeated.

"I hear you've been doing such interesting things--motoring and
adventuring--you must have met some terrible people along the way,"
fished Mrs. Betz.

"Yes, everybody does seem to feel that way. But I'm afraid I found them
terribly nice," flared Claire.

"I always say that common people can be most agreeable," Mrs. Corey
patronized. Before Claire could kill her--there wasn't any homicidal
weapon in sight except a silver tea-strainer--Mrs. Corey had pirouetted
on, "Though I do think that we're much too kind to workmen and all--the
labor situation is getting to be abominable here in the West, and upon
my word, to keep a maid nowadays, you have to treat her as though she
were a countess."

"Why shouldn't maids be like countesses? They're much more important,"
said Claire sweetly.

It cannot be stated that Claire had spent any large part of her time in
reading Karl Marx, leading syndicalist demonstrations, or hemming red
internationalist flags, but at this instant she was a complete
revolutionist. She could have executed Mrs. Corey and pretty Mrs. Betz
with zeal; she disliked the entire bourgeoisie; she looked around for a
Jap boy to call "comrade" and she again thought about the possibilities
of the tea-strainer for use in assassination. She stolidly wore through
the combined and exclamatory explanations of Mrs. Corey, Mrs. Betz, Mrs.
Gilson, and Mr. Johnny Martin about the inherent viciousness of all
maids, and when the storm was over, she said in a manner of honey and
syrup:

"You were speaking of the Dudenants, weren't you, Mrs. Corey? I do
remember them now. Poor Don Dudenant, isn't it a pity he's such a fool?
His father is really a very decent old bore."

"I," observed Mrs. Corey, in prim horror, "regard the Dudenants as
extremely delightful people. I fancy we must be thinking of different
families. I mean the Manhattan Dudenants, not the Brooklyn family."

"Oh, yes, I meant the Manhattan family, too--the one that made its
fortune selling shoddy woolens in the Civil War," caressed Claire.

Right there, her welcome by Mrs. Corey and Mrs. Betz ceased; and without
any of the unhappiness which the thought would have caused her three
months before, Claire reflected, "How they hate me!"

The Gilsons had a number of thoughts upon the subject of tact to express
to Claire on the way home. But she, who had always smiled, who had been
the obedient guest, shrugged and snapped, "They're idiots, those young
women. They're impertinent shopgirls in good frocks. I like your
Seattle. It's a glorious city. And I love so many of the fine, simple,
real people I've met here. I admire your progress. I do know how
miraculously you've changed it from a mining camp. But for heaven's sake
don't forget the good common hardiness of the miners. Somehow, London
social distinctions seem ludicrous in American cities that twenty years
ago didn't have much but board sidewalks and saloons. I don't care
whether it's Seattle or Minneapolis or Omaha or Denver, I refuse to
worry about the Duchess of Corey and the Baroness Betz and all the other
wonderful imitations of gilt. When a pair of finishing-school flappers
like Betz and Corey try to impress me with their superiority to workmen,
and their extreme aristocracy and Easternness, they make me tired. I
_am_ the East!"

She had made peace with the Gilsons by night; she had been reasonably
repentant about not playing the game of her hosts; but inside her eager
heart she snuggled a warm thought. She remembered how gaily she had once
promised, out on the road, to come to Milt's room and cook for him. She
thought of it with homesick desire. His room probably wasn't
particularly decorative, and she doubted his having an electric range,
but it would be fun to fry eggs again, to see him fumbling with the
dish-washing, to chatter and plan golden futures, and not worry about
the opinions of Mrs. Corey and Mrs. Betz.

The next afternoon the limousine was not busy and she borrowed it, with
the handsome Greek chauffeur.

She gave him an address not far from the university.

He complained, "Pardon me, miss, but I think you have the wrong number.
That block is a low quarter."

"Probably! But that's the right number!"

He raised his Athenian eyebrows, and she realized what a mistake she had
made in not bringing the lethal tea-strainer along. When they had
stopped in front of a cheap candy-store, he opened the door of the car
with such frigid reserve that she thought seriously about slapping him.

She climbed the stingy, flapping stairs, and knocked at the first door
in the upper hall. It was opened by a large apron, to which a sleepy
woman was an unimportant attachment, and out of the mass of apron and
woman came a yawning, "Mr. Daggett's room is down the hall on the
right."

Claire knocked at a door which had at various epochs been blue, yellow,
and pink, and now was all three. No answer. She tried the knob, went in.

She could not tell whether it was the barrenness of the room, or Milt's
carefulness, that caught her. The uncarpeted boards of the floor were
well swept. He had only one plate, one spoon, but they were scoured, and
put away on newspaper-covered shelves in a cupboard made of a soap-box.
Behind a calico curtain was his new suit, dismayingly neat on its
hanger. On the edge of the iron sink primly washed and spread out to
dry, was a tattered old rag. At the sight of it, at the thought of Milt
solemnly washing dishes, the tears began to creep to her eyes.

There was but one picture in the room--a half-tone of a girl, clipped
from a magazine devoted to actresses. The name was cut off. As she
wondered at it, Claire saw that the actress was very much like herself.

The only other ornament was a papier-mache figure of a cat, a cat
reminiscent of the Lady Vere de Vere. Claire picked it up. On the
bottom was the price-mark--three cents.

It was the price-mark that pierced her. She flung across the room,
dropped on his creaky cot-bed, howled, "Oh, I've been a beast--a
beast--a beast! All the pretty things--limousines and marble
baths--thinking so much of them, and not wanting them for _him_! And he
with so little, with just nothing--he that would appreciate jolly things
so much--here in this den, and making it as tolerable as he can--and me
half ashamed of him instead of fighting for him---- I belong with Corey
and Betz. Oh, I'm so ashamed, so bitterly ashamed."

She patted his bed smooth with nervous eager fingers.

She scraped a pin-point of egg-yolk off a platter.

Before she had been home five minutes she had written a note asking him
to tea for next day.




CHAPTER XXVIII

THE MORNING COAT OF MR. HUDSON B. RIGGS


Mr. Hudson B. Riggs now enters the tale--somewhat tardily, and making a
quick exit, all in a morning coat too tight about the shoulders, and a
smile of festivity too tight about the lips. He looked as improbable as
an undertaker's rubber-plant. Yet in his brief course he had a mighty
effect upon the progress of civilization as exemplified in the social
career of Mr. Milton Daggett.

Mr. Riggs had arrived at a golden position in Alaskan mining engineering
by way of the farm, the section gang, the surveyor's chain, and
prospecting; and his thick hands showed his evolution. His purpose in
life was to please Mrs. Riggs, and he wasn't ever going to achieve his
purpose in life. She wore spangles, and her corsets creaked, and she
smiled nervously, and could tell in a glance quicker than the 1/100
kodak shutter whether or not a new acquaintance was "worth cultivating."
She had made Mr. Riggs thoroughly safe and thoroughly unhappy in the
pursuit of society. He stood about keeping from doing anything he might
want to, and he was profusely polite to young cubs whom he longed to
have in his office--so that he could get even with them.

What Mr. Riggs wanted to do, at the third large tea given by Mrs. Gilson
for Miss Claire Boltwood, was to sneak out on the sun-porch and play
over the new records on the phonograph; but the things he had heard from
Mrs. Riggs the last time he'd done that had convinced him that it was
not a wise method of escape. So he stood by the fireplace--safe on one
side at least--and ate lettuce sandwiches, which he privately called
"cow feed," and listened to a shining, largely feminine crowd rapidly
uttering unintelligible epigrams from which he caught only the words,
"Ripping hand--trained nurse--whipcord--really worth seeing--lost the
ball near the second hole--most absurd person--new maid--thanks so
much." He was hoping that some one would come around and let him be
agreeable. He knew that he stood the ride home with Mrs. Riggs much
better after he had been agreeable to people he didn't like.

What Mr. Riggs did not know was that a young man in uninteresting blue,
who looked like a good tennis-player, was watching him. It wasn't
because he detected a fellow soul in purgatory but because he always was
obsequious outside of his office that Mr. Riggs bowed so profusely that
he almost lost his tea-cup, when the young man in blue drifted to him
and suggested, "I hear you're in the Alaskan mining-game, Mr. Riggs."

"Oh yes."

"Do you get up there much now?"

"No, not much."

"I hope to hit Alaska some day--I'm taking engineering at the U."

"Do you? Straight?" Mr. Riggs violently set his cup down on a
table--Mrs. Riggs would later tell him that he'd put it down in the
wrong place, but never mind. He leaned over Milt and snarled, "Offer me
a cigarette. I don't know if they smoke here, and I dassn't be the first
to try. Say, boy, Alaska---- I wish I was there now! Say, it beats all
hell how good tea can taste in a tin cup, and how wishy-washy it is in
china. Boy, I don't know anything about you, but you look all right, and
when you get ready to go to Alaska, you come to me, and I'll see if I
can't give you a chance to go up there. But don't ever come back!"

When the crowd began bubblingly to move toward the door, Milt prepared
to move--and bubble--with them. Though Claire's note had sounded as
though she was really a little lonely, at the tea she had said nothing
to him except, "So glad you came. Do you know Dolly Ransome? Dolly, this
is my nice Mr. Daggett. Take him and make him happy."

Dolly hadn't made him in the least happy. She had talked about tennis;
she had with some detail described her remarkable luck in beating one
Sally Saunders three sets. Now Milt was learning tennis. He was at the
present period giving two hours a week to tennis, two to dancing, two to
bridge. But he preferred cleaning oil-wells to any of these toilsome
accomplishments, and it must sadly be admitted that all the while he was
making his face bright at Dolly, he was wondering what would happen if
he interrupted Dolly's gurgling, galloping, giggling multitudinousness
by shouting, "Oh, shut up!"

When it seemed safe to go, and he tried to look as though he too were
oozing out to a Crane-Simplex, Claire slipped beside him, soft as a
shadow, and whispered, "Please don't go. I want to talk to you.
_Please!_" There was fluttering wistfulness in her voice, though
instantly it was gone as she hastened to the door and was to be heard
asserting that she did indeed love Seattle.

Milt looked out into the hall. He studied a console with a curious black
and white vase containing a single peacock feather, and a gold mirror
shimmering against a gray wall.

"Lovely stuff. I like that mirror. Like a slew in the evening. But it
isn't worth being a slave for. I'm not going to be a Mr. Riggs. Poor
devil, he's more of a servant than any of these maids. Certainly am
sorry for that poor fish. He'll have a chance to take his coat off and
sit down and smoke--when he's dead!"

The guests were gone; the Gilsons upstairs. Claire came running, seized
Milt's sleeve, coaxed him to the davenport in the drawing-room--then
sighed, and rubbed her forehead, and looked so tired that he could say
nothing but, "Hope you haven't been overdoing."

"No, just--just talking too much."

He got himself to say, "Miss Ransome--the one that's nuts about
tennis--she's darn nice."

"Is she?"

"Yes, she's--she's---- What do you hear from your father?"

"Oh, he's back at work."

"Trip do him good?"

"Oh, a lot."

"Did he----"

"Milt! Tell me about you. What are you doing? What are you studying? How
do you live? Do you really cook your own meals? Do you begin to get your
teeth into the engineering? Oh, do tell me everything. I want to know,
so much!"

"There isn't a whole lot to tell. Mostly I'm getting back into math.
Been out of touch with it. I find that I know more about motors than
most of the fellows. That helps. And about living--oh, I keep
conservative. Did you know I'd sold my garage?"

"Oh, I didn't, I didn't!"

He wondered why she said it with such stooping shame, but he went on
mildly, "Well, I got a pretty good price, but of course I don't want to
take any chances on running short of coin, so I'm not splurging much.
And----" He looked at his nails, and whistled a bar or two, and turned
his head away, and looked back with a shy, "And I'm learning to play
bridge and tennis and stuff!"

"Oh, my dear!" It was a cry of pain. She beat her hands for a moment
before she murmured, "When are we going to have our lessons in
dancing--and in making an impression on sun-specks like Dolly Ransome?"

"I don't know," he parried. Then, looking at her honestly, he confessed,
"I don't believe we're ever going to. Claire, I can't do it. I'm no good
for this tea game. You know how clumsy I was. I spilled some tea, and I
darn near tripped over some woman's dress and---- Oh, I'm not afraid of
them. Now that I get a good close look at this bunch, they seem pretty
much like other folks, except maybe that one old dame says 'cawn't.' But
I can't do the manners stunt. I can't get myself to give enough thought
to how you ought to hold a tea-cup."

"Oh, those things don't matter--they don't _matter_! Besides, everybody
likes you--only you're so terribly cautious that you never let them see
the force and courage and all that wonderful sweet dear goodness that's
in you. And as for your manners--heaven knows I'm no P. G. Wodehouse
valet. But I'll teach you all I know."

"Claire, I appreciate it a lot but---- I'm not so darn sure I want to
learn. I'm getting scared. I watched that bird named Riggs here today.
He's a regular fellow, or he was, but now he's simply lost in the
shuffle. I don't want to be one of the million ghosts in a city. Seattle
is bad enough--it's so big that I feel like a no-see-um in a Norway pine
reserve. But New York would be a lot worse. I don't want to be a Mr.
Riggs."

"Yes, but--I'm not a Mrs. Riggs!"

"What do you----"

He did not finish asking her what she meant. She was in his arms; she
was whispering, "My heart is so lonely;" and the room was still. The low
sun flooded the windows, swam in the mirror in the hall, but they did
not heed, did not see its gliding glory.

Not till there was a sound of footsteps did she burst from his arms,
spring to her reflection in the glass of a picture, and shamefacedly
murmur to him over her shoulder, "My hair--it's a terrible giveaway!"

He had followed her; he stood with his arm circling her shoulder.

She begged, "No. Please no. I'm frightened. Let's--oh, let's have a walk
or something before you scamper home."

"Look! My dear! Let's run away, and explore the town, and not come back
till late evening."

"Yes. Let's."

They walked from Queen Anne Hill through the city to the docks. There
was nothing in their excited, childish, "Oh, see that!" and "There's a
dandy car!" and "Ohhhhh, that's a Minnesota license--wonder who it is?"
to confess that they had been so closely, so hungrily together.

They swung along a high walk overlooking the city wharf. They saw a
steamer loading rails and food for the government railroad in Alaska.
They exclaimed over a nest of little, tarry fishing-boats. They watched
men working late to unload Alaska salmon.

They crossed the city to Jap Town and its writhing streets, its dark
alleys and stairways lost up the hillsides. They smiled at black-eyed
children, and found a Japanese restaurant, and tried to dine on raw fish
and huge shrimps and roots soaked in a very fair grade of light-medium
motor oil.

With Milt for guide, Claire discovered a Christianity that was not of
candles and shifting lights and insinuating music, nor of carpets and
large pews and sound oratory, but of hoboes blinking in rows, and girls
in gospel bonnets, and little silver and crimson placards of Bible
texts. They stopped on a corner to listen to a Pentecostal brother, to
an I. W. W. speaker, to a magnificent negro who boomed in an operatic
baritone that the Day of Judgment was coming on April 11, 1923, at three
in the morning.

In the streets of Jap Town, in cheap motion-picture theaters, in hotels
for transient workmen, she found life, running swift and eager and
many-colored; and it seemed to her that back in the house of
four-posters and walls of subdued gray, life was smothered in the very
best pink cotton-batting. Milt's delight in every picturesque dark
corner, and the colloquial eloquence of the street-orators, stirred her.
And when she saw a shopgirl caress the hand of a slouching beau in
threadbare brown, her own hand slipped into Milt's and clung there.

But they came shyly up to the Gilson hedge, and when Milt chuckled,
"Bully walk; let's do it again," she said only, "Oh, yes, I did like it.
Very much."

He had abruptly dropped his beautiful new felt hat. He was clutching her
arms, demanding, "Can you like me? Oh my God, Claire, I can't play at
love. I'm mad--I just live in you. You're my blood and soul. Can I
become--the kind of man you like?"

"My dear!" She was fiercely addressing not him alone but the Betzes and
Coreys and Gilsons and Jeff Saxtons, "don't you forget for one moment
that all these people--here or Brooklyn either--that seem so aloof and
amused, are secretly just plain people with enamel on, and you're to
have the very best enamel, if it's worth while. I'm not sure that it
is----"

"You're going to kiss me!"

"No! Please no! I don't--I don't understand us, even now. Can't we be
just playmates a while yet? But--I do like you!"

She fled. When she reached the hall she found her eyelids wet.

It was the next afternoon----

Claire was curled on the embroidered linen counterpane of her bed,
thinking about chocolates and Brooklyn and driving through Yellowstone
Park and corn fritters and satin petticoats versus _crepe de chine_ and
Mount Rainier and Milt and spiritualism and manicuring, when Mrs. Gilson
prowled into her room and demanded "Busy?" so casually that Claire was
suspicious.

"No. Not very. Something up?"

"A nice party. Come down and meet an amusing man from Alaska."

Claire took her time powdering her nose, and ambled downstairs and into
the drawing-room, to find----

Jeff Saxton, Mr. Geoffrey Saxton, who is the height of Brooklyn Heights,
standing by the fireplace, smiling at her.




CHAPTER XXIX

THE ENEMY LOVE


But at second glance--was it Jeff? This man was tanned to a thick even
brown in which his eyes were startlingly white. His hands were burned
red; there was a scar across one of them; and he was standing with them
cockily at his hips, all unlike the sleekly, noisily quiet Jeff of
Brooklyn. He was in corduroy trousers and belted corduroy jacket, with a
khaki-colored flannel shirt.

But his tranquilly commanding smile was Jeff's, and his lean grace; and
Jeff's familiar amused voice greeted her paralyzed amazement with:

"Hello, pard! Ain't I met you some place in Montana?"

"Well--where--in--the----"

"Just landed from Alaska. Had to run up there from California. How are
you, little princess?"

His hand was out to her, then both hands, beseechingly, but she did not
run to him, as she had at Flathead Lake. She stalked him cautiously, and
shook hands--much too heartily. She sought cover in the wing-chair
and--much too cordially--she invited:

"Tell me all about it."

He was watching her. Already his old pursuing determination, his steady
dignity, were beginning to frighten her. But he calmly dropped into a
straight chair, and obliged:

"It's really been quite a lively journey. Didn't know I could like
roughing-it so well. And it was real roughing-it, pretty much. Oh, not
dangerous at all, but rather vigorous. I had to canoe up three hundred
miles of a shallow river, with one Indian guide, making a portage every
ten miles or so, and we got tipped over in the rapids now and then--the
Big Chief almost got drowned once--and we camped at night in the
original place where they invented mosquitoes--and one morning I shot a
black bear just in time to keep him from eating my boots."

"Oh!" she sighed in admiration, and "Oh!" again, uneasily.

Nothing had been said about it; Jeff was the last person in the world to
spoil his triumph by commenting on it; but both of them knew that they
had violently changed places; that now it was she who was the limp
indoor-dweller, and he who was the ruddy ranger; that as he had admired
her at Flathead Lake, so now it was hers to admire, and his to be
serenely heroic.

She was not far from the worshiping sub-deb in her sighing, "How _did_
you get the scar?"

"That? Oh, nothing."

"Please tell me."

"Really and truly. Nothing at all. Just a drunken fellow with a knife,
playing the fool. I didn't have to touch him--quite sure he could have
given me a frightful beating and all that sort of thing. It was the Big
Chief who got rid of him."

"He--cut you? With a kniiiiiife? Ohhhhhhh!"

She ran to him, pityingly stroked the scar, looked down at him with
filmy eyes. Then she tried to retreat, but he retained her hand, glanced
up at her as though he knew her every thought. She felt weak. How could
she escape him? "Please!" she begged flutteringly.

If he held her hand another moment, she trembled, she'd be on his lap,
in his arms--lost. And he was holding it. He was----

Oh, he was too old for her. Yes, and too paternal. But still---- Life
with Jeff would be protected, kindly, honorable.

Yet all the time she wanted, and stormily knew she wanted, to be fleeing
to the boy Milt, her mate; to run away with him, hand in hand,
discovering all the colored world, laughing at life, not afraid of
losing dignity. In fear of Jeff's very kindliness and honor, she jerked
her hand free. Then she tried to smile like a clever fencer.

As she retreated to her chair she stammered, "Did you---- Was Alaska
interesting?"

He did not let her go, this time. Easy, cat-like for all his dry
gravity, he sauntered after her, and with a fine high seriousness
pleaded his case:

"Claire dear, those few weeks of fighting nature were a revelation to
me. I'm going to have lots more of it. As it happens, they need me
there. There's plenty of copper, but there's big transportation and
employment problems that I seem better able to solve than the other
chaps--though of course I'm an absolute muff when it comes to
engineering problems. But I've had certain training and--I'm going to
arrange things so that I get up there at least once a year. Next summer
I'll make a much longer trip--see the mountains--oh, glorious
mountains--and funny half-Russian towns, and have some fishing----
Wandering. The really big thing. Even finer than your superb plucky trip
through----"

"Wasn't plucky! I'm a cry baby," she said, like a bad, contradictory
little girl.

He didn't argue it. He smiled and said "Tut!" and placidly catalogued
her with, "You're the pluckiest girl I've ever seen, and it's all the
more amazing because you're not a motion-picture Tomboy, but essentially
exquisite----"

"I'm a grub."

"Very well, then. You're a grub. So am I. And I like it. And when I make
the big Alaskan trip next year I want you to go along! Claire! Haven't
you any idea how terribly close to me the thought of you has been these
weeks? You've guided me through the wilderness----"

"It's---- I'm glad." She sprang up, beseeching, "Jeff dear, you're going
to stay for tea? I must run up and powder my nose."

"Not until you say you're glad to see me. Child dear, we've been ambling
along and---- No. You aren't a child any more. You're a woman. And if
I've never been quite a man, but just a dusty office-machine, that's
gone now. I've got the wind of the wilderness in my lungs. Man and
woman! My woman! That's all I'm going to say now, but---- Oh my God,
Claire, I do need you so!"

He drew her head to his shoulder, and for an instant she rested there.
But as she looked up, she saw coming age in the granulated skin of his
throat.

"He needs me--but he'd boss me. I'd be the cunning child-wife, even at
fifty," she worried, and "Hang him, it's like his superiority to beat
poor Milt even at adventuring--and to be such a confounded Modest
Christian Gentleman about it!"

"You'd--you're so dreadfully managing," she sighed aloud.

For the first time in all their acquaintanceship, Jeff's pride broke,
and he held her away from him, while his lips were pathetic, and he
mourned, "Why do you always try to hurt me?"

"Oh, my dear, I don't."

"Is it because you resent the decent things I have managed to do?"

"I don't understand."

"If I have an idea for a party, you think I'm 'managing.' If I think
things out deeply, you say I'm dull."

"Oh, you aren't. I didn't mean----"

"What are you? A real woman, or one of these flirts, that love to tease
a man because he's foolish enough to be honestly in love?"

"I'm not--hon-estly I'm not, Jeff. It's---- You don't quite make me----
It's just that I'm not in love with you. I like you, and respect you
terribly, but----"

"I'm going to make you love me." His clutching fingers hurt her arm, and
somehow she was not angry, but stirred. "But I'm not going to try now.
Forget the Alaskan caveman. Remember, I haven't even used the word
'love.' I've just chatted about fjords, or whatever they are, but one of
these days---- No. I won't do it. I want to stay here in Seattle a few
days, and take you on jolly picnics, but---- Would you rather I didn't
even do that? I'm----" He dropped her arm, kneaded his forehead with the
heel of his palm. "I can't stand being regarded as a bothersome puppy. I
can't stand it! I can't!"

"Please stay, Jeff! We'll have some darling drives and things. We'll go
up Rainier as far as we can."

He stayed. He was anecdotal and amusing at tea, that afternoon. Claire
saw how the Gilsons, and two girls who dropped in, admired him. That
made her uneasy. And when Mrs. Gilson begged him to leave his hotel and
stay with them, he refused with a quick look at Claire that hurt her.

"He wants me to be free. He's really so much more considerate than Milt.
And I hurt him. Even his pride broke down. And I've spoiled Milt's life
by meddling. And I've hurt the Gilsons' feelings. And I'm not much of a
comfort to father. Oh, I'm absolutely no good," she agonized.




CHAPTER XXX

THE VIRTUOUS PLOTTERS


Mr. Geoffrey Saxton, in Alaskan tan and New York evening clothes and
Piccadilly poise, was talking to the Eugene Gilsons while Claire
finished dressing for the theater.

Mrs. Gilson observed, "She's the dearest thing. We've become awfully
fond of her. But I don't think she knows what she wants to do with life.
She's rather at loose ends. Who is this Daggett boy--some university
student--whom she seems to like?"

"Well, since you speak of him---- I hadn't meant to, unless you did. I
want to be fair to him. What did she tell you about him?" Jeff asked
confidentially.

"Nothing, except that he's a young engineer, and frightfully brave and
all those uncomfortable virtues, and she met him in Yellowstone Park or
somewhere, and he saved her from a bear--or was it a tramp?--from
something unnecessary, at any rate."

"Eva, I don't want to be supercilious, but the truth is that this young
Daggett is a rather dreadful person. He's been here at the house, hasn't
he? How did he strike you?"

"Not at all. He's silent, and as dull as lukewarm tea, but perfectly
inoffensive."

"Then he's cleverer than I thought! Daggett is anything but dull and
inoffensive, and if he can play that estimable role----! It seems that
he is the son of some common workman in the Middlewest; he isn't an
engineer at all; he's really a chauffeur or a taxi-driver or something;
and he ran into Claire and Henry B. on the road, and somehow insinuated
himself into their graces--far from being silent and commonplace, he
appears to have some strange kind of charm which," Jeff sighed, "I don't
understand at all. I simply don't understand it!

"I met him in Montana with the most gorgeously atrocious person I've
ever encountered--one Pinky Westlake, or some such a name--positively, a
crook! He tried to get Boltwood and myself interested in the commonest
kind of a mining swindle--hinted that we were to join him in cheating
the public. And this Daggett was his partner--they actually traveled
together. But I do want to be just. I'm not _sure_ that Daggett was
aware of his partner's dishonesty. That isn't what worries me about the
lad. It's his utter impossibility. He's as crude as iron-ore. When he's
being careful, he may manage to be inconspicuous, but give him the
chance----

"Really, I'm not exaggerating when I say that at thirty-five he'll be
dining in his shirt-sleeves, and sitting down to read the paper with his
shoes off and feet up on the table. But Claire--you know what a dear
Quixotic soul she is--she fancies that because this fellow repaired a
puncture or something of the sort for her on the road, she's indebted
to him, and the worse he is, the more she feels that she must help him.
And affairs of that kind---- Oh, it's quite too horrible, but there have
been cases, you know, where girls as splendid and fine and well-bred as
Claire herself have been trapped into low marriages by their loyalty to
cadging adventurers!"

"Oh!" groaned Mrs. Gilson; and "Good Lord!" lamented Mr. Gilson,
delighted by the possibility of tragedy; and "Really, I'm not
exaggerating," said Jeff enthusiastically.

"What are we going to do?" demanded Mrs. Gilson; while Mr. Gilson, being
of a ready and inventive mind, exclaimed, "By Jove, you ought to kidnap
her and marry her yourself, Jeff!"

"I'd like to. But I'm too old."

They beautifully assured him that he was a blithe young thing with milk
teeth; and with a certain satisfaction Jeff suggested, "I tell you what
we might do. Of course it's an ancient stunt, but it's good. I judge
that Daggett hasn't been here at the house much. Why not have him here
so often that Claire will awaken to his crudity, and get sick of him?"

"We'll do it," thrilled Mrs. Gilson. "We'll have him for everything from
nine-course dinners with Grandmother Eaton's napkins on view, to milk
and cold ham out of the ice-box. When Claire doesn't invite him, I
will!"




CHAPTER XXXI

THE KITCHEN INTIMATE


Milt had become used to the Gilson drawing-room. He was no longer
uncomfortable in the presence of its sleek fatness, though at first (not
knowing that there were such resources as interior decorators), he had
been convinced that, to have created the room, the Gilsons must have
known everything in the world. Now he glanced familiarly at its white
paneling, its sconces like silver candlesticks, the inevitable davenport
inevitably backed by an amethyst-shaded piano lamp and a table crowded
with silver boxes and picture-frames. He liked the winsomeness of light
upon velvet and polished wood.

It was not the drawing-room but the kitchen that dismayed him.

In Schoenstrom he had known that there must somewhere be beautiful
"parlors," but he had trusted in his experience of kitchens. Kitchens,
according to his philosophy, were small smelly rooms of bare floors, and
provided with one oilcloth-covered table, one stove (the front draft
always broken and propped up with the lid-lifter), one cupboard with
panes of tin pierced in rosettes, and one stack of dirty dishes.

But the Gilson kitchen had the efficiency of a laboratory and the
superciliousness of a hair-dresser's booth. With awe Milt beheld walls
of white tiles, a cork floor, a gas-range large as a hotel-stove, a
ceiling-high refrigerator of enamel and nickel, zinc-topped tables, and
a case of utensils like a surgeon's knives. It frightened him; it made
more hopelessly unapproachable than ever the Alexandrian luxury of the
great Gilsons.... The Vanderbilts' kitchen must be like this. And maybe
King George's.

He was viewing the kitchen upon the occasion of an intimate Sunday
evening supper to which he had been yearningly invited by Mrs. Gilson.
The maids were all out. The Gilsons and Claire, Milt and Jeff Saxton,
shoutingly prepared their own supper. While Mrs. Gilson scrambled eggs
and made coffee, the others set the table, and brought cold ham and a
bowl of salad from the ice-box.

Milt had intended to be a silent but deft servitor. When he had heard
that he was to come to supper with the returned Mr. Geoffrey Saxton, he
had first been panic-shaken, then resolved. He'd "let old iron-face
Saxton do the high and mighty. Let him stand around and show off his
clothes and adjectives, way he did at Flathead Lake." But he, Milt,
would be "on the job." He'd help get supper, and calmly ignore Jeff's
rudeness.

Only--Jeff wasn't rude. He greeted Milt with, "Ah, Daggett! This is _so_
nice!" And Milt had no chance to help. It was Jeff who anticipated him
and with a pleasant, "Let me get that--I'm kitchen-broke," snatched up
the cold ham and salad. It was Jeff who found the supper plates, while
Milt was blunderingly wondering how any one family could use a "whole
furniture-store-full of different kinds of china." It was Jeff who
sprang to help Claire wheel in the tea-wagon, and so captured the chance
to speak to her for which Milt had been maneuvering these five minutes.

When they were settled, Jeff glowed at him, and respectfully offered, "I
thought of you so often, Daggett, on a recent little jaunt of mine.
You'd have been helpful."

"Where was that?" asked Milt suspiciously (wondering, and waiting to
see, whether you could take cold ham in your fingers).

"Oh, in Alaska."

"In--Alaska?" Milt was dismayed.

"Yes, just a business trip there. There's something I wish you'd advise
me about."

He was humble. And Milt was uneasy. He grumbled, "What's that?"

"I've been wondering whether it would be possible to use wireless
telephony in Alaska. But I'm such a dub at electricity. Do you know----
What would be the cost of installing a wireless telephone plant with a
hundred-mile radius?"

"Gee, I don't know!"

"Oh, so sorry. Well, I wonder if you can tell me about wireless
telegraphy, then?"

"No, I don't know anything about that either."

Milt had desperately tried to make his answer gracious but somehow----
He hated this devil's obsequiousness more than he had his chilliness at
Flathead Lake. He had a feeling that the Gilsons had delightedly kicked
each other under the table; that, for all her unchanging smile, Claire
was unhappy.... And she was so far off, a white wraith floating beyond
his frantic grasp.

"It doesn't matter, really. But I didn't know---- So you've started in
the engineering school at the University of Washington," Saxton was
purring. "Have you met Gid Childers there--son of old Senator
Childers--charming people."

"I've seen him. He has a Stutz--no, his is the Mercer," sighed Milt.

He hated himself for it, but he couldn't quite keep the awe out of his
voice. People with Mercers----

Claire seemed to be trying to speak. She made a delicate, feminine,
clairesque approximation to clearing her throat. But Jeff ignored her
and with almost osculatory affection continued to Milt:

"Do let me know if there's anything I can do to help you. We're
acquainted with two or three of your engineering faculty at the Office.
They write in about various things. Do you happen to know Dr.
Philgren?"

"Oh yes. Say! He's a wonder!" Milt was betrayed into exclaiming.

"Yes. Good chap, I believe. He's been trying to get a job with us. We
may give him one. Just tell him you're a friend of mine, and that he's
to give you any help he can."

Milt choked on a "Thanks."

"And--now that we're just the family here together--how goes the
financial side? Can I be of any assistance in introducing you to some
engineering firm where you could do a little work on the side? You could
make quite a little money----"

So confoundedly affectionate and paternal----

Milt said irritably, "Thanks, but I don't need to do any work. I've got
plenty of money."

"How pleasant!" Saxton's voice was smooth as marshmallow. "You're
fortunate. I had quite a struggle to get through Princeton."

Wasn't Mr. Gilson contrasting Saxton's silk shirt with Milt's darned
cotton covering, and in light of that contrast chuckling at Milt's boast
and Saxton's modesty? Milt became overheated. His scalp prickled and his
shoulder-blades were damp. As Saxton turned from him, and crooned to
Claire, "More ham, honey?" Milt hated himself. He was in much of the
dramatic but undesirable position of a man in pajamas, not very good
pajamas, who has been locked out in the hotel corridor by the slamming
of his door. He was in the frame of mind of a mongrel, of a real
Boys'-Dog, at a Madison Square dog-show. He had a faint shrewd suspicion
of Saxton's game. But what could he do about it?

He felt even more out of place when the family forgot him and talked
about people of whom he had never heard.

He sat alone on an extremely distant desert isle and ate cold ham and
wished he were in Schoenstrom.

Claire had recovered her power of speech. She seemed to be trying to
bring him into the conversation, so that the family might appreciate
him.

She hesitated, and thought with creased brows, and brought out, "Uh, uh,
oh---- Oh Milt: How much is gas selling at now?"...

       *       *       *       *       *

Milt left that charming and intimate supper-party at nine. He said, "Got
to work on--on my analytical geometry," as though it was a lie; and he
threw "Good night" at Saxton as though he hated his kind, good
benefactor; and when he tried to be gracious to Mrs. Gilson the best he
could get out was, "Thanks f' inviting me." They expansively saw him to
the door. Just as he thought that he had escaped, Saxton begged, "Oh,
Daggett, I was arguing with a chap---- What color are Holstein-Friesian
cattle? Red?"

"Black and white," Milt said eagerly.

He heard Mrs. Gilson giggle.

He stood on the terrace wiping his forehead and, without the least
struggle, finally and irretrievably admitting that he would never see
Claire Boltwood or any of her friends again. Not--never!

       *       *       *       *       *

He had received from Mrs. Gilson a note inviting him to share their box
at the first night of a three-night Opera Season. He had spent half a
day in trying to think of a courteously rude way of declining.

A straggly little girl came up from the candy-shop below his room,
demanding, "Say, are you Mr. Daggett? Say, there's some woman wants to
talk to you on our telephone. Say, tell them we ain't supposed to be no
messenger-office. You ain't supposed to call no upstairs people on our
telephone. We ain't supposed to leave the store and go trotting all over
town to---- Gee, a nickel, gee, thank you, don't mind what ma says,
she's always kicking."

On the telephone, he heard Claire's voice in an agitated, "Milt! Meet me
down-town, at the Imperial Motion Picture Theater, right away. Something
I've got to tell you. I'll be in the lobby. Hurry!"

When he bolted in she was already in the lobby, agitatedly looking over
a frame of "stills." She ran to him, hooked her fingers in his lapel,
poured out, "They've invited you to the opera? I want you to come and
put it all over them. I'm almost sure there's a plot. They want to show
me that you aren't used to tiaras and saxophones and creaking dowagers
and tulle. Beat 'em! Beat 'em! Come to the opera and be awf'ly aloof and
supercilious. You can! Yes, you can! And be sure--wear evening clothes.
Now I've got to hurry."

"B-but----"

"Don't disappoint me. I depend on you. Oh, say you will!"

"I will!"

She was gone, whisking into the Gilson limousine. He was in a glow at
her loyalty, in a tremor of anger at the meddlers.

But he had never worn evening clothes.

He called it "a dress-suit," and before the complications of that exotic
garb, he was flabby with anxiety. To Milt and to Schoenstrom--to Bill
McGolwey, even to Prof Jones and the greasily prosperous Heinie
Rauskukle--the dress-suit was the symbol and proof, the indication and
manner, of sophisticated wealth. In Schoenstrom even waiters do not wear
dress-suits. For one thing there aren't any waiters. There is one
waitress at the Leipzig House, Miss Annie Schweigenblat, but you
wouldn't expect Miss Schweigenblat to deal them off the arm in black
trousers with braid down the side.

No; a dress-suit was what the hero wore in the movies; and the hero in
the movies, when he wasn't a cowpuncher, was an ex-captain of the Yale
football team, and had chambers and a valet. You could tell him from the
valet because he wasn't so bald. It is true that Milt had heard that in
St. Cloud there were people who wore dress-suits at parties, but then
St. Cloud was a city, fifteen or sixteen thousand.

"How could he get away with a dress-suit? How could he keep from feeling
foolish in a low-cut vest, and what the deuce would he do with the
tails? Did you part 'em or roll 'em up, when you sat down? And wouldn't
everybody be able to tell from his foolish look that he didn't belong in
one?" He could hear A.D.T. boys and loafers in front of pool rooms
whispering, "Look at the piker in the rented soup and fish!"

For of course he'd rent one. Nobody bought them--except plutes like
Henry B. Boltwood.

He agitatedly walked up and down for an hour, peering into haberdashery
windows, looking for a kind-faced young man. He found him, in Ye Pall
Mall Toggery Shoppe & Shoes; an open-faced young man who was gazing
through the window as sparklingly as though he was thinking of going as
a missionary to India--and liked curry. Milt ironed out his worried
face, clumped in, demanded fraternally, "Say, old man, don't some of
these gents' furnishings stores have kind of little charts that tell
just what you wear with dress-suits and Prince Alberts and everything?"

"You bet," said the kind-faced young man.

West of Chicago, "You bet" means "Rather," and "Yes indeed," and "On the
whole I should be inclined to fancy that there may be some vestiges of
accuracy in your curious opinion," and "You're a liar but I can't afford
to say so."

The kind-faced young man brought from behind the counter a beautiful
brochure illustrated with photographs of Phoebus Apollo in what were
described as "American Beauty Garments--neat, natty, nobby, new." The
center pages faithfully catalogued the ties, shirts, cuff-links, spats,
boots, hats, to wear with evening clothes, morning clothes, riding
clothes, tennis costumes, polite mourning.

As he looked it over Milt felt that his wardrobe already contained all
these gentlemanly possessions.

With the aid of the clerk and the chart he purchased a tradition-haunted
garment with a plate-armor bosom and an opening as crooked as the
Missouri River; a white tie which in his strong red hands looked as
silly as a dead fish; waistcoat, pearl links, and studs. For the first
time, except for seizures of madness during two or three visits to
Minneapolis motor accessory stores, he caught the shopping-fever. The
long shining counter, the trim red-stained shelves, the glittering
cases, the racks of flaunting ties, were beautiful to him and
beckoning. He revolved a pleasantly clicking rack of ties, then turned
and fought his way out.

He bought pumps--which cost exactly twice as much as the largest sum
which he had allowed himself. He bought a newspaper, and in the
want-columns found the advertisement:

 Silberfarb the Society Tailor
      DRESS SUITS TO RENT
     Snappiest in the City

Despite the superlative snappiness of Mr. Silberfarb's dress-suits his
establishment was a loft over a delicatessen, approached by a splintery
stairway along which hung shabby signs announcing the upstairs offices
of "J. L. & T. J. O'Regan, Private Detectives," "The Zenith Spiritualist
Church, Messages by Rev. Lulu Paughouse," "The International Order of
Live Ones, Seattle Wigwam," and "Mme. Lavourie, Sulphur Baths." The dead
air of the hallway suggested petty crookedness. Milt felt that he ought
to fight somebody but, there being no one to fight, he banged along the
flapping boards of the second-floor hallway to the ground-glass door of
Silberfarb the Society Tailor, who was also, as an afterthought on a
straggly placard, "Pressng & Cleang While U Wait."

He belligerently shouldered into a low room. The light from the one
window was almost obscured by racks of musty-smelling black clothes
which stretched away from him in two dismal aisles that resembled a
morgue of unhappy dead men indecently hung up on hooks. On a long,
clumsily carpentered table, a small Jew, collarless, sweaty, unshaven,
was darning trousers under an evil mantle gaslight. The Jew wrung out
his hands and tried to look benevolent.

"Want to rent a dress-suit," said Milt.

"I got just the t'ing for you!"

The little man unfolded himself, galloped down the aisle, seized the
first garment that came to hand, and came back to lay it against Milt's
uncomfortable frame, bumbling, "Fine, mister, fy-en!"

Milt studied the shiny-seamed, worn-buttonholed, limp object with
dislike. Its personality was disintegrated. The only thing he liked
about it was the good garage stink of gasoline.

"That's almost worn out," he growled.

At this sacrilege Mr. Silberfarb threw up his hands, with the dingy suit
flapping in them like a bed-quilt shaken from a tenement window. He
looked Milt all over, coldly. His red but shining eyes hinted that Milt
was a clodhopper and no honest wearer of evening clothes. Milt felt
humble, but he snapped, "No good. Want something with class."

"Vell, that was good enough for a university professor at the big dance,
but if you say so----"

In the manner of one who is being put to an unfair amount of trouble,
Mr. Silberfarb returned the paranoiac dress-suit to the rack, sighing
patiently as he laboriously draped it on a hanger. He peered and pawed.
He crowed with throaty triumph and brought back a rich ripe thing of
velvet collar and cuffs. He fixed Milt with eyes that had become as
sulky as the eyes of a dog in August dust.

"Now that--you can't beat that, if you vant class, and it'll fit you
like a glove. Oh, that's an ellllegant garment!"

Shaking himself out of the spell of those contemptuous eyes Milt opened
his brochure, studied the chart, and in a footnote found, "Never wear
velvet collars or cuffs with evening coat."

"Nope. Nix on the velvet," he remarked.

Then the little man went mad and ran around in circles. He flung the
ellllegant garment on the table. He flapped his arms, and wailed, "What
do you vant? What do you vannnnt? That's a hundred-and-fifty-dollar
dress-suit! That belonged to one of the richest men in the city. He sold
it to me because he was going to Japan."

"Well, you can send it to Japan after him. I want something decent. Have
you got it--or shall I go some place else?"

The tailor instantly became affectionate. "How about a nice Tuxedo?" he
coaxed.

"Nope. It says here--let me see--oh yes, here it is--it says here in the
book that for the theater-with-ladies, should not wear 'dinner-coat or
so-called Tuxedo, but----'"

"Oh, dem fellows what writes books they don't know nothing. Absolute!
They make it up."

"Huh! Well, I guess I'll take my chance on them. The factory knows the
ignition better 'n any repair-man."

"Vell say, you're a hard fellow to please. I'll give you one of my
reserve stock, but you got to leave me ten dollars deposit instead of
five."

Mr. Silberfarb quite cheerfully unlocked a glass case behind the racked
and ghostly dead; he brought out a suit that seemed to Milt almost
decent. And it almost fitted when, after changing clothes in a broiling,
boiling, reeking, gasoline-pulsing hole behind the racks, he examined it
before a pier-glass. But he caught the tailor assisting the fit by
bunching up a roll of cloth at the shoulder. Again Milt snapped, and
again the tailor suffered and died, and to a doubting heathen world
maintained the true gospel of "What do you vannnnt? It ain't stylish to
have the dress-suit too tight! All the gents is wearing 'em loose and
graceful." But in the end, after Milt had gone as far as the door, Mr.
Silberfarb admitted that one dress-coat wouldn't always fit all persons
without some alterations.

The coat did bag a little, and it was too long in the sleeves, but as
Milt studied himself in his room--by placing his small melancholy mirror
on the bureau, then on a chair, then on the floor, finally, to get a
complete view, clear out in the hall--he admitted with stirring delight
that he looked "pretty fair in the bloomin' outfit." His clear face, his
shining hair, his straight shoulders, seemed to go with the costume.

He wriggled into his top-coat and marched out of his room,
theater-bound, with the well-fed satisfaction of a man who is certain
that no one is giggling, "Look at the hand-me-downs." His pumps did
alternately pinch his toes and rub his heels; the trousers cramped his
waist; and he suspected that his tie had gone wandering. But he
swaggered to the trolley, and sat as one rich and famous and very kind
to the Common People, till----

Another man in evening clothes got on the car, and Milt saw that he wore
a silk hat, and a white knitted scarf; that he took out and examined a
pair of white kid gloves.

He'd forgotten the hat! He was wearing his gray felt. He could risk the
gloves, but the hat--the "stovepipe"--and the chart had said to wear
one--he was ruined----

He turned up the collar of his top-coat to conceal his white tie, tried
to hide each of his feet behind the other to cover up his pumps; sought
to change his expression from that of a superior person in evening
clothes to that of a decent fellow in honest Regular Clothes. Had the
conductor or any of the passengers realized that he was a dub in a
dress-suit without the hat?

Once he thought that the real person in real evening clothes was looking
at him. He turned his head and bore the probable insult in weak misery.

Too feeble for anything but thick suffering he was dragged on toward the
theater, the opera, people in silk hats--toward Jeff Saxton and
exposure.

But his success in bullying the tailor had taught him that dressing
wasn't really a hidden lore to be known only by initiates; that some day
he too might understand the black and white magic of clothes. His
bruised self-consciousness healed. "I'll do--something," he determined.
He waited, vacuously.

The Gilson party was not in the lobby when he arrived. He tore off his
top-coat. He draped it over his felt hat, so that no one could be sure
what sort of hat it shamefully concealed. That unveiling did expose him
to the stare of everybody waiting in the lobby. He was convinced that
the entire ticket-buying cue was glumly resenting him. Peeping down at
the unusual white glare of his shirt-front, he felt naked and
indecent.... "Nice kind o' vest. Must make 'em out of old pique
collars."

He endured his martyrdom till his party arrived--the Gilsons, Claire,
Jeff Saxton, and a glittering young woman whose name, Milt thought, was
Mrs. Corey.

And Saxton wasn't wearing a high hat! He wore a soft one, and he didn't
seem to care!

Milt straightened up, followed them through the manifold dangers of the
lobby, down a perilous aisle of uptilted scornful faces, to a red narrow
corridor, winding stairs, a secret passage, a mysterious dark
closet--and he walked out into a room with one side missing, and, on
that side, ten trillion people in a well, and nine trillion of them
staring at him and noticing that he'd rented his dress-suit. Hot about
the neck, he stumbled over one or two chairs, and was permitted to rest
in a foolish little gilt chair in the farthest corner.

Once safe, he felt much better. Except that Jeff did put on white kid
gloves, Milt couldn't see that they two looked so different. And neither
of the two men in the next box wore gloves. Milt made sure of that
comfort; he reveled in it; he looked at Claire, and in her loyal smile
found ease.

He snarled, "She trusts you. Forget you're a dub. Try to be human. Hang
it, I'm no greener at the opera than old horsehair sofa there would be
at a garage."

There was something---- What was it he was trying to remember? Oh yes.
When he'd worked in the Schoenstrom flour-mill, as engineer, at
eighteen, the owner had tried to torment him (to "get his goat," Milt
put it), and Milt had found that the one thing that would save him was
to smile as though he knew more than he was telling. It did not, he
remembered, make any difference whether or not the smile was real. If he
merely looked the miller up and down, and smiled cynically, he was let
alone.

Why not----

Saxton was bending toward him, asking in honeyed respectfulness:

"Don't you think that the new school in music--audible pointillage, one
might call it--mistakes cacophony for power?"

Milt smiled, paternally.

Saxton waited for something more. He dug the nail of his right middle
finger into his thumb, looked thoughtful, and attacked again:

"Which do you like better: the new Italian music, or the orthodox
German?"

Milt smiled like two uncles watching a clever baby, and patronized
Saxton with, "They both have their points."

He saw that Claire was angry; but that the Gilsons and Mrs. Corey,
flap-eared, gape-mouthed, forward-bending, were very proud of their
little Jeff. He saw that, except for their clothes and self-conscious
coiffures, they were exactly like a gang of cracker-box loafers at
Heinie Rauskukle's badgering a new boy in town.

Saxton looked bad-tempered. Then Mrs. Corey bustled with her face and
yearned at Milt, "Do tell me: what is the theme of the opera tonight.
I've rather forgotten."

Milt ceased to smile. While all of them regarded him with interest he
said clearly, "I haven't got the slightest idea. I don't know anything
about music. Some day I hope I can get a clever woman like you to help
me, Mrs. Corey. It must be great to know all about all these arts, the
way you do. I wish you'd explain that--overture they call it, don't
they?"

For some reason, Mr. Gilson was snickering, Mrs. Corey flushing, Claire
looking well pleased. Milt had tried to be insulting, but had got lost
in the intricacies of the insult. He felt that he'd better leave it in
its apparently safe state, and he leaned back, and smiled again, as
though he was waiting. Mrs. Corey did not explain the overture. She
hastily explained her second maid, to Mrs. Gilson.

The opera was _Il Amore dei Tre Re_. Milt was bewildered. To him, who
had never seen an opera, the convention that a girl cannot hear a man
who is bellowing ten feet away from her, was absurd; and he wished that
the singers would do something besides making their arms swim.

He discovered that by moving his chair forward, he could get within a
foot of Claire. His hand slipped across, touched hers. She darted a
startled backward glance. Her fingers closed tight about his, then
restlessly snuggled inside his palm--and Milt was lost in enchantment.

Stately kings of blood-red cloaks and chrysoberyls malevolent in crowns
of ancient and massy gold--the quick dismaying roll of drums and the
shadow of passing banners below a tower--a woman tall and misty-veiled
and pale with dreams--a world of spirit where the soul had power over
unseen dominions--this he saw and heard and tasted in the music. What
the actual plot was, or the technique of the singing, he did not know,
but it bore him beyond all reality save the sweet, sure happiness of
Claire's nestling hand.

He held her fingers so firmly that he could feel the pulse beat in them.

       *       *       *       *       *

In the clamminess of his room, when the enchantment was gone, he said
gravely:

"How much longer can I keep this up? Sooner or later I bust loose and
smash little Jeff one in the snoot, and he takes the count, and I'm
never allowed to see Claire again. Turn the roughneck out on his ear. I
s'pose I'm vulgar. I s'pose that fellow Michael in _Youth's Encounter_
wouldn't talk about snoots. I don't care, I'll---- If I poke Saxton
one---- I'm not afraid of the kid-glove precinct any more. My brain's
as good as theirs, give it a chance. But oh, they're all against me. And
they bust the Athletic Union's wrestling rule that 'striking, kicking,
gouging, hair-pulling, butting, and strangling will not be allowed.' How
long can I go on being good-natured? When I do break loose----"

Slowly, beneath the moral cuff of his dress-shirt, Milt's fist closed in
a brown, broad-knuckled lump, and came up in the gesture of a right to
the jaw. But it came up only a foot. The hand opened, climbed to Milt's
face, rubbed his temples, while he sighed:

"Nope. Can't even do that. Bigger game now. Used to could--used to be
able to settle things with a punch. But I've got to be more--oh, more
diplomatic now. Oh Lord, how lonely I get for Bill McGolwey. No. That
isn't true. I couldn't stand Bill now. Claire took all that out of me.
Where am I, where am I? Why did I ever get a car that takes a 36 x 6?"




CHAPTER XXXII

THE CORNFIELD ARISTOCRAT


It was an innocent little note from Jeff Saxton; a polite, humble little
note; it said that Jeff had a card to the Astoria Club, and wouldn't
Milt please have lunch with him? But Milt dropped it on the table, and
he walked round it as though it were a dictagraph which he'd discovered
in the table drawer after happy, happy, hidden hours at counterfeiting.

It seemed more dangerous to refuse than to go. He browned the celebrated
new shoes; he pressed the distinguished new trousers, with a light and
quite unsatisfactory flatiron; he re-re-retied his best spotted blue
bow--it persisted in having the top flaps too short, but the retying
gave him spiritual strength--and he modestly clumped into the aloof
brick portal of the Astoria Club on time.

He had never been in a club before.

He looked at the red tiled floor of the entrance hall; he stared through
the hall into an immense lounge with the largest and softest chairs in
the world, with oil portraits of distinguished old bucks, and ninety per
cent. of the wealth and power of Seattle pulling its several mustaches,
reading the P.I., and ignoring the lone intruder out in the hall.

A small Zulu in blue tights and brass buttons glared at Milt; and a
large, soft, suave, insulting young man demanded, "Yes, sir?"

"Mr. G-g-geoffrey Saxton?" ventured Milt.

"Not in, sir." The "sir" sounded like "And you know it." The flaming
guardian retired behind a narrow section of a bookkeeper's desk and
ignored him.

"I'm to meet him for lunch," Milt forlornly persisted.

The young man looked up, hurt and annoyed at finding that the person was
still to be dealt with.

"If you will wait in there?" he groaned.

Milt sat in there, which was a small blue tapestry room with hard chairs
intended to discourage bill-collectors. He turned his hat round and
round and round, till he saw Jeff Saxton, slim and straight and hard as
the stick hooked over his arm, sailing into the hall. He plunged out
after him, took refuge with him from the still unconvinced inspection of
the hall-man. For twenty seconds, he loved Jeff Saxton.

And Jeff seemed to adore him in turn. He solicitously led Milt to the
hat-checking counter. He showed Milt the lounge and the billiard room,
through which Milt crept with erect shoulders and easy eyes and a heart
simply paralyzed with fear that one of these grizzled clubmen with
clipped mustaches would look at him. He coaxed Milt into a grill that
was a cross between the Chinese throne-room and a Viennese Weinstube,
and he implored his friend Milt to do him the favor of trying the "very
fair" English mutton chops and potatoes _au gratin_.

"I did want to see you again before we go East, Daggett," he said
pleasantly.

"Th-thanks. When do you go?"

"I'm trying to get Miss Boltwood to start soon now. The season is
opening in the East. She does like your fine sturdy West, as I do, but
still, when we think of the exciting new shows opening, and the dances,
and the touch with the great world---- Oh, it does make one eager to get
back."

"That's so," risked Milt.

"We, uh---- Daggett---- In fact, I'm going to call you Milt, as Claire
does. You don't know what a pleasure it has been to have encountered
you. There's a fine keen courage about you Western chaps that makes a
cautious old fogy like me envious. I shall remember meeting you with a
great deal of pleasure."

"Th-thanks. Been pleasure meet you."

"And I know Claire will, too."

Milt felt that he was being dealt with foully. He wanted to object to
Saxton's acting as agent for Claire as incompetent, irrelevant,
immaterial, and no foundation laid. But he could not see just where he
was being led, and with Saxton glowing at him as warmly and greasily as
the mutton chops, Milt could only smile wanly, and reflectively feel
the table leg to see if it was loose enough to jerk out in case of need.

Saxton was being optimistic:

"In fact, Claire and I both hope that some day when you've finished your
engineering course, we'll see you in the East. I wonder---- As I say, my
dear fellow, I've taken the greatest fancy to you, and I do hope you
won't think I'm too intimate if I say that I imagine that even in your
charming friendship with Miss Boltwood, you've probably never learned
what important people the Boltwoods are. I thought I'd tell you so that
you could realize the privilege both you and I have in knowing them.
Henry B. is--while not a man of any enormous wealth--regarded as one of
the keenest intellects in New York wholesale circles. But beyond that,
he is a scholar, and a man of the broadest interests. Of course the
Boltwoods are too modest to speak of it, but he was chiefly instrumental
in the establishment of the famous Brooklyn Symphony Orchestra. And his
ancestors clear through--his father was a federal judge, and his
mother's brother was a general in the Civil War, and afterwards an
ambassador. So you can guess something of the position Claire holds in
that fine, quiet, solid old Brooklyn set. Henry Ward Beecher himself was
complimented at being asked to dine with the Boltwoods of his day,
and----"

No, the table leg wouldn't come loose, so it was only verbally that the
suddenly recovered Milt attacked:

"Certainly is nice to have one of those old families. It's something
like---- As you say, you and I have gotten pretty well acquainted along
the line, so I guess I can say it to you---- My father and his folks
came from that same kind of family. Father's dad was a judge, back in
Maine, and in the war, grand-dad was quite friendly with Grant."

This tribute of Milt to his grandsire was loyal but inaccurate. Judge
Daggett, who wasn't a judge at all, but a J. P., had seen General Grant
only once, and at the time the judge had been in company with all the
other privates in the Fourteenth Maine.

"Dad was a pioneer. He was a doctor. He had to give up all this
easy-going stuff in order to help open up the West to civilization, but
I guess it was worth it. He used to do the hardest kind of operations,
on kitchen tables, with his driver giving the chloroform. I'm mighty
proud of him. As you say, it's kind of what you might call inspiring to
belong to the old Pilgrim aristocracy."

Never before had Milt claimed relation to a group regarding which his
only knowledge was the information derived from the red school-history
to the effect that they all carried blunderbusses, put people in the
stocks for whistling, and frequently said, "Why don't you speak for
yourself, John?" But he had made his boast with a clear eye and a
pleasant, superior, calm smile.

"Oh! Very interesting," grunted Saxton.

"Would you like to see grandfather's daguerreotype?"

"Oh, yes, yes, uh, thanks, that would be very interesting---- Do let me
see it, when---- Uh, as I was saying, Claire doubtless has a tremendous
social career before her. So many people expecting her to marry well. Of
course she has a rather unusual combination of charm and intelligence
and---- In fact I think we may both be glad that----"

"Yes. That's right. And the best thing about her is the way she can
shake off all the social stuff and go camping and be a regular human
being," Milt caressed.

"Um, uh, no doubt, no doubt, though---- Of course, though, that isn't an
inherent part of her. I fancy she's been rather tired by this long trip,
poor child. Of course she isn't very strong."

"That's right. Real pluck. And of course she'll get stronger by hiking.
You've never seen her bucking a dangerous hill--I kind of feel that a
person who hasn't seen her in the wilds doesn't know her."

"I don't want to be contradictory, old man, but I feel on the other hand
that no one who has failed to see her at the Junior League Dances, in a
Poiret frock, can know her! Come, come! Don't know how we drifted into
this chorus of praise of Claire! What I wanted to ask was your opinion
of the Pierce-Arrow. I'm thinking of buying one. Do you think that----"

All the way home Milt exulted, "I put it all over him. I wasn't scared
by the 'Don't butt into the aristocracy, my young friend' stuff. I lied
handsome. But---- Darn it, now I'll have to live up to my New England
aristocracy.... Wonder if my grand-dad's dad was a hired man or a
wood-sawyer?... Ne' mine; I'm Daggett of Daggett from now on." He
bounded up to his room vaingloriously remarking, "I'm there with the
ancestors. I was brought up in the handsome city of Schoenstrom, which
was founded by a colony of Vermont Yankees, headed by Herman Skumautz. I
was never allowed to play with the Dutch kids, and----" He opened the
door. "--the Schoenstrom minister taught me Greek and was my bosom
frien'----"

He stopped with his heart in his ankles. Lolling on the bed, grinning,
waving a cigarette, was Bill McGolwey, proprietor of the Old Home Lunch,
of Schoenstrom, Minnesota.

"Wwwwwwwwwwwwwwwwwwwwwwwwwwwhy where the heck did you come from?"
stammered the deposed aristocrat to his bosom friend Bill.

"You old lemon-pie-faced, lollygagging, flap-footed, crab-nosed son of
misery, gee, but it's good to see you, Milt!"

Bill was off the bed, wringing Milt's hand with simple joy, with perfect
faith that in finding his friend all the troubles of life were over. And
Milt was gloomily discovering the art of diplomacy. Bill was his friend,
yes, but----

It was hard enough to carry his own self.

He pictured Jeff Saxton leering at the door, and while he pounded Bill's
shoulder, and called him the name which, west of Chicago, is the token
of hatred and of extreme gladness at meeting, he discovered that some
one had stolen his stomach and left a piece of ice in its place.

They settled down on bed and chair, Bill's ears red with joy, while Milt
demanded:

"How the deuce did you get here?"

"Well, tell you, old hoss. Schoenstrom got so darn lonely after you
left, and when Ben and Heinie got your address and bought the garage,
think's I, lez go off on a little bum."

Milt was realizing--and hating himself for realizing--that Bill's face
was dirty, his hair linty, the bottoms of his trousers frayed masses of
mud, while Bill chuckled:

"I figured out maybe I could get a job here in a restaurant, and you and
me could room together. I sold out my good will in the Old Home Lunch
for a hundred bucks. I was going to travel swell, riding the cushions.
But Pete Swanson wanted me to go down to the Cities first, and we run
into some pretty swift travelers in Minneapolis, and a couple of
girls--saaaaaaay, kid, some class!"

Bill winked, and Milt--Milt was rather sick. He knew Bill's conception
of class in young women. Was this the fellow he had liked so well? These
the ideas which a few months ago he had taken as natural and extremely
amusing?

"And I got held up in an alley off Washington Avenue, and they got the
last twenty bones off'n me, and I was flatter 'n a pancake. So I says
'ish kabibble,' and I sneaks onto the blind baggage, and bums my way
West. You'd 'a' died laughing to seen me throwing my feet for grub. Oh,
I'm some panhandler! There was one _Frau_ sicked her dog onto me, and I
kicked him in the jaw and---- Oh, it was one swell hike."

Milt was trying to ignore the voice that was raging, "And now he expects
to live on me, after throwing his own money away. The waster! The hobo!
He'll expect to meet Claire---- I'd kill him before I'd let him soil her
by looking at her. Him and his classy girls!" Milt tried to hear only
the other inner voice, which informed him, "He looks at you so
trustingly. He'd give you his shirt, if you needed it--and he wouldn't
make you ask for it!"

Milt tried to be hearty: "What're you going to do, old kid?"

"Well, the first thing I'm going to do is to borrow ten iron-men and a
pair of pants."

"You bet! Here she is. Haven't got any extra pants. Tell you: Here's
another five, and you can get the pants at the store in the next block,
this side of the street. Hustle along now and get 'em!" He chuckled at
Bill; he patted his arm; he sought to hurry him out.... He had to be
alone, to think.

But Bill kissed the fifteen dollars, carelessly rammed it into his
pocket, crawled back on the bed, yawned, "What's the rush? Gosh, I'm
sleepy. Say, Milt, whadyuh think of me and you starting a lunch-room
here together? You got enough money out of the garage----"

"Oh no, noooo, gee, I'd like to, Bill, but you see, well, I've got to
hold onto what little I've got so I can get through engineering school."

"Sure, but you could cash in on a restaurant--you could work evenings in
the dump, and there'd be a lot of city sports hanging around, and we'd
have the time of our lives."

"No, I---- I study, evenings. And I---- The fact is, Bill, I've met a
lot of nice fellows at the university and I kind of go around with
them."

"Aw, how d'you get that way? Rats, you don't want to go tagging after
them Willy-boys. Damn dirty snobs. And the girls are worse. I tell you,
Milt, these hoop-te-doodle society Janes may look all right to hicks
like us, but on the side they raise more hell than any milliner's
trimmer from Chi that ever vamped a rube burg."

"What do you know about them?"

"Now don't get sore. I'm telling you. I don't like to see any friend of
mine make a fool of himself hanging around with a bunch that despises
him because he ain't rich, that's all. Met any of the high-toned
skirts?"

"Yes--I--_have_!"

"Trot 'em up and lemme give 'em the once-over."

"We--we'll see about it. Now I got to go to a mathematics recitation,
Bill. You make yourself comfortable, and I'll be back at five."

Milt did not have to go to a recitation. He marched out with briskness
in his step, and a book under his arm; but when he reached the corner,
the briskness proved to be spurious, and the mathematics book proved to
be William Rose Benet's _Merchants of Cathay_, which Claire had given
him in the Yellowstone, and which he had rescued from the wrecked bug.

He stood staring at it. He opened it with unhappy tenderness. He had
been snatched from the world of beautiful words and serene dignity, of
soaring mountains and companionship with Claire in the radiant morning,
back to the mud and dust of Schoenstrom, from the opera to "city sports"
in a lunch-room! He hated Bill McGolwey and his sneering assumption that
Milt belonged in the filth with him. And he hated himself for not being
enough of a genius to combine Bill McGolwey and Claire Boltwood. But not
once, in his maelstrom of worry on that street corner, did he expect
Claire to like Bill. Through all his youthful agonizing, he had enough
common sense to know that though Claire might conquer a mountain pass,
she could never be equal to the social demands of Schoenstrom and Bill
McGolwey.

He wandered for an hour and came back to find that, in a "dry" city
which he had never seen before, the crafty Bill had obtained a quart of
Bourbon, and was in a state of unsteady beatitude. He wanted, he
announced, to dance.

Milt got him into the community bathtub, and soused him under, but
Bill's wet body was slippery, and Bill's merry soul was all for
frolicsome gamboling, and he slid out of Milt's grasp, he sloshed around
in the tub, he sprinkled Milt's sacred good suit with soapy water, and
escaped, and in the costume of Adam he danced orientally in Milt's room,
till he was seized with sleepiness and cosmic grief, and retired to
Milt's bed in tears and nothing else.

The room dimmed, grew dark. The street lamps outside sent a wan, wavery
gleam into the room. Evening crowds went by, and in a motion-picture
theater a banging piano struck up. Bill breathed in choking snorts. Milt
sat unmoving, feeling very old, very tired, too dumbly unhappy to be
frightened of the dreadful coming hour when Claire and Jeff should hear
of Bill, and discover Milt's real world.

He was not so romantically loyal, not so inhumanly heroic, that it can
truthfully be reported that he never thought of getting rid of Bill. He
did think of it, again and again. But always he was touched by Bill's
unsuspecting trust, and shook his head, and sank again into the fog.

What was the use of trying to go ahead? Wasn't he, after all, merely a
Bill McGolwey himself?

If he was, he wouldn't inflict himself on Claire.

For several minutes he gave up forever the zest of climbing.

When Bill awoke, brightly solicitous about the rest of the quart of
Bourbon, and bouncingly ready to "go out and have a time," Milt loafed
about the streets with him, showing him the city. He dully cut his
classes, next morning, and took Bill to the wharves.

It was late in the afternoon, when they were lounging in the room, and
Bill was admiring his new pants--he boasted of having bought them for
three dollars, and pointed out that Milt had been a "galoot" to spend
ten dollars for shoes--that some one knocked at the door. Sleepily
expectant of his landlady, Milt opened it on Miss Claire Boltwood, Mr.
and Mrs. Eugene Gilson, and Mr. Geoffrey Saxton.

Saxton calmly looked past him, at Bill, smiled slightly, and
condescended, "I thought we ought to call on you, so we've dropped in to
beg for tea."

Bill had stopped midway in scratching his head to gape at Claire. Claire
returned the look, stared at Bill's frowsy hair, his red wrists, his
wrinkled, grease-stained coat, his expression of impertinent stupidity.
Then she glanced questioningly at Milt, who choked:

"Oh yes, yes, sure, glad see you, come in, get some tea, so glad see
you, come in----"




CHAPTER XXXIII

TOOTH-MUG TEA


"My friend Mr. McGolwey--I knew him in Schoenstrom--come on to Seattle
for a while. Bill, these are some people I met along the road," Milt
grumbled.

"Glad to meet 'em. Have a chair. Have two chairs! Say, Milt, y'ought to
have more chairs if you're going to have a bunch of swells coming to
call on you. Ha, ha, ha! Say, I guess I better pike out and give the
folks a chance to chin with you," Bill fondly offered.

"Oh, sit down," Milt snapped at him.

They all sat down, four on the bed; and Milt's inner ear heard a mute
snicker from the Gilsons and Saxton. He tried to talk. He couldn't. Bill
looked at him and, perceiving the dumbness, gallantly helped out:

"So you met the kid on the road, eh? Good scout, Milt is. We always used
to say at Schoenstrom that he was the best darn hand at fixing a flivver
in seven townships."

"So you knew Mr. Daggett at home? Now isn't that nice," said Mrs.
Gilson.

"_Knew_ him? Saaaaay, Milt and I was brung up together. Why, him and I
have bummed around together, and worked on farms, summers, and fished
for bull-heads---- Ever catch a bull-head? Damnedest slipperiest fish
you ever saw, and got horns that sting the stuffin's out of you and----
Say, I wonder if Milt's told you about the time we had at a barn-dance
once? There was a bunch of hicks there, and I says, 'Say, kid, lez
puncture their tires, and hide back of the manure pile, and watch the
fun when they come out.' I guess maybe I was kind of stewed a little,
tell the truth, but course Milt he don't drink much, hardly at all, nice
straight kid if I do say so----"

"Bill!" Milt ordered. "We must have some tea. Here's six-bits. You run
down to the corner grocery and get some tea and a little cream. Oh, you
better buy three-four cups, too. Hustle now, son!"

"Attaboy! Yours to command, ladies and gents, like the fellow says!"
Bill boomed delightedly. He winked at Jeff Saxton, airily spun his
broken hat on his dirty forefinger, and sauntered out.

"Charming fellow. A real original," crooned Mrs. Gilson.

"Did he know your friend Mr. Pinky?" asked Saxton.

Before Milt could answer, Claire rose from the bed, inspected the
Gilsons and Jeff with cold dislike, and said quietly to Milt, "The poor
dear thing--he was dreadfully embarrassed. It's so good of you to be
nice to him. I believe in being loyal to your old friends."

"Oh, so do I!" babbled Mrs. Gilson. "It's just too splendid. And _we_
must do something for him. I'm going to invite Mr. Daggett and Mr.--Mr.
McGollups, was it?--to dinner this evening. I do want to hear him tell
about your boyhood. It must have been so interesting."

"It was," mused Milt. "It was poor and miserable. We had to work
hard--we had to fight for whatever education we got--we had no one to
teach us courtesy."

"Oh now, with your fine old doctor father? Surely he was an
inspiration?" Jeff didn't, this time, trouble to hide the sneer.

"Yes. He was. He gave up the chance to be a rich loafer in order to save
farmers' babies for fees that he never got."

"I'm sure he did. I wish I'd known him. We need to know men like that in
this pink-frosting playing at living we have in cities," Claire said
sweetly--not to Milt but to Jeff.

Mrs. Gilson had ignored them, waiting with the patience of a cat at a
mouse-hole, and she went on, "But you haven't said you'd come, this
evening. Do say you will. I don't suppose Mr. McGollups will care to
dress for dinner?"

With saccharin devotion Milt yearned back, "No, Mrs. Gilson. No. Mr.
McGolwey won't care to dress. He's eccentric."

"But you'll make him come?"

Milt was tactfully beginning to refuse when Gene Gilson at last
exploded, turned purple, covered his dripping, too-red lips with his
handkerchief.

Then, abruptly, Milt hurled at Mrs. Gilson, "All right. We'll come.
Bill'll be awfully funny. He's never been out of a jerkwater burg in his
life, hardly. He's an amusing cuss. He thinks I'm smart! He loves me
like a dog. Oh, he's rich! Ha, ha, ha!"

Milt might have gone on ... if he had, Mr. and Mrs. Gilson would have
gone away, much displeased. But Bill arrived, with some of the worst tea
in the world, and four cups tastefully done in cupids' heads and much
gilt.

Milt made tea, ignoring them, while Bill entertained the Gilsons and
Saxtons with Rabelaisian stories of threshing-time when shirts prickly
with chaff and gritty with dust stuck to sweat-dripping backs; of the
"funny thing" of Milt and Bill being hired to move a garbage-pile and
"swiping" their employer's "mushmelons"; of knotting shirts at the
swimming-hole so that the bawling youngsters had to "chaw beef"; of
drinking beer in the livery-stable at Melrose; of dropping the
water-pitcher from a St. Klopstock hotel window upon the head of the
"constabule" and escaping from him across the lean-to roof.

Mrs. Gilson encouraged him; Bill sat with almost closed eyes, glorying
in the saga of small-town life; Saxton and Gilson did not conceal their
contemptuous grins.

But Claire---- After nervously rubbing the tips of her thumbs with
flickering agitated fingers, she had paid no attention to Bill and the
revelation of Milt's rustic life; she had quietly gone to Milt, to help
him prepare the scanty tea.

She whispered, "Never mind, dear. I don't care. It was all twice as much
fun as being wheeled in lacy prams by cranky nurses, as Jeff and I were.
But I know how you feel. Are you ashamed of having been a prairie
pirate?"

"No, I'm not! We were wild kids--we raised a lot of Cain--but I'm glad
we did."

"So am I. I couldn't stand it if you were ashamed. Listen to me, and
remember little Claire's words of wisdom. These fools are trying--oh,
they're so obvious!--they're trying to make me feel that the prim Miss
Boltwood of Brooklyn Heights is a stranger to you. Well, they're
succeeding in making me a stranger--to them!"

"Claire! Dear! You don't mind Bill?"

"Yes. I do. And so do you. You've grown away from him."

"I don't know but---- Today has been quite a test."

"Yes. It has. Because if I can stand your friend Mr. McGolwey----"

"Then you do care!"

"Perhaps. And if I think that he's, oh, not much good, and I remember
that for a long time you just had him to play with, then I'm all the
more anxious to make it up to you."

"Don't be sorry for me! I can't stand that! After all, it was a good
town, and good folks----"

"No! No! I'm not sorry for you! I just mean, you couldn't have had so
terribly much fun, after you were eighteen or so. Schoenstrom must have
been a little dull, after very many years there. This stuff about the
charm of backwoods villages--the people that write it seem to take jolly
good care to stay in Long Island suburbs!"

"Claire!" He was whispering desperately, "The tea's most done. Oh, my
dear. I'm crazy with this puttering around, trying to woo you and having
to woo the entire Gilson tribe. Let's run away!"

"No; first I'm going to convince them that you are--what I know you
are."

"But you can't."

"Huh! You wait! I've thought of the most beautiful, beastly cruel plan
for the reduction of social obesity----"

Then she was jauntily announcing, "Tea, my dears. Jeff, you get the
tooth-mug. Isn't this jolly!"

"Yes. Oh yes. Very jolly!" Jeff was thoroughly patronizing, but she
didn't look offended. She made them drink the acid tea, and taste the
chalk-like bread and butter sandwiches. She coaxed Bill to go on with
his stories, and when the persistent Mrs. Gilson again asked the pariahs
to come to dinner, Claire astonished Milt, and still more astonished
Mrs. Gilson, by begging, "Oh yes, please do come, Milt."

He consented, savagely.

"But first," Claire added to Mrs. Gilson, "I want us to take the boys
to---- Oh, I have the bulliest idea. Come, everybody. We're going
riding."

"Uh, where----?" hinted Mr. Gilson.

"That's my secret. Come!"

Claire pranced to the door, herded all of them down to the limousine,
whispered an address to the chauffeur.

Milt didn't care much for that ride. Bill was somewhat too evidently not
accustomed to limousines. He wiped his shoes, caked with red mud, upon
the seat-cushions, and apologized perspiringly. He said, "Gee
whillikens, that's a dandy idee, telephone to bawl the shuffer out
with," and "Are them flowers real, the bokay in the vase?"

But the Gilsons and Jeff Saxton were happy about it all--till the car
turned from a main thoroughfare upon a muddy street of shacks that clung
like goats to the sides of a high cut, a street unchanged from the
pioneer days of Seattle.

"Good heavens, Claire, you aren't taking us to see Aunt Hatty, are you?"
wailed Mrs. Gilson.

"Oh yes, indeed. I knew the boys would like to meet her."

"No, really, I don't think----"

"Eva, my soul, Jeff and you planned our tea party today, and assured me
I'd be so interested in Milt's bachelor apartment---- By the way, I'd
been up there already, so it wasn't entirely a surprise. It's my turn to
lead." She confided to Milt, "Dear old Aunt Hatty is related to all of
us. She's Gene's aunt, and my fourth cousin, and I think she's distantly
related to Jeff. She came West early, and had a hard time, but she's
real Brooklyn Heights--and she belongs to Gramercy Park and North
Washington Square and Rittenhouse Square and Back Bay, too, though she
has got out of touch a little. So I wanted you to meet her."

Milt wondered what unperceived bag of cement had hardened the faces of
Saxton and the Gilsons.

Silent save for polite observations of Claire upon tight skirts and
lumbering, the merry company reached the foot of a lurching flight of
steps that scrambled up a clay bank to a cottage like a hen that has set
too long. Milt noticed that Mrs. Gilson made efforts to remain in the
limousine when it stopped, and he caught Gilson's mutter to his wife,
"No, it's Claire's turn. Be a sport, Eva."

Claire led them up the badly listed steps to an unpainted porch on which
sat a little old lady, very neat, very respectable, very interested, and
reflectively holding in one ivory hand a dainty handkerchief and a black
clay pipe.

"Hello, Claire, my dear. You've broken the relatives' record--you've
called twice in less than a year," said the little old lady.

"How do you do, Aunt Harriet," remarked Mrs. Gilson, with great lack of
warmth.

"Hello, Eva. Sit down on the edge of the porch. Those chickens have made
it awful dirty, though, haven't they? Bring out some chairs. There's two
chairs that don't go down under you--often." Aunt Harriet was very
cheerful.

The group lugubriously settled in a circle upon an assemblage of
wind-broken red velvet chairs and wooden stools. They resembled the
aftermath of a funeral on a damp day.

Claire was the cheerful undertaker, Mrs. Gilson the grief-stricken
widow.

Claire waved at Milt and conversed with Aunt Hatty in a high brisk
voice: "This is the nice boy I met on the road that I think I told you
about, Cousin Hatty."

The little old lady screwed up the delicate skin about her eyes,
examined Milt, and cackled, "Boy, there's something wrong here. You
don't belong with my family. Why, you look like an American. You
haven't got an imitation monocle, and I bet you can't talk with a New
York-London accent. Why, Claire, I'm ashamed of you for bringing a human
being into the Boltwood-Gilson-Saxton tomb and expecting----"

Then was the smile of Mrs. Gilson lost forever. It was simultaneously
torpedoed, mined, scuttled, and bombed. It went to the bottom without a
ripple, while Mrs. Gilson snapped, "Aunt Hatty, please don't be vulgar."

"Me?" croaked the little old lady. She puffed at her pipe, and dropped
her elbows on her knees. "My, ain't it hard to please some folks."

"Cousin Hatty, I want Milt to know about our families. I love the dear
old stories," Claire begged prettily.

Mrs. Gilson snarled. "Claire, really----"

"Oh, do shut up, Eva, and don't be so bossy!" yelped the dear little old
lady, in sudden and dismaying rage. "I'll talk if I want to. Have they
been bullying you, Claire? Or your boy? I tell you, boy, these families
are fierce. I was brought up in Brooklyn--went through all the
schools--used to be able to misplay the piano and mispronounce French
with the best of 'em. Then Gene's pa and I came West together--he had an
idea he'd get rich robbing the Injuns of their land. And we went broke.
I took in washing. I learned a lot. I learned a Gilson was just the
same common stuff as a red-shirt miner, when he was up against it. But
Gene's pa succeeded--there was something about practically stealing a
fur schooner--but I never was one to tattle on my kin. Anyway, by the
time Gene come along, his pa was rich, and that means aristocratic.

"This aristocracy west of Pittsburgh is just twice as bad as the
snobbery in Boston or New York, because back there, the families have
had their wealth long enough--some of 'em got it by stealing real estate
in 1820, and some by selling Jamaica rum and niggers way back before the
Revolutionary War--they've been respectable so long that they know
mighty well and good that nobody except a Britisher is going to question
their blue blood--and oh my, what good blueing third-generation money
does make. But out here in God's Country, the marquises of milling and
the barons of beef are still uneasy. Even their pretty women, after
going to the best hair-dressers and patronizing the best charities,
sometimes get scared lest somebody think they haven't either brains or
breeding.

"So they're nasty to all low pussons like you and me, to make sure we
understand how important they are. But lands, I know 'em, boy. I'm kept
pensioned up here, out of the way, but I read the social notes in the
papers and I chuckle---- When there's a big reception and I read about
Mrs. Vogeland's pearls, and her beautiful daughter-in-law, I remember
how she used to run a boarding-house for miners----

"Well, I guess it's just as shoddy in the East if you go far enough
back. Claire, you're a nice comforting body, and I hate to say it, but
the truth is, your great-grandfather was an hostler, and made his first
money betting on horses. Now, my, I oughtn't to tell that. Do you mind,
dearie?"

"Not a bit. Isn't it delightful that this is such a democratic country,
with no castes," said Claire.

At this, the first break in the little old lady's undammable flood, Mrs.
Gilson sprang up, yammering, "The rest of you may stay as long as you
like, but if I'm to be home in time to dress for dinner----"

"Yes, and I must be going," babbled Saxton.

Milt noted that his lower lip showed white tooth-marks.

It must be admitted that all of them rather ignored the little old lady
for a moment. Milt was apologetically hinting, "I don't really think
Bill and I'd better come to dinner this evening, Mrs. Gilson. Thanks a
lot but---- It's kind of sudden."

Claire again took charge. "Not at all, Milt. Of course you're coming. It
was Eva herself who invited you. I'm sure she'll be delighted."

"Charmed," said Mrs. Gilson, with the expression of one who has
swallowed castor oil and doubts the unity of the universe.

There was a lack of ease about the farewells to Aunt Harriet. As they
all turned away she beckoned Milt and murmured, "Did I raise the
dickens? I tried to. It's the only solace besides smoking that a moral
old lady can allow herself, after she gets to be eighty-two and begins
to doubt everything they used to teach her. Come and see me, boy. Now
get out, and, boy, beat up Gene Gilson. Don't be scared of his wife's
hoity-toity ways. Just sail in."

"I will," said Milt.

He had one more surprise before he reached the limousine.

Bill McGolwey, who had sat listening to everything and scratching his
cheek in a puzzled way, seized Milt's sleeve and rumbled:

"Good-by, old hoss. I'm not going to butt in on your game and get you in
Dutch. Gosh, I never supposed you had enough class to mingle with
elittys like this gang, but I know when I'm in wrong. You were too darn
decent to kick me out. Do it myself. You're best friend I ever had
and---- Good luck, old man! God bless you!"

Bill was gone, running, stumbling, fleeing past Aunt Harriet's cottage,
off into a sandy hilltop vacancy. The last Milt saw of him was when, on
the skyline, Bill stopped for a glance back, and seemed to be digging
his knuckles into his eyes.

Then Milt turned resolutely, marched down the stairs, said to his hosts
with a curious quietness, "Thank you for asking me to dinner, but I'm
afraid I can't come. Claire, will you walk a few blocks with me?"

During the half minute it had taken to descend the steps, Milt had
reflected, with an intensity which forgot Bill, that he had been
selfish; that he had thought only of the opinion of these "nice people"
regarding himself, instead of understanding that it was his duty to save
Claire from their enervating niceness. Not that he phrased it quite in
this way. What he had been muttering was:

"Rotten shame--me so scared of folks' clothes that I don't stand up to
'em and keep 'em from smothering Claire. Lord, it would be awful if she
settled down to being a Mrs. Jeff Saxton. Got to save her--not for
myself--for her."

It may have been Aunt Harriet, it may have been Milt's resolution, but
Mrs. Gilson answered almost meekly, "Well, if you think---- Would you
like to walk, Claire?"

As he tramped off with Claire, Milt demanded, "Glad to escape?"

"Yes, and I'm glad you refused dinner. It really has been wearing, this
trial by food."

"This is the last time I'll dare to meet the Gilsons."

"And I'll have to be going back East. I hope the Gilsons will forgive
me, some day."

"I'm afraid you didn't win them over by Aunt Hatty!"

"No. They're probably off me for life. Oh, these horrible social
complications--worse than any real danger--fire or earthquake----"

"Oh, these complications--they don't exist! We just make 'em, like we
make rules for a card game. What the deuce do we care about the opinions
of people we don't like? And who appointed these people to a fixed
social position? Did the president make Saxton High Cockalorum of
Dress-Suits or something? Why, these are just folks, the same as kings
and coal-heavers. There's no army we've got to fight. There's just you
and me--you and I--and if we stick together, then we have all society,
we _are_ all society!"

"Ye-es, but, Milt dear, I don't want to be an outcast."

"You won't be. In the long run, if you don't take these aristocrats
seriously, they'll be all the more impressed by you."

"No. That sounds cheering, in stories and these optimistic editorials in
the magazines, but it isn't true. And you don't know how pleasant it is
to be In. I've always been more or less on the inside, and thought
outsiders dreadful. But---- Oh, I don't care! I don't care! With
you--I'm happy. That's all I know and all I want to know. I've just
grown up. I've just learned the greatest wisdom--to know when I'm
happy. But, Milt dear---- I say this because I love you. Yes, I do love
you. No, don't kiss me. Yes, it is too---- It's _far_ too public. And I
want to talk seriously. You can't have any idea how strong social
distinctions are. Don't despise them just because you don't know them."

"No. I won't. I'll learn. Probably America will get into the war. I'll
be an engineering officer. I'll learn this social dope from the
college-boy officers. And I'll come to Brooklyn with shoulder-straps and
bells on and---- Will you be waiting?"

"Oh--yes---- But, Milt! If the war comes, you must be very careful not
to get shot!"

"All right, if, you insist. Good Lord, Claire. I don't know what put it
into my head but---- Do you realize that a miracle has happened? We're
no longer Miss Boltwood and a fellow named Daggett. We have been, even
when we've liked each other, up to today. Always there's been a kind of
fence between us. We had to explain and defend ourselves and scrap----
But now we're _us_, and the rest of the world has disappeared, and----"

"And nothing else matters," said Claire.




CHAPTER XXXIV

THE BEGINNING OF A STORY


It was the farewell to Claire and Jeff Saxton, a picnic in the Cascades,
near Snoqualmie Falls--a decent and decidedly Milt-less fiesta. Mrs.
Gilson was going to show Claire that they were just as hardy adventurers
as that horrid Daggett person. So she didn't take the limousine, but
merely the seven-passenger Locomobile with the special body.

They were ever so rough and wild. They had no maid. The chauffeur was
absolutely the only help to the Gilsons, Claire, Jeff, and the
temporarily and ejaculatorily nature-loving Mrs. Betz in the daring task
of setting out two folding camp-tables, covering them with a linen
cloth, and opening the picnic basket. Claire had to admit that she
wished that she could steal the picnic basket for Milt. There were
vacuum bottles of hot coffee. There were sandwiches of anchovy and _pate
de foie gras_. There were cream cakes with almonds hidden in the suave
cream, and there was a chicken salad with huge chunks of pure white meat
wallowing in a sea of mayonnaise.

When the gorging was done and the cigarettes brought out (the chauffeur
passed a spirit lamp), they stretched on rubber blankets, and groaned a
little, and spoke well of nature and the delights of roughing it.

"What is it? What's wrong? They're so--oh, so polite. They don't mean
what they say and they don't dare to say what they mean. Is that it?"
worried Claire.

She started. She discovered that she was looking at a bristle of
rope-colored hair and a grin projected from the shelter of a manzanita
bush.

"For the----" she gasped. She was too startled to be able to decide what
was for-the. She spoke judiciously to Jeff Saxton about Upper Montclair,
the subway, and tennis. She rose to examine the mountains, strolled
away, darted down a gully, and pounced on Milt Daggett with:

"How in heaven's name----"

"Found out where you-all were going. Look! Got a bug! Rented it. Come
on! Let's duck! Drive back with me!" At the end of the gully was a new
Teal bug, shinier than the ancient lost chariot, but equally gay and
uncomfortable.

"Can't. Like to, but---- Be awfully rude to them. Won't do that--not
more than is good for their souls--even for you. Now don't be sulky."

"I won't. Nev' be sulky again, because you're crazy about me, and I
don't have to be sulky."

"Oh, I am, am I! Good heavens, the inconceivable conceit of the child!"

She turned her back. He darted to her, caught her hands behind her,
kissed her hair, and whispered, "You are!"

"I am not!"

"Well then, you're not. Lord, you're sweet! Your hair smells like
cinnamon and clean kittens. You'd rather go bumping off in my flivver
than sailing in that big Loco they've got there."

"Yes," defiantly, "I would, and I'm ashamed of myself. I'm a throw-back
to my horrid ancestor, the betting hostler."

"Probably. I'm a throw-back to my ancestor the judge. I'll train you to
meet my fine friends."

"Well--upon--my--word--I---- Oh, do stop being idiotic. We talk like
children. You reduce me to the rank of a gibbering schoolgirl. And I
like it! It's so--oh, I don't know--so darn human, I suppose. Now
hurry--kiss me, and get out, before they suspect."

"Listen."

"Yes?"

"I'll accidentally meet your car along the road. Invite you to ride. All
right?"

"Yes. Do. Oh, we _are_ two forlorn babes in the woods! G'-by."

She sauntered back to the picnic, and observed, "What is that purple
flower up on the mountain side?"

The big car was sedately purring back when it was insulted by an
intermediate host of a machine that came jumping out of a side road. The
vulgar driver hailed them with uncouth howling. The Gilsons' chauffeur
stopped, annoyed.

"Why, hello folks," bawled the social bandit.

"Oh. How do you do," refuted Mrs. Gilson.

Jeff Saxton turned a ripe purple.

"How do you like my new bug, Claire? Awful little object. But I can make
fifty an hour. Come and try it, Claire, can't you?"

"Why----" Claire was obviously shocked by the impropriety of the
suggestion. She looked at Mrs. Gilson, who was breathing as though she
was just going under the ether. Claire said doubtfully, "Well---- If you
can get me right back to the house----"

"Sure," agreed Milt.

When the Loco was gone, Milt drove the bug to the side of the road,
yanked up the emergency brake, and carefully kissed the girl who was
snuggled down into the absurd low tin-sided seat.

"Do we have to get back soon?" he begged.

"Oh, I don't care if we never get back. Let's shoot up into the
mountains. Side road. Let's pretend we're driving across the continent
again."

Firs dashing by--rocks in the sunshine--clouds jaunty beyond the
inviting mouth of a mountain pass--even the ruts and bumps and
culverts--she seemed a part of them all. In the Gilsons' huge cars she
had been shut off from the road, but in this tiny bug, so close to
earth, she recovered the feeling of struggle, of triumph over
difficulties, of freedom unbounded. And she could be herself, good or
bad, ignorant or wise, with this boy beside her. All of which she
expressed in the most eloquent speech she had ever uttered, namely:

"Oh, _Milt_----!"

And, to herself, "Golly, it's such a relief not to have to try to be
gracious and aphoristic and repartistic and everything with Jeff."

And, "But I wonder if I am aphoristic and subtle? I wonder if when she
gets the rice-powder off, Claire isn't a lot more like Milt than she
thought?"

And, aloud again, "Oh, this is----"

"Yump. It sure is," Milt agreed.

They had turned from a side-road into a side-side-road. They crossed an
upland valley. The fall rains had flooded a creek till it had cut across
the road, washed through the thin gravel, left across the road a shallow
violent stream. Milt stopped abruptly at its margin.

"Here's where we turn back, I guess," he sighed.

"Oh no! Can't we get across? It's only a couple of feet deep, and gravel
bottom," insisted the restored adventurer.

"Yes, but look at the steep bank. Never get up it."

"I don't care. Let's try it! We can woggle around and dig it out
somehow. I bet you two-bits we can," said the delicate young woman whom
Mrs. Gilson was protecting.

"All right. In she goes!"

The bug went in--shot over the bank, dipped down till the little hood
sloped below them as though they were looping the loop, struck the
rushing water with a splash which hurled yellow drops over Claire's rose
jersey suit, lumbered ahead, struck the farther bank, pawed at it
feebly, rose two inches, slipped back, and sat there with the gurgling
water all around it, turned into a motor-boat.

"No can do," grunted Milt. "Scared?"

"Nope. Love it! This is a real camp--the brush on the bank, and the
stream--listen to it chuckle under the running-board."

"Do you like to camp with me?"

"Love it."

"Say! Gee! Never thought---- Claire! Got your transportation back East?"

"My ticket? Yes. Why?"

"Well, I'm sure you can turn it in and get a refund. So that's all
right."

"Are you going to let me in on the secret?"

"Oh yes, might's well. I was just wondering---- I don't think much of
wasting all our youth waiting---- Two-three years in engineering school,
and maybe going to war, and starting in on an engineering job, and me
lonely as a turkey in a chicken yard, and you doing the faithful young
lady in Brooklyn---- I think perhaps we might get married tomorrow
and----"

"Good heavens, what do you----?"

"Do you want to go back to Brooklyn Gilsonses?"

"No, but----"

"Dear, can't we be crazy once, while we're youngsters?"

"Don't bombard me so! Let me think. One must be practical, even in
craziness."

"I am. I have over a thousand dollars from the garage, and I can work
evenings--as dear Jeff suggested! We'd have a two-by-four flat----
Claire----"

"Oh, let me think. I suppose I could go to the university, too, and
learn a little about food and babies and building houses and government.
I need to go to school a lot more than you do. Besides auction and the
piano--which I play very badly--and clothes and how to get hold of
tickets for successful plays, I don't know one single thing."

"Will you marry me, tomorrow?"

"Well, uh----"

"Think of Mrs. Gilson's face when she learns it! And Saxton, and that
Mrs. Betz!"

It was to no spoken sentence but to her kiss that she added, "Providing
we ever get the car out of this river, that is!"

"Oh, my dear, my dear, and all the romantic ways I was going to propose!
I had the best line about roses and stars and angels and everything----"

"They always use those, but nobody ever proposed to me in a bug in a
flood before! Oh! Milt! Life is fun! I never knew it till you kidnapped
me. If you kiss me again like that, we'll both topple overboard. By the
way, _can_ we get the car out?"

"I think so, if we put on the chains. We'll have to take off our shoes
and stockings."

Shyly, turning from him a little, she stripped off her stockings and
pumps, while he changed from a flivver-driver into a young viking, with
bare white neck, pale hair ruffled about his head, trousers rolled up
above his straight knees--a young seaman of the crew of Eric the Red.

They swung out on the running-board, now awash. With slight squeals they
dropped into the cold stream. Dripping, laughing, his clothes clinging
to him, he ducked down behind the car to get the jack under the back
axle, and with the water gurgling about her and splashing its
exhilarating coldness into her face, she stooped beside him to yank the
stiff new chains over the rear wheels.

They climbed back into the car, joyously raffish as a pair of gipsies.
She wiped a dab of mud from her cheek, and remarked with an earnestness
and a naturalness which that Jeff Saxton who knew her so well would
never have recognized as hers:

"Gee, I hope the old bird crawls out now."

Milt let in the reverse, raced the engine, started backward with a burst
of muddy water churned up by the whirling wheels. They struck the bank,
sickeningly hung there for two seconds, began to crawl up, up, with a
feeling that at any second they would drop back again.

Then, instantly, they were out on the shore and it was absurd to think
that they had ever been boating down there in the stream. They washed
each other's muddy faces, and laughed a great deal, and rubbed their
legs with their stockings, and resumed something of a dull and civilized
aspect and, singing sentimental ballads, turned back, found another
road, and started toward a peak.

"I wonder what lies beyond the top of this climb?" said Claire.

"More mountains, and more, and more, and we're going to keep on climbing
them forever. At dawn, we'll still be going on. And that's our life."

"Ye-es, providing we can still buy gas."

"Lord, that's so."

"Speaking of which, did you know that I have a tiny bit of money--it's
about five thousand dollars--of my own?"

"But---- That makes it impossible. Young tramp marrying lady of huge
wealth----"

"No, you don't! I've accepted you. Do you think I'm going to lose the
one real playmate I've ever had? It was so lonely on the Boltwoods'
brown stoop till Milt came along and whistled impertinently and made the
solemn little girl in frills play marbles and---- Watch out for that
turn! Heavens, how I have to look after you! Is there a class in cooking
at your university? No--do--not--kiss--me--on--a--turn!"

This is the beginning of the story of Milt and Claire Daggett.

The prelude over and the curtain risen on the actual play, they face the
anxieties and glories of a changing world. Not without quarrels and
barren hours, not free from ignorance and the discomfort of finding that
between the mountain peaks they must for long gray periods dwell in the
dusty valleys, they yet start their drama with the distinction of being
able to laugh together, with the advantage of having discovered that
neither Schoenstrom nor Brooklyn Heights is quite all of life, with the
cosmic importance to the tedious world of believing in the romance that
makes youth unquenchable.


THE END.




B. M. BOWER'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.


CHIP OF THE FLYING U. Wherein the love affairs of Chip and Delia Whitman
are charmingly and humorously told.

THE HAPPY FAMILY. A lively and amusing story, dealing with the
adventures of eighteen jovial, big-hearted Montana cowboys.

HER PRAIRIE KNIGHT. Describing a gay party of Easterners who exchange a
cottage at Newport for a Montana ranch-house.

THE RANGE DWELLERS. Spirited action, a range feud between two families,
and a Romeo and Juliet courtship make this a bright, jolly story.

THE LURE OF THE DIM TRAILS. A vivid portrayal of the experience of an
Eastern author among the cowboys.

THE LONESOME TRAIL. A little branch of sage brush and the recollection
of a pair of large brown eyes upset "Weary" Davidson's plans.

THE LONG SHADOW. A vigorous Western story, sparkling with the free
outdoor life of a mountain ranch. It is a fine love story.

GOOD INDIAN. A stirring romance of life on an Idaho ranch.

FLYING U RANCH. Another delightful story about Chip and his pals.

THE FLYING U'S LAST STAND. An amusing account of Chip and the other boys
opposing a party of school teachers.

THE UPHILL CLIMB. A story of a mountain ranch and of a man's hard fight
on the uphill road to manliness.

THE PHANTOM HERD. The title of a moving-picture staged in New Mexico by
the "Flying U" boys.

THE HERITAGE OF THE SIOUX. The "Flying U" boys stage a fake bank robbery
for film purposes which precedes a real one for lust of gold.

THE GRINGOS. A story of love and adventure on a ranch in California.

STARR OF THE DESERT. A New Mexico ranch story of mystery and adventure.

THE LOOKOUT MAN. A Northern California story full of action, excitement
and love.


GROSSET & DUNLAP, PUBLISHERS, NEW YORK




STORIES OF RARE CHARM BY GENE STRATTON-PORTER

May be had wherever books are sold. Ask for Grosset & Dunlap's list.


MICHAEL O'HALLORAN. Illustrated by Frances Rogers.

Michael is a quick-witted little Irish newsboy, living in Northern
Indiana. He adopts a deserted little girl, a cripple. He also assumes
the responsibility of leading the entire rural community upward and
onward.

LADDIE. Illustrated by Herman Pfeifer.

This is a bright, cheery tale with the scenes laid in Indiana. The story
is told by Little Sister, the youngest member of a large family, but it
is concerned not so much with childish doings as with the love affairs
of older members of the family. Chief among them is that of Laddie and
the Princess, an English girl who has come to live in the neighborhood
and about whose family there hangs a mystery.

THE HARVESTER. Illustrated by W. L. Jacobs.

"The Harvester," is a man of the woods and fields, and if the book had
nothing in it but the splendid figure of this man it would be notable.
But when the Girl comes to his "Medicine Woods," there begins a romance
of the rarest idyllic quality.

FRECKLES. Illustrated.

Freckles is a nameless waif when the tale opens, but the way in which he
takes hold of life; the nature friendships he forms in the great
Limberlost Swamp; the manner in which everyone who meets him succumbs to
the charm of his engaging personality; and his love-story with "The
Angel" are full of real sentiment.

A GIRL OF THE LIMBERLOST. Illustrated.

The story of a girl of the Michigan woods; a buoyant, loveable type of
the self-reliant American. Her philosophy is one of love and kindness
towards all things; her hope is never dimmed. And by the sheer beauty of
her soul, and the purity of her vision, she wins from barren and
unpromising surroundings those rewards of high courage.

AT THE FOOT OF THE RAINBOW. Illustrations in colors.

The scene of this charming love story is laid in Central Indiana. The
story is one of devoted friendship, and tender self-sacrificing love.
The novel is brimful of the most beautiful word painting of nature, and
its pathos and tender sentiment will endear it to all.

THE SONG OF THE CARDINAL. Profusely illustrated.

A love ideal of the Cardinal bird and his mate, told with delicacy and
humor.


GROSSET & DUNLAP, PUBLISHERS, NEW YORK




ZANE GREY'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.


THE LIGHT OF WESTERN STARS

A New York society girl buys a ranch which becomes the center of
frontier warfare. Her loyal superintendent rescues her when she is
captured by bandits. A surprising climax brings the story to a
delightful close.

THE RAINBOW TRAIL

The story of a young clergyman who becomes a wanderer in the great
western uplands--until at last love and faith awake.

DESERT GOLD

The story describes the recent uprising along the border, and ends with
the finding of the gold which two prospectors had willed to the girl who
is the story's heroine.

RIDERS OF THE PURPLE SAGE

A picturesque romance of Utah of some forty years ago when Mormon
authority ruled. The prosecution of Jane Withersteen is the theme of the
story.

THE LAST OF THE PLAINSMEN

This is the record of a trip which the author took with Buffalo Jones,
known as the preserver of the American bison, across the Arizona desert
and of a hunt in "that wonderful country of deep canons and giant
pines."

THE HERITAGE OF THE DESERT

A lovely girl, who has been reared among Mormons, learns to love a young
New Englander. The Mormon religion, however, demands that the girl shall
become the second wife of one of the Mormons--Well, that's the problem
of this great story.

THE SHORT STOP

The young hero, tiring of his factory grind, starts out to win fame and
fortune as a professional ball player. His hard knocks at the start are
followed by such success as clean sportsmanship, courage and honesty
ought to win.

BETTY ZANE

This story tells of the bravery and heroism of Betty, the beautiful
young sister of old Colonel Zane, one of the bravest pioneers.

THE LONE STAR RANGER

After killing a man in self defense, Buck Duane becomes an outlaw along
the Texas border. In a camp on the Mexican side of the river, he finds a
young girl held prisoner, and in attempting to rescue her, brings down
upon himself the wrath of her captors and henceforth is hunted on one
side by honest men, on the other by outlaws.

THE BORDER LEGION

Joan Randle, in a spirit of anger, sent Jim Cleve out to a lawless
Western mining camp, to prove his mettle. Then realizing that she loved
him--she followed him out. On her way, she is captured by a bandit band,
and trouble begins when she shoots Kells, the leader--and nurses him to
health again. Here enters another romance--when Joan, disguised as an
outlaw, observes Jim, in the throes of dissipation. A gold strike, a
thrilling robbery--gambling and gun play carry you along breathlessly.

       *       *       *       *       *

THE LAST OF THE GREAT SCOUTS,

By Helen Cody Wetmore and Zane Grey

The life story of Colonel William F. Cody, "Buffalo Bill" as told by his
sister and Zane Grey. It begins with his boyhood in Iowa and his first
encounter with an Indian. We see "Bill" as a pony express rider, then
near Fort Sumter as Chief of the Scouts, and later engaged in the most
dangerous Indian campaigns. There is also a very interesting account of
the travels of "The Wild West" Show. No character in public life makes a
stronger appeal to the imagination of America than "Buffalo Bill," whose
daring and bravery made him famous.


GROSSET & DUNLAP, PUBLISHERS, NEW YORK




NOVELS OF FRONTIER LIFE BY WILLIAM MACLEOD RAINE

May be had wherever books are sold. Ask for Grosset & Dunlap's list.


MAVERICKS

A tale of the western frontier, where the "rustler" abounds. One of the
sweetest love stories ever told.

A TEXAS RANGER

How a member of the border police saved the life of an innocent man,
followed a fugitive to Wyoming, and then passed through deadly peril to
ultimate happiness.

WYOMING

In this vivid story the author brings out the turbid life of the
frontier with all its engaging dash and vigor.

RIDGWAY OF MONTANA

The scene is laid in the mining centers of Montana, where politics and
mining industries are the religion of the country.

BUCKY O'CONNOR

Every chapter teems with wholesome, stirring adventures, replete with
the dashing spirit of the border.

CROOKED TRAILS AND STRAIGHT

A story of Arizona; of swift-riding men and daring outlaws; of a bitter
feud between cattle-men and sheep-herders.

BRAND BLOTTERS

A story of the turbid life of the frontier with a charming love interest
running through its pages.

STEVE YEAGER

A story brimful of excitement, with enough gun-play and adventure to
suit anyone.

A DAUGHTER OF THE DONS

A Western story of romance and adventure, comprising a vivacious and
stirring tale.

THE HIGHGRADER

A breezy, pleasant and amusing love story of Western mining life.

THE PIRATE OF PANAMA

A tale of old-time pirates and of modern love, hate and adventure.

THE YUKON TRAIL

A crisply entertaining love story in the land where might makes right.

THE VISION SPLENDID

In which two cousins are contestants for the same prizes; political
honors and the hand of a girl.

THE SHERIFF'S SON

The hero finally conquers both himself and his enemies and wins the love
of a wonderful girl.


GROSSET & DUNLAP, PUBLISHERS, NEW YORK




JAMES OLIVER CURWOOD'S STORIES OF ADVENTURE

May be had wherever books are sold. Ask for Grosset & Dunlap's list.


KAZAN

The tale of a "quarter-strain wolf and three-quarters husky" torn
between the call of the human and his wild mate.

BAREE, SON OF KAZAN

The story of the son of the blind Grey Wolf and the gallant part he
played in the lives of a man and a woman.

THE COURAGE OF CAPTAIN PLUM

The story of the King of Beaver Island, a Mormon colony, and his battle
with Captain Plum.

THE DANGER TRAIL

A tale of snow, of love, of Indian vengeance, and a mystery of the
North.

THE HUNTED WOMAN

A tale of the "end of the line," and of a great fight in the "valley of
gold" for a woman.

THE FLOWER OF THE NORTH

The story of Fort o' God, where the wild flavor of the wilderness is
blended with the courtly atmosphere of France.

THE GRIZZLY KING

The story of Thor, the big grizzly who lived in a valley where man had
never come.

ISOBEL

A love story of the Far North.

THE WOLF HUNTERS

A thrilling tale of adventure in the Canadian wilderness.

THE GOLD HUNTERS

The story of adventure in the Hudson Bay wilds.

THE COURAGE OF MARGE O'DOONE

Filled with exciting incidents in the land of strong men and women.

BACK TO GOD'S COUNTRY

A thrilling story of the Far North. The great Photoplay was made from
this book.


GROSSET & DUNLAP, PUBLISHERS, NEW YORK




RALPH CONNOR'S STORIES OF THE NORTHWEST

May be had wherever books are sold. Ask for Grosset & Dunlap's list.


THE SKY PILOT IN NO MAN'S LAND

The clean-hearted, strong-limbed man of the West leaves his hills and
forests to fight the battle for freedom in the old world.

BLACK ROCK

A story of strong men in the mountains of the West.

THE SKY PILOT

A story of cowboy life, abounding in the freshest humor, the truest
tenderness and the finest courage.

THE PROSPECTOR

A tale of the foothills and of the man who came to them to lend a hand
to the lonely men and women who needed a protector.

THE MAN FROM GLENGARRY

This narrative brings us into contact with elemental and volcanic human
nature and with a hero whose power breathes from every word.

GLENGARRY SCHOOL DAYS

In this rough country of Glengarry, Ralph Connor has found human nature
in the rough.

THE DOCTOR

The story of a "preacher-doctor" whom big men and reckless men loved for
his unselfish life among them.

THE FOREIGNER

A tale of the Saskatchewan and of a "foreigner" who made a brave and
winning fight for manhood and love.

CORPORAL CAMERON

This splendid type of the upright, out-of-door man about which Ralph
Connor builds all his stories, appears again in this book.


GROSSET & DUNLAP, PUBLISHERS, NEW YORK




BOOTH TARKINGTON'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.


SEVENTEEN. Illustrated by Arthur William Brown.

No one but the creator of Penrod could have portrayed the immortal young
people of this story. Its humor is irresistible and reminiscent of the
time when the reader was Seventeen.

PENROD. Illustrated by Gordon Grant.

This is a picture of a boy's heart, full of the lovable, humorous,
tragic things which are locked secrets to most older folks. It is a
finished, exquisite work.

PENROD AND SAM. Illustrated by Worth Brehm.

Like "Penrod" and "Seventeen," this book contains some remarkable phases
of real boyhood and some of the best stories of juvenile prankishness
that have ever been written.

THE TURMOIL. Illustrated by C. E. Chambers.

Bibbs Sheridan is a dreamy, imaginative youth, who revolts against his
father's plans for him to be a servitor of big business. The love of a
fine girl turns Bibbs's life from failure to success.

THE GENTLEMAN FROM INDIANA. Frontispiece.

A story of love and politics,--more especially a picture of a country
editor's life in Indiana, but the charm of the book lies in the love
interest.

THE FLIRT. Illustrated by Clarence F. Underwood.

The "Flirt," the younger of two sisters, breaks one girl's engagement,
drives one man to suicide, causes the murder of another, leads another
to lose his fortune, and in the end marries a stupid and unpromising
suitor, leaving the really worthy one to marry her sister.


_Ask for Complete free list of G. & D. Popular Copyrighted Fiction_

GROSSET & DUNLAP, PUBLISHERS, NEW YORK




ELEANOR H. PORTER'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.


JUST DAVID

The tale of a loveable boy and the place he comes to fill in the hearts
of the gruff farmer folk to whose care he is left.

THE ROAD TO UNDERSTANDING

A compelling romance of love and marriage.

OH, MONEY! MONEY!

Stanley Fulton, a wealthy bachelor, to test the dispositions of his
relatives, sends them each a check for $100,000, and then as plain John
Smith comes among them to watch the result of his experiment.

SIX STAR RANCH

A wholesome story of a club of six girls and their summer on Six Star
Ranch.

DAWN

The story of a blind boy whose courage leads him through the gulf of
despair into a final victory gained by dedicating his life to the
service of blind soldiers.

ACROSS THE YEARS

Short stories of our own kind and of our own people. Contains some of
the best writing Mrs. Porter has done.

THE TANGLED THREADS

In these stories we find the concentrated charm and tenderness of all
her other books.

THE TIE THAT BINDS

Intensely human stories told with Mrs. Porter's wonderful talent for
warm and vivid character drawing.


GROSSET & DUNLAP, PUBLISHERS, NEW YORK




Transcriber's Note:

    Dialect spellings have been retained. Inconsistent hyphenation,
    except when used for emphasis, has been standardised. Minor
    typographical errors have been corrected without note.





End of the Project Gutenberg EBook of Free Air, by Sinclair Lewis

*** END OF THIS PROJECT GUTENBERG EBOOK FREE AIR ***

***** This file should be named 26732.txt or 26732.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/6/7/3/26732/

Produced by K Nordquist, Stephen Blundell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/American Libraries.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.